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Author: Janet K. Halfyard
Publisher: Equinox Publishing (UK)
ISBN: 9781781791004
Category : Fantasy films
Languages : en
Pages : 0
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Book Description
This volume examines music in fantasy cinema across a broad historical perspective, from Bernard Herrmann's scores for Ray Harryhausen, through the popular music scores of the 1980s to contemporary scores for films such as The Mummy and the Harry Potter series.
Author: Janet K. Halfyard
Publisher: Equinox Publishing (UK)
ISBN: 9781781791004
Category : Fantasy films
Languages : en
Pages : 0
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Book Description
This volume examines music in fantasy cinema across a broad historical perspective, from Bernard Herrmann's scores for Ray Harryhausen, through the popular music scores of the 1980s to contemporary scores for films such as The Mummy and the Harry Potter series.
Author: Randall D. Larson
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 616
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Book Description
This book discusses the use of scores in horror, science fiction and fantasy films, covering the 1930's to the 1980's, with chapters on Herrmann, Goldsmith, Rózsa, Japanese monster movies, Hammer horror movies, John Williams, electronic music and how classical music has been integrated into these film genres.
Author: John Haines
Publisher: Routledge
ISBN: 1135927693
Category : History
Languages : en
Pages : 248
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Book Description
This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.
Author: Christopher Holliday
Publisher: Routledge
ISBN: 1351681419
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
This book examines the relationship that exists between fantasy cinema and the medium of animation. Animation has played a key role in defining our collective expectations and experiences of fantasy cinema, just as fantasy storytelling has often served as inspiration for our most popular animated film and television. Bringing together contributions from world-renowned film and media scholars, Fantasy/Animation considers the various historical, theoretical, and cultural ramifications of the animated fantasy film. This collection provides a range of chapters on subjects including Disney, Pixar, and Studio Ghibli, filmmakers such as Ralph Bakshi and James Cameron, and on film and television franchises such as Dreamworks’ How To Train Your Dragon (2010–) and HBO’s Game of Thrones (2011–).
Author: Bill George
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 134
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Book Description
Author: David Butler
Publisher: Wallflower Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 164
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Book Description
"Often dismissed as simple tales of sword and sorcery, fantasy is one of the fundamental impulses in filmmaking, a source of some of the most vivid and memorable films ever made that reaches far beyond the confines of a single genre. As well as some of the major genres, stylistic approaches and exponents of cinematic fantasy, from Georges Melies, Walt Disney, and Andrei Tarkovsky to contemporary fantasists such as Terry Gilliam and Peter Jackson. This volume focuses on fantasy's social function with case studies including The Thief of Baghdad (1924), Excalibur (1981), the Lord of the Rings trilogy (2001-03), and Bruce Almighty (2003). and interpretations. Taking in the popular and the experimental, subversive desires and reactionary dreams, this book is an engaging introduction to one of the vital energies in cinema." -- Book cover.
Author: Christine Cornea
Publisher: Edinburgh University Press
ISBN: 0748628703
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.
Author: James Buhler
Publisher: Wesleyan University Press
ISBN: 0819564117
Category : Music
Languages : en
Pages : 406
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Book Description
A wide-ranging look at the role of music in film.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Gary Gerani
Publisher: Top 100
ISBN: 9781613775240
Category : Fantasy films
Languages : en
Pages : 0
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Book Description
The film critiques within represent the author's choices for the cinema's most significant fantasy endeavors.
