Author: David Pye
Publisher: Fox Chapel Publishing
ISBN: 9780964399907
Category : Design
Languages : en
Pages : 0
Book Description
The author, who died in 1993, was an architect, industrial designer and craftsman. In this book, he explores the meaning of skill and its relationship to design and manufacture. He proposes a new theory of making based on the concepts of "workmanship of risk" and "workmanship of certainty" and shows how good workmanship imparts diversity to the visual environment. Includes photographs of the author's own turned and carved vessels of wood.
The Nature and Art of Workmanship
Author: David Pye
Publisher: A&C Black
ISBN:
Category : Design
Languages : en
Pages : 148
Book Description
Arguing that the aesthetic quality of our environment depends as much on its workmanship as on its design, and that workmanship has been largely ignored, David Pye develops a new theory of the aesthetics of workmanship which can be applied to architecture, to the products of industry and to craft-work. The author shows how and why we are conscious of finish and workmanship, goes on to ask why so much of our environment is impoverished and asks what can be done about it.
Publisher: A&C Black
ISBN:
Category : Design
Languages : en
Pages : 148
Book Description
Arguing that the aesthetic quality of our environment depends as much on its workmanship as on its design, and that workmanship has been largely ignored, David Pye develops a new theory of the aesthetics of workmanship which can be applied to architecture, to the products of industry and to craft-work. The author shows how and why we are conscious of finish and workmanship, goes on to ask why so much of our environment is impoverished and asks what can be done about it.
The Nature of Design
Author: David Pye
Publisher: Bloomsbury Visual Arts
ISBN: 9781350004467
Category : Design
Languages : en
Pages : 160
Book Description
In his classic work, first published in 1964, David Pye considers the varied elements that go towards good design, and investigates the scientific nature of function and its tenuous relationship to form. He explores the priority of economy, physical components, and manufacturing technique, and he clarifies the relative utilitarian and aesthetic roles of design. In his introduction to this second edition, craft scholar Ezra Shales revisits Pye's brilliant refutation of “form follows function” and functionalism – battles that he dropped in 1978 because they seemed settled. Today's enduring interest in Modernism makes Pye's 1964 text seem more prescient and even postmodern, because in it he questions industrialization and positivism. The second edition is illustrated with new images, including several of Pye's own work as a maker, and of artists and makers who have been influenced by Pye's practice.
Publisher: Bloomsbury Visual Arts
ISBN: 9781350004467
Category : Design
Languages : en
Pages : 160
Book Description
In his classic work, first published in 1964, David Pye considers the varied elements that go towards good design, and investigates the scientific nature of function and its tenuous relationship to form. He explores the priority of economy, physical components, and manufacturing technique, and he clarifies the relative utilitarian and aesthetic roles of design. In his introduction to this second edition, craft scholar Ezra Shales revisits Pye's brilliant refutation of “form follows function” and functionalism – battles that he dropped in 1978 because they seemed settled. Today's enduring interest in Modernism makes Pye's 1964 text seem more prescient and even postmodern, because in it he questions industrialization and positivism. The second edition is illustrated with new images, including several of Pye's own work as a maker, and of artists and makers who have been influenced by Pye's practice.
The Craftsman
Author: Richard Sennett
Publisher: Penguin UK
ISBN: 0141919418
Category : Social Science
Languages : en
Pages : 345
Book Description
Why do people work hard, and take pride in what they do? This book, a philosophically-minded enquiry into practical activity of many different kinds past and present, is about what happens when people try to do a good job. It asks us to think about the true meaning of skill in the 'skills society' and argues that pure competition is a poor way to achieve quality work. Sennett suggests, instead, that there is a craftsman in every human being, which can sometimes be enormously motivating and inspiring - and can also in other circumstances make individuals obsessive and frustrated. The Craftsman shows how history has drawn fault-lines between craftsman and artist, maker and user, technique and expression, practice and theory, and that individuals' pride in their work, as well as modern society in general, suffers from these historical divisions. But the past lives of crafts and craftsmen show us ways of working (using tools, acquiring skills, thinking about materials) which provide rewarding alternative ways for people to utilise their talents. We need to recognise this if motivations are to be understood and lives made as fulfilling as possible.
Publisher: Penguin UK
ISBN: 0141919418
Category : Social Science
Languages : en
Pages : 345
Book Description
Why do people work hard, and take pride in what they do? This book, a philosophically-minded enquiry into practical activity of many different kinds past and present, is about what happens when people try to do a good job. It asks us to think about the true meaning of skill in the 'skills society' and argues that pure competition is a poor way to achieve quality work. Sennett suggests, instead, that there is a craftsman in every human being, which can sometimes be enormously motivating and inspiring - and can also in other circumstances make individuals obsessive and frustrated. The Craftsman shows how history has drawn fault-lines between craftsman and artist, maker and user, technique and expression, practice and theory, and that individuals' pride in their work, as well as modern society in general, suffers from these historical divisions. But the past lives of crafts and craftsmen show us ways of working (using tools, acquiring skills, thinking about materials) which provide rewarding alternative ways for people to utilise their talents. We need to recognise this if motivations are to be understood and lives made as fulfilling as possible.
Useful Work Versus Useless Toil
Author: William Morris
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 32
Book Description
Abstracting Craft
Author: Malcolm McCullough
Publisher: MIT Press
ISBN: 9780262631891
Category : Architecture
Languages : en
Pages : 336
Book Description
In this investigation of the possibility of craft in the digital realm, the author discusses the emergence of computation as a medium, rather than just a set of tools, suggesting a growing correspondence between digital work and traditional craft.
Publisher: MIT Press
ISBN: 9780262631891
Category : Architecture
Languages : en
Pages : 336
Book Description
In this investigation of the possibility of craft in the digital realm, the author discusses the emergence of computation as a medium, rather than just a set of tools, suggesting a growing correspondence between digital work and traditional craft.
A Theory of Craft
Author: Howard Risatti
Publisher: ReadHowYouWant.com
ISBN: 1458762009
Category : Art
Languages : en
Pages : 586
Book Description
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
Publisher: ReadHowYouWant.com
ISBN: 1458762009
Category : Art
Languages : en
Pages : 586
Book Description
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
The Nature and Aesthetics of Design
Author: David Pye
Publisher: A&C Black
ISBN: 9780713652864
Category : Art
Languages : en
Pages : 112
Book Description
This is David Pye's classic book on the theory of design. In it, he explores the many facets of good design, including the relationship of aesthetics with function.
Publisher: A&C Black
ISBN: 9780713652864
Category : Art
Languages : en
Pages : 112
Book Description
This is David Pye's classic book on the theory of design. In it, he explores the many facets of good design, including the relationship of aesthetics with function.
Wood Carving
Author: George Jack
Publisher:
ISBN:
Category : Wood-carving
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category : Wood-carving
Languages : en
Pages : 330
Book Description
Reprising Craftsmanship
Author: Pablo Rojas
Publisher: Springer Nature
ISBN: 3030801322
Category : Psychology
Languages : en
Pages : 130
Book Description
Craftsmanship provides an insight into an inherently human dimension of work resulting from our immersion in an occupation or profession. The present book illustrates and defines the vital, social, aesthetic, and ethical dimensions involved in craftsmanship, which rejects a dissociation between handwork and wit, or between action and thought. This also contrasts with the neglect contemporary psychology has shown toward craftsmanship and its reduction to mere ‘human factors.’ Drawing on artistry as an emblem, the present account conveys that skilful action can only be renewed in a cycle involving both the personal and the transgenerational. There is little doubt in psychological and anthropological literature that the current global crises cannot be separated from social predicaments; namely, from the commodification of craftsmanship. In this book, the development of skilful action attests to a fundamental involvement required to sustainably perpetuate human endeavours. The role of expressivity in reappropriating technical activity is key in showing the continuous revaluation of our ethics and aesthetics of work, practice, and creation. The overall arc of the volume shows a movement from responsivity to responsibility. In short, if we are to reformulate our relationship to work and craft, we need to see through our responsibility in technique. The particularities of craftsmanship described here aim to contribute to such reformulation.
Publisher: Springer Nature
ISBN: 3030801322
Category : Psychology
Languages : en
Pages : 130
Book Description
Craftsmanship provides an insight into an inherently human dimension of work resulting from our immersion in an occupation or profession. The present book illustrates and defines the vital, social, aesthetic, and ethical dimensions involved in craftsmanship, which rejects a dissociation between handwork and wit, or between action and thought. This also contrasts with the neglect contemporary psychology has shown toward craftsmanship and its reduction to mere ‘human factors.’ Drawing on artistry as an emblem, the present account conveys that skilful action can only be renewed in a cycle involving both the personal and the transgenerational. There is little doubt in psychological and anthropological literature that the current global crises cannot be separated from social predicaments; namely, from the commodification of craftsmanship. In this book, the development of skilful action attests to a fundamental involvement required to sustainably perpetuate human endeavours. The role of expressivity in reappropriating technical activity is key in showing the continuous revaluation of our ethics and aesthetics of work, practice, and creation. The overall arc of the volume shows a movement from responsivity to responsibility. In short, if we are to reformulate our relationship to work and craft, we need to see through our responsibility in technique. The particularities of craftsmanship described here aim to contribute to such reformulation.
Ten Thousand Things
Author: Lothar Ledderose
Publisher: Princeton University Press
ISBN: 0691252882
Category : Art
Languages : en
Pages : 280
Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.
Publisher: Princeton University Press
ISBN: 0691252882
Category : Art
Languages : en
Pages : 280
Book Description
An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.