The Nature of Aesthetic Experience in Wordsworth PDF Download
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Author: John H. Talbot
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Despite the wealth of scholarly commentary on the literary criticism of Wordsworth, very little critical attention has been given to the importance of the notion of aesthetic experience in his writings. Stated simply as the synthesis of aesthetic perception and aesthetic response, this notion plays a major role in an understanding of Wordsworth's ideas on poetic language and communication and their bearing on the Coleridgean concept of the poetic imagination. In Wordsworth, we find for the first time in the history of aesthetics, an active and on-going process of poetic composition influenced and co-existing with a critical theory with which it was directly related. For this reason, an understanding of Wordsworth's notion of aesthetic experience, considered as an integral element in his critical thought is, therefore, essential not only to an understanding of his poetry, but also, to a thoroogh understanding of his literary critism as a whole.
Author: John H. Talbot
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 302
Get Book Here
Book Description
Despite the wealth of scholarly commentary on the literary criticism of Wordsworth, very little critical attention has been given to the importance of the notion of aesthetic experience in his writings. Stated simply as the synthesis of aesthetic perception and aesthetic response, this notion plays a major role in an understanding of Wordsworth's ideas on poetic language and communication and their bearing on the Coleridgean concept of the poetic imagination. In Wordsworth, we find for the first time in the history of aesthetics, an active and on-going process of poetic composition influenced and co-existing with a critical theory with which it was directly related. For this reason, an understanding of Wordsworth's notion of aesthetic experience, considered as an integral element in his critical thought is, therefore, essential not only to an understanding of his poetry, but also, to a thoroogh understanding of his literary critism as a whole.
Author: Peter de Bolla
Publisher: Harvard University Press
ISBN: 0674011104
Category : Art
Languages : en
Pages : 175
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Book Description
In the face of a great work of art, we so often stand mute, struck dumb. Countering contemporary assumptions that art is valued only according to taste or ideology, Peter De Bolla gives a voice - and vocabulary - to the wonder art can inspire.
Author: Richard Shusterman
Publisher: BRILL
ISBN: 9004361928
Category : Philosophy
Languages : en
Pages : 232
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Book Description
This collection of essays explores the crucial connections between aesthetic experience and the interdisciplinary field of somaesthetics, while further advancing inquiry in both. After the editor’s introduction and three articles examining philosophical accounts of embodiment and aesthetic experience in existentialism, phenomenology, hermeneutics, and pragmatism, the book’s nine remaining articles apply somaesthetic theory to the fine arts (including detailed studies of the body’s role in painting, sculpture, architecture, poetry, music, photography, and cinema) but also to diverse arts of living, considering such topics as cosmetics and sexual practice. These interdisciplinary, multicultural essays are written by a distinctively international group of experts, ranging from Asia (China and India) to Europe (Denmark, Finland, Hungary, and Italy) and the United States.
Author: Mark Offord
Publisher: Cambridge University Press
ISBN: 1107155584
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
This book offers a new interpretation of Wordsworth's poetry, combining concepts of travel, 'states of nature' and language.
Author: Andrew Bennett
Publisher: Cambridge University Press
ISBN: 1107028418
Category : History
Languages : en
Pages : 361
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Book Description
This book provides the essential contexts for an understanding of all aspects of the major English Romantic poet, William Wordsworth.
Author: Emily B. Stanback
Publisher: Springer
ISBN: 1137511400
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
This book argues for the importance of disability to authors of the Wordsworth-Coleridge circle. By examining texts in a variety of genres — ranging from self-experimental medical texts to lyric poetry to metaphysical essays — Stanback demonstrates the extent to which non-normative embodiment was central to Romantic-era thought and Romantic-era aesthetics. The book reassesses well-known literary and medical works by such authors as William Wordsworth, Samuel Taylor Coleridge, and Humphry Davy, argues for the importance of lesser-studied work by authors including Charles Lamb and Thomas Beddoes, and introduces significant unpublished work by Tom Wedgwood.
Author: Peter Baofu
Publisher: Cambridge Scholars Publishing
ISBN: 1443807494
Category : Philosophy
Languages : en
Pages : 264
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Book Description
Contrary to the conventional wisdom held by many, Dr. Peter Baofu argues that the current popularity of postmodernism in the humanities (especially though not exclusively in relation to the arts) will not last, as it constitutes an aesthetic fad in this day and age of postmodernity. This thesis has important implications for understanding beauty, ugliness, and other aesthetic categories, be the era in the past, present, or future, to the extent that the current theoretical debate on aesthetic experience is as much misleading as obsolete. The current debate also obscures something more tremendous in the long run, in relation to the emergence of what Dr. Baofu originally proposes as the great transformations of aesthetic experience in the coming future that humans have never known, both here on Earth and later in deep space, in accordance to the five theses of his “transformative theory of aesthetic experience.” To understand this, the book is organized into four major parts (i.e., in relation to nature, the mind, culture, and society).
Author: Anahid Nersessian
Publisher: University of Chicago Press
ISBN: 022670131X
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Romanticism coincided with two major historical developments: the Industrial Revolution, and with it, a turning point in our relationship to the earth, its inhabitants, and its climate. Drawing on Marxism and philosophy of science, The Calamity Form shines new light on Romantic poetry, identifying a number of rhetorical tropes used by writers to underscore their very failure to make sense of our move to industrialization. Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by side in a manner suggestive of postindustrial dissonance, and apostrophe, here an address to an absent or vanishing natural environment—as it tried and failed to narrate the calamities of capitalism. These tropes reflect how Romantic authors took their bewilderment and turned it into a poetics: a theory of writing, reading, and understanding poetry as an eminently critical act. Throughout, Nersessian pushes back against recent attempts to see literature as a source of information on par with historical or scientific data, arguing instead for an irreducibility of poetic knowledge. Revealing the ways in which these Romantic works are of their time but not about it, The Calamity Form ultimately exposes the nature of poetry’s relationship to capital—and capital’s ability to hide how it works.
Author: Thomas H. Ford
Publisher: Cambridge University Press
ISBN: 1108586678
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Before the ideas we now define as Romanticism took hold the word 'atmosphere' meant only the physical stuff of air; afterwards, it could mean almost anything, from a historical mood or spirit to the character or style of an artwork. Thomas H. Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page. Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed.
Author: Emily Brady
Publisher: Cambridge University Press
ISBN: 1107276268
Category : Philosophy
Languages : en
Pages : 241
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Book Description
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
