The National Gallery. The Sixteenth-Century Italian Schools (Excluding the Venetian). PDF Download
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Author: Cecil Gould
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Cecil Gould
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 204
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Book Description
Plucky Philomene turns the tables on a nasty witch by befriending her pet monster.
Author: Cecil Gould
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Author: National Gallery (Great Britain)
Publisher: National Gallery London Public
ISBN: 9780300061413
Category : Art
Languages : en
Pages : 364
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Book Description
The National Gallery catalogues are among the essential reference works for an art-historical scholarship. Each picture is examined, with a discussion of subject matter, authorship, provenance and art-historical significance. This volume describes Italian schools from the 16th century. Distributed by Yale University Press for the National Gallery, London
Author: Cecil Hilton Monk Gould
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ISBN:
Category : Painting, Italian
Languages : en
Pages : 163
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Author: Cecil Gould
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
![The Sixteenth-century Italian Schools (excluding the Venetian) [and] The Sixteenth-century Venetian School PDF](https://books.google.com/books/content/images/frontcover/AdxjkgAACAAJ?fife=w80-h100)
Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: National gallery (London).
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Cecil Gould
Publisher:
ISBN: 9780295969077
Category :
Languages : en
Pages : 356
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Book Description
Author: National Gallery (Great Britain)
Publisher: National Gallery London
ISBN:
Category : Art
Languages : en
Pages : 544
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Book Description
This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza. For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.
