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Author: Noah Charney
Publisher: PublicAffairs
ISBN: 1586489240
Category : Art
Languages : en
Pages : 338
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Book Description
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.
Author: Noah Charney
Publisher: PublicAffairs
ISBN: 1586489240
Category : Art
Languages : en
Pages : 338
Get Book Here
Book Description
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.
Author: Till-Holger Borchert
Publisher: National Geographic Books
ISBN: 050002345X
Category : Art
Languages : en
Pages : 0
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Book Description
This stunning compilation of the work of Jan van Eyck, the master Flemish painter, is being published to coincide with a once-in-a-lifetime exhibition in Ghent. Flemish painter Jan van Eyck (1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge, and unparalleled powers of observation, Van Eyck lifted oil painting to previously unknown heights and helped determine the course of Western art. In 2020, the Museum of Fine Arts in Ghent will host the largest ever exhibition of Van Eyck’s work. Van Eyck: An Optical Revolution includes artwork by Van Eyck, several pieces from his studio, and international masterpieces from the late Middle Ages while making the world of Van Eyck more tangible than ever. This tie-in exhibition catalog unravels some of the myths that surround Van Eyck and his techniques, while showing his complete oeuvre and influence in a new perspective. Including essays by leading experts from around the world, Van Eyck will prove to be an indispensable resource for Van Eyck fans and scholars alike.
Author: Romanus Cessario
Publisher: Magnificat USA LLC
ISBN: 9780979808647
Category : Religion
Languages : en
Pages : 89
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Book Description
A profound and lively reflection on Christ's last words Addresses many everyday concerns: marriage, liturgy, suffering, vocations, etc The sacred mysteries of Christ crucified carefully explored through the lens of sacred art An invaluable companion a beautiful resource you will return to throughout the year Archbishop of New York An ideal gift for Catholics and for those who wish to understand the mystery of the Cross of Christ. Well suited for adult catechetical instruction and RCIA Foreword by His Eminence, Edward Cardinal Egan, Archbishop of New York
Author: Noah Charney
Publisher: PublicAffairs
ISBN: 1610394895
Category : History
Languages : en
Pages : 135
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Book Description
This short e-book, adapted from Noah Charney's book Stealing the Mystic Lamb, tells the dramatic story of the rescue of The Ghent Altarpiece from Nazi pillagers. As the Nazis stormed across Europe during the Second World War, hundreds of thousands of artworks disappeared in their wake. A group of Allied officers set off on the trail of Europe's vanished art treasures -- they were known as the Monuments Men. The investigations of the Monuments Men combined old-fashioned detective work, personal bravery, ingenuity, and a dose of good fortune. This is perhaps best exemplified in the story of the race to save the 12,000 stolen masterpieces that were kept in a secret art warehouse hidden deep inside a converted salt mine in the Austrian Alps. There awaited the treasures destined for Hitler's planned "super museum," which would contain every important artwork in the world. The prize of the collection, and the painting most desired by the Nazis, was Jan van Eyck's 1432 masterwork, The Adoration of the Mystic Lamb, also known as The Ghent Altarpiece. This massive masterpiece is considered the most influential painting ever made, and it is also the most-frequently stolen. This e-book single is adapted from Noah Charney's acclaimed book Stealing the Mystic Lamb: the True Story of the World's Most Coveted Masterpiece. It contains all of the material from that book on the Monuments Men and Nazi art theft during the Second World War, as told through the story of two Monuments Men, Robert Posey and Lincoln Kirstein, as they raced to save the Mystic Lamb and the other works in the salt mine from an SS officer who was determined to destroy all 12,000 masterpieces.
Author: Rudolf Steiner
Publisher: SteinerBooks
ISBN: 9780880104876
Category : Body, Mind & Spirit
Languages : en
Pages : 316
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Book Description
Religious ritual is often seen as a way of bringing divine influences down into the material world. In this profound and stimulating work, Rudolf Steiner and Friedrich Benesch introduce the idea of "reverse ritual"--a way that each of us can raise our souls to the spiritual realm. In this process, the everyday world becomes a portal through which we can enter the dimension of the sacred. Here, each of us can be a "priest," and each of our actions can be a cosmic, ritual act. This stimulating collection of writings on spiritual communion of humanity includes two further lectures by Steiner that show how this process can engage our social lives. Also included are two additional essays as appendices: "Sacramental and Spiritual Communion" by Dietrich Asten and "Human Encounters and Karma" by Athys Floride. The introduction by Christopher Schaefer brings these ideas into focus for modern seekers. Contents: Part One: "The Spiritual Communion of Humanity" (5 lectures from GA 219) Part Two: "Preparing for the Sixth Epoch" Part Three: Commentaries by Friedrich Benesch Appendices: Selections from Dietrich Asten: "Spiritual and Sacramental Communion" & Athys Floride: "Human Encounters and Karma."
Author: Craig Harbison
Publisher: University of Washington Press
ISBN:
Category : Painting
Languages : en
Pages : 236
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Book Description
Jan van Eyck's surviving work comprises a series of painstakingly detailed oil paintings of astonishing verisimilitude. In a fascinating recovery of the neglected human dimension that is clearly present in these works, Craig Harbison interrogates the personal histories of the worldly participants of such masterpieces as the Virgin and Child with George van der Paele, the Arnolfini Double Portrait and the Virgin and Child with Nicolas Rolin. With the aid of abundant visual evidence in color and in black and white, Harbison reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life. "I found this an enthralling study"--"The Sunday Telegraph "A fascinating investigation into the nature of the great pioneer's clients ... some fine photo details"--"Art Review Copyright © Libri GmbH. All rights reserved.
Author: Deborah Hay
Publisher: Duke University Press
ISBN: 9780822314394
Category : Music
Languages : en
Pages : 140
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Book Description
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay Her movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements--precise and mysterious, mental and physical--that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.
Author: Romanus Cessario
Publisher: Magnificat
ISBN: 9781936260195
Category : Religion
Languages : en
Pages : 103
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Book Description
"A profound and lively reflection on the seven joys of Mary: the Annunciation, the Nativity, the Epiphany, the Resurrection, the Ascension, Pentecost, and the Assumption"--P. [4] of cover.
Author: Christina Currie
Publisher:
ISBN: 9789042934153
Category : Dessin sous-jacent
Languages : en
Pages : 0
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Book Description
Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des œuvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution.
Author: Bart Fransen
Publisher: Brepols Publishers
ISBN: 9782930054384
Category : Art
Languages : en
Pages : 430
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Book Description
The outer panels of the Ghent Altarpiece had been overpainted to a considerable extent. The virtuosity of the Eyckian technique and aesthetics remained hardly visible. And yet, this had never been observed before the start of the conservation treatment. By removing the overpaint, the tonal richness and the coherent rendering of light and space once again came to the fore. Especially the suggestion of volumes and the spaciousness of the ensemble gained strength because of the virtuoso play of deep shadows and bright light accents, and not in the least because of the surprising trompe-l'oeil effect of the frames conceived as a stone framework. Or to put it in the words of the comments of one of the experts, dr. Maryan Ainsworth: The paintings live and breathe again in the time of the Van Eyck brothers. The sharp observation skills, the quick, accurate execution, the knowledge, curiosity and ingenuity about all the things that are depicted, are now unveiled after centuries. The profit for the knowledge of and further research into the essence of Eyckian aesthetics is considerable. And finally there is the discovery that the much-discussed quatrain was applied simultaneously with the polychromy of the frames: a real 'coup de foudre' in the discourse of the current art-historical research! The subtleties of the Eyckian technique could also be mapped out in more detail. How the Van Eycks managed to keep the final result and the desired effect in mind during every phase of the execution, from imprimatura to finishing touch. The artists made a statement about the art of painting, giving 'technique' as such a new prominence. The Ghent Altarpiece may be understood at some point as a major showpiece for a highly sophisticated pictorial technique.
