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Author: David Schulenberg
Publisher: Boydell & Brewer
ISBN: 1580464815
Category : Biography & Autobiography
Languages : en
Pages : 436
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Book Description
Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).
Author: David Schulenberg
Publisher: Boydell & Brewer
ISBN: 1580464815
Category : Biography & Autobiography
Languages : en
Pages : 436
Get Book Here
Book Description
Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).
Author: David Schulenberg
Publisher: Routledge
ISBN: 1351572806
Category : History
Languages : en
Pages : 542
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Book Description
The second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
Author: Carl Philipp Emanuel Bach
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097160
Category : Music
Languages : en
Pages : 449
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Book Description
J. S. Bach's musician son explains the technique for performing eighteenth-century compositions, discussing fingering, embellishments, bass, and accompaniment
Author: David Schulenberg
Publisher: University Rochester Press
ISBN: 1580463592
Category : Music
Languages : en
Pages : 356
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Book Description
The first book in nearly a century dedicated to a close examination of the musical works of Wilhelm Friedemann Bach, first son of Johann Sebastian Bach.
Author: Carl Philipp Emanuel Bach
Publisher: W W Norton & Company Incorporated
ISBN: 9780393097160
Category : Music
Languages : en
Pages : 449
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Book Description
J. S. Bach's musician son explains the technique for performing eighteenth-century compositions, discussing fingering, embellishments, bass, and accompaniment
Author: Doris Bosworth Powers
Publisher: Psychology Press
ISBN: 0815321791
Category : Composers
Languages : en
Pages : 308
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: E. Eugene Helm
Publisher: New Haven : Yale University Press
ISBN: 9780300026542
Category : Music
Languages : en
Pages : 271
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Book Description
The main purpose of this catalogue is to provide a detailed account of the complete works of Carl Philipp Emanuel Bach (1714-1788), the 'Berlin' or 'Hamburg' Bach, a composer more widely known before the nineteenth century than any other member of any of the seven generations of this famous family, including his father Johann Sebastian .
Author: Hans-Günter Ottenberg
Publisher: Oxford ; Toronto : Oxford University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
This biography provides a wide-ranging survey of Bach's music--including much previously unpublished material--set firmly within its social, intellectual, and aesthetic context.
Author: David Schulenberg
Publisher: Oxford University Press, USA
ISBN:
Category : Music
Languages : en
Pages : 406
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Book Description
An era of continuous and far-reaching musical evolution, the Baroque period witnessed the invention of opera and oratorio and the emergence of such instrumental genres as the sonata, suite, and concerto, which continue to engage composers today. An ideal instructional package for courses in music history and literature, Music of the Baroque, Second Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than forty works from the principal traditions of the period. An opening chapter on late-Renaissance vocal music and a closing chapter on galant instrumental music provide bridges to earlier and later European music. Thoroughly revised and updated to reflect current scholarship, this second edition of Music of the Baroque offers expanded coverage of instrumental music, with new sections on French lute music and the Italian trumpet sinfonia, along with enhanced discussion of chamber music from Salomone Rossi to Biber and Corelli. French sacred music also receives renewed attention. Offering models for musical criticism and analysis in a variety of compositional styles, author David Schulenberg analyzes familiar works like Monteverdi's Orfeo and a Bach cantata as well as lesser-known compositions, including works by Barbara Strozzi and Elizabeth-Claude Jacquet de La Guerre. Additional Features: * Incorporates a wealth of pedagogical resources including synopses of operatic works; biographical timelines for major composers; numerous illustrations, musical examples, and analytical tables; highlighting and explanations of technical terms upon first appearance; and carefully formulated definitions of each new concept * Revised to incorporate the latest in Baroque music scholarship, including an updated bibliography and many new music examples and illustrations * Accompanied by a companion anthology that contains more than fifty pieces for analysis * Supplemented by the author's website, www.wagner.edu/faculty/dschulenberg/oupcont.html, which provides a discography for pieces included in the anthology Designed for undergraduate and graduate students, Music of the Baroque, Second Edition, is also essential reading for anyone who desires an up-to-date introduction to the serious study of Baroque music.
Author: David Hurwitz
Publisher: Amadeus Press
ISBN: 9781574674675
Category : Music
Languages : en
Pages : 0
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Book Description
C. P. E.: A LISTENER'S GUIDE TO THE OTHER BACH
