Author: Moritz Hauptmann
Publisher: Theclassics.Us
ISBN: 9781230452586
Category :
Languages : en
Pages : 92
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...cannot be represented in a chord with the contents C--e--G--b--D, but only in the notes b--D--e--G; that is, in the union of the triads e--G--b and G--b--D. We have similarly seen the passages into the wholly disjunct triads, e.g. from C--e--G into b--D, F and DF--a, always resulting in unions of triads most nearly related to one another: the first in b--D--F--G, the second in C--D--F--a. Therefore the so-called chords of the Ninth, Eleventh, and Thirteenth are self-excluded from the harmony of dissonance which springs from the union of triads. 239. To resolve the chord G--b--D--a or G--b--D--F--a let us make the notea descend to G. That by this no resolution of the dissonance G--a is effected is plain; for, considering the combination G--a in itself and keeping inside the key of C major, that could only consist in progression to F--a, to G--b, or to F--b. Consequently, in the passage G--b--D--a-G--b--D--G the lowest note of the first chord is entirely neglected in the resolution, and the dissonance b-a is alone taken into account, for which the resolution b G is given. A direct harmonic reference between the outer parts is no more to be pretended in this chord of the Ninth K 2 and its resolution than in the series continued in the descending sequence Gb--D--a-Q--b--D--G--Q--a--C--G-G--a--C--F--of dissonance chords and their resolutions 'corresponding with the first. The Ninth a, which progresses to the Octave G, is resolved as Seventh of b, just as in the continued succession r--a--C--G-Q--a C--F the upper G moves to F as Seventh of a and not as Octave of G. In the last succession we cannot hesitate to recognise a pedal, or organ-point, that is a series of chords under which is placed a note independent of them, and the first succession..
The Nature of Harmony and Metre
Author: Moritz Hauptmann
Publisher: Theclassics.Us
ISBN: 9781230452586
Category :
Languages : en
Pages : 92
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...cannot be represented in a chord with the contents C--e--G--b--D, but only in the notes b--D--e--G; that is, in the union of the triads e--G--b and G--b--D. We have similarly seen the passages into the wholly disjunct triads, e.g. from C--e--G into b--D, F and DF--a, always resulting in unions of triads most nearly related to one another: the first in b--D--F--G, the second in C--D--F--a. Therefore the so-called chords of the Ninth, Eleventh, and Thirteenth are self-excluded from the harmony of dissonance which springs from the union of triads. 239. To resolve the chord G--b--D--a or G--b--D--F--a let us make the notea descend to G. That by this no resolution of the dissonance G--a is effected is plain; for, considering the combination G--a in itself and keeping inside the key of C major, that could only consist in progression to F--a, to G--b, or to F--b. Consequently, in the passage G--b--D--a-G--b--D--G the lowest note of the first chord is entirely neglected in the resolution, and the dissonance b-a is alone taken into account, for which the resolution b G is given. A direct harmonic reference between the outer parts is no more to be pretended in this chord of the Ninth K 2 and its resolution than in the series continued in the descending sequence Gb--D--a-Q--b--D--G--Q--a--C--G-G--a--C--F--of dissonance chords and their resolutions 'corresponding with the first. The Ninth a, which progresses to the Octave G, is resolved as Seventh of b, just as in the continued succession r--a--C--G-Q--a C--F the upper G moves to F as Seventh of a and not as Octave of G. In the last succession we cannot hesitate to recognise a pedal, or organ-point, that is a series of chords under which is placed a note independent of them, and the first succession..
Publisher: Theclassics.Us
ISBN: 9781230452586
Category :
Languages : en
Pages : 92
Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1888 edition. Excerpt: ...cannot be represented in a chord with the contents C--e--G--b--D, but only in the notes b--D--e--G; that is, in the union of the triads e--G--b and G--b--D. We have similarly seen the passages into the wholly disjunct triads, e.g. from C--e--G into b--D, F and DF--a, always resulting in unions of triads most nearly related to one another: the first in b--D--F--G, the second in C--D--F--a. Therefore the so-called chords of the Ninth, Eleventh, and Thirteenth are self-excluded from the harmony of dissonance which springs from the union of triads. 239. To resolve the chord G--b--D--a or G--b--D--F--a let us make the notea descend to G. That by this no resolution of the dissonance G--a is effected is plain; for, considering the combination G--a in itself and keeping inside the key of C major, that could only consist in progression to F--a, to G--b, or to F--b. Consequently, in the passage G--b--D--a-G--b--D--G the lowest note of the first chord is entirely neglected in the resolution, and the dissonance b-a is alone taken into account, for which the resolution b G is given. A direct harmonic reference between the outer parts is no more to be pretended in this chord of the Ninth K 2 and its resolution than in the series continued in the descending sequence Gb--D--a-Q--b--D--G--Q--a--C--G-G--a--C--F--of dissonance chords and their resolutions 'corresponding with the first. The Ninth a, which progresses to the Octave G, is resolved as Seventh of b, just as in the continued succession r--a--C--G-Q--a C--F the upper G moves to F as Seventh of a and not as Octave of G. In the last succession we cannot hesitate to recognise a pedal, or organ-point, that is a series of chords under which is placed a note independent of them, and the first succession..
The Nature of Harmony and Metre
Author: Moritz Hauptmann
Publisher: Franklin Classics
ISBN:
Category : History
Languages : en
Pages : 408
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Franklin Classics
ISBN:
Category : History
Languages : en
Pages : 408
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Nature of Harmony and Metre
Author: Moritz Hauptmann
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 352
Book Description
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 352
Book Description
The Nature of Music
Author: Julius Klauser
Publisher:
ISBN:
Category : History
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 346
Book Description
Nature
Author: Sir Norman Lockyer
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 710
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 710
Book Description
Nature
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 880
Book Description
Hegel's Philosophy of Nature
Author: Georg Wilhelm Freidrich Hegel
Publisher: Routledge
ISBN: 1317852524
Category : Philosophy
Languages : en
Pages : 400
Book Description
The second part of Hegel’s Encyclopaedia of the Philosophical Sciences in outline. Translated, and with an introduction by, MJ Petry. This edition first published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1317852524
Category : Philosophy
Languages : en
Pages : 400
Book Description
The second part of Hegel’s Encyclopaedia of the Philosophical Sciences in outline. Translated, and with an introduction by, MJ Petry. This edition first published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
Book Description
Philosophy of Nature
Author: Georg Wilhelm Friedrich Hegel
Publisher: Psychology Press
ISBN: 9780415295796
Category : Philosophy of nature
Languages : en
Pages : 400
Book Description
Publisher: Psychology Press
ISBN: 9780415295796
Category : Philosophy of nature
Languages : en
Pages : 400
Book Description
Proceedings of the Musical Association
Author: Musical Association (Great Britain)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 260
Book Description