Author: Barbara Aria
Publisher: Chronicle Books
ISBN: 9780811832687
Category : Art
Languages : en
Pages : 110
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Book Description
In the best-selling tradition of The Spirit of the Chinese Character comes a beautiful companion, The Nature of the Chinese Character. Masterfully crafted earthly symbols are displayed throughout these rich, colorful pages--from sky and wind to water and sand. Each is accompanied by a graceful drawing illustrating the organic form that inspired the calligraphic representation and an enlightening description of the meaning, lore, and construction of the character. At once an inquiry into centuries of thought and a paean to the oldest functional art form, The Nature of the Chinese Character is exquisite in its own right-an elegant keepsake that both informs and enchants
Author: J. Marshall Unger
Publisher: University of Hawaii Press
ISBN: 9780824827601
Category : Language Arts & Disciplines
Languages : en
Pages : 220
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Book Description
In this latest book, J. Marshall Unger exposes the historical, scientific, cultural, and practical flaws accompanying the widespread belief that Chinese characters embody pure, language-less meaning. Whether one is interested in Chinese characters from the standpoint of language, literature, semiotics, psychology, history, cultural studies, or computers, Ideogram contains new ideas and insights that are sure to challenge preconceptions and provoke thought.
Author: Alan Hoenig
Publisher: Dr. Alan Hoenig
ISBN: 0982232403
Category : Foreign Language Study
Languages : en
Pages : 507
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Book Description
A systematic, building block-style plan for mastering the most daunting aspect of learning Chinese--how to remember the meaning of more than 2,000 of the most common characters--is provided in this handbook. Beginning with the simplest of strokes, such as those for numbers, scepter, and earth, and progressing to the extremely complex, such as destroy, insert, and mouse, this manual presents a methodology employing memory techniques to associate meanings with the characters' visual components. A sequence of numbered panels displays each character in two font styles, and a notation in the adjacent margin describes the character's pinyin pronunciation. Graphics that identify the components or characters from which the featured characters are drawn, and a listing of both the names of these root components, and the panel numbers that cite their location in the book augment the presentation. Beginners will be best served by using this guide in conjunction with the development of language skills, while those who are familiar with the language will find this book to be a comprehensive reference and refresher.
Author: Barbara Aria
Publisher: Chronicle Books
ISBN: 9780811801423
Category : Foreign Language Study
Languages : en
Pages : 104
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Book Description
Explores the different meanings of forty fundamental ideograms of Chinese characters.
Author: Shouhui Zhao
Publisher: Springer Science & Business Media
ISBN: 0387485767
Category : Language Arts & Disciplines
Languages : en
Pages : 430
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Book Description
This book presents the most comprehensive synthesis and analysis of major developments in reforming programs in modernizing the Chinese writing system. It traces the language policy and planning related developments for Chinese characters, with particular emphasis on post-1950 period in the People’s Republic of China (PRC) and the more recent challenges that technology, and particularly the World Wide Web, have posed for the language.
Author: 王宏源
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 234
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Book Description
Chinese characters are not simply letters or symbols; they are picture-words. This fascinating book chronicles the history of Chinese writing to reveal how today's characters have developed over the centuries from complex paintings and drawings to the codified systems currently in use. for instance, the character for chariot does not resemble a chariot at all, but you can see how over the years elaborate pictures of various chariots and vehicles merged into today's character. Richly illustrated
Author: Cecilia Lindqvist
Publisher: Da Capo Press
ISBN: 0786731990
Category : History
Languages : en
Pages : 426
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Book Description
The origins of Chinese ideographs were not known until 1899, when a scholar went to an apothecary for some medicine made of “dragon bone.” To his surprise, the bone, which had not yet been ground into powder, contained a number of carved inscriptions. Thus began the exploration of the 3000-year-old sources of the written characters still used in China today. In this unparalleled and deeply researched book, Cecilia Lindqvist tells the story of these characters and shows how their shapes and concepts have permeated all of Chinese thought, architecture, art, and culture.
Author: Jing Tsu
Publisher: Penguin
ISBN: 0735214743
Category : History
Languages : en
Pages : 337
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Book Description
PULITZER PRIZE FINALIST A New York Times Notable Book of 2022 What does it take to reinvent a language? After a meteoric rise, China today is one of the world’s most powerful nations. Just a century ago, it was a crumbling empire with literacy reserved for the elite few, as the world underwent a massive technological transformation that threatened to leave them behind. In Kingdom of Characters, Jing Tsu argues that China’s most daunting challenge was a linguistic one: the century-long fight to make the formidable Chinese language accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold innovators who reinvented the Chinese language, among them an exiled reformer who risked a death sentence to advocate for Mandarin as a national language, a Chinese-Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, and a computer engineer who devised input codes for Chinese characters on the lid of a teacup from the floor of a jail cell. Without their advances, China might never have become the dominating force we know today. With larger-than-life characters and an unexpected perspective on the major events of China’s tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle, yet potent, power to be exercised and expanded.
Author: Thomas S. Mullaney
Publisher: MIT Press
ISBN: 0262536102
Category : Technology & Engineering
Languages : en
Pages : 501
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Book Description
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Author: Kum Ho Park
Publisher: Kong & Park Llc
ISBN: 9788997134090
Category : Foreign Language Study
Languages : en
Pages : 544
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Book Description
Because Chinese characters are commonly known as pictograms, most Chinese learners wonder if they can possibly learn thousands of characters. Some give up altogether and choose to learn only Pinyin, the romanized form of Chinese characters and so their use of the language becomes very limited. However, considering that the people who devised the Chinese language and most of the people who write and speak it every day are not geniuses, we have found a shortcut, an easier way, that would help people appreciate and learn the Chinese characters. This book has been written to share that secret with you! Countries that still use Chinese characters in their vocabulary are China (including Taiwan, Hong Kong and Singapore), Korea and Japan. China, for obvious reasons, uses it most often. The simplified characters are used in China and Singapore, whereas Taiwan and Hong Kong use the original complicated characters. Japan uses a mix of both. Korea has her own alphabet Hangul, but up to 60% of the vocabulary has borrowed meaning from Chinese characters. Therefore, if you don't know them, it is very hard for you to understand their true meanings. For these reasons, many researches on Chinese characters have been carried out mostly in China, Korea and Japan. We have taken into account the opinions of scholars from these three countries and shortlisted 3,500 characters, which outnumbers the 2,633 characters in the HSK Level 1-6 characters list. This book contains 1,160 characters that explain about the most frequently-used 856 characters including 623 characters in the HSK Level 1-3 list. Chinese characters are based on inscriptions found on bones and tortoise carapaces used in the 14th and 12th century B.C. centuries. In the 6th and 7th centuries, they were said to have been passed on to nations in the Korean peninsula at that time, and then passed on to Japan. All languages change with time and Chinese was no exception. The usage of Chinese characters in Korea and Japan retain the original form and meaning of when they were passed on, so it was very helpful to have the input of scholars from the three countries. This book is an attempt to compile the opinions of scholars from these three countries, and the authors' personal interpretations of the inscriptions on bronze, bones and tortoise carapaces to explain the origin of the characters. The authors' aim is to help our readers understand the characters, not to become scholars in their own right. But that does not mean this book is a pet project. It is intended to help readers further understand the meanings of all Chinese characters.
