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Author: Ruth HaCohen
Publisher: Yale University Press
ISBN: 0300177992
Category : History
Languages : en
Pages : 572
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Book Description
This deeply imaginative and wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. Ruth HaCohen focuses her study on a "musical libel"--a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his "harmonious musicality." In paying close attention to how and where this libel surfaces, HaCohen covers a wide swath of western cultural history, showing how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations.Ruth HaCohen combines in her comprehensive analysis the perspectives of musicology, literary criticism, philosophy, psychology, and anthropology, tracing the tensions between Jewish "noise" and idealized Christian "harmony" and their artistic manifestations from the high Middle Ages through Nazi Germany and beyond. She concludes her book with a passionate and moving argument for humanizing contemporary soundspaces.
Author: Ruth HaCohen
Publisher: Yale University Press
ISBN: 0300177992
Category : History
Languages : en
Pages : 572
Get Book Here
Book Description
This deeply imaginative and wide-ranging book shows how, since the first centuries of the Christian era, gentiles have associated Jews with noise. Ruth HaCohen focuses her study on a "musical libel"--a variation on the Passion story that recurs in various forms and cultures in which an innocent Christian boy is killed by a Jew in order to silence his "harmonious musicality." In paying close attention to how and where this libel surfaces, HaCohen covers a wide swath of western cultural history, showing how entrenched aesthetic-theological assumptions have persistently defined European culture and its internal moral and political orientations.Ruth HaCohen combines in her comprehensive analysis the perspectives of musicology, literary criticism, philosophy, psychology, and anthropology, tracing the tensions between Jewish "noise" and idealized Christian "harmony" and their artistic manifestations from the high Middle Ages through Nazi Germany and beyond. She concludes her book with a passionate and moving argument for humanizing contemporary soundspaces.
Author: Edward Berenson
Publisher: W. W. Norton & Company
ISBN: 0393249433
Category : History
Languages : en
Pages : 206
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Book Description
A chilling investigation of America’s only alleged case of blood libel, and what it reveals about antisemitism in the United States and Europe. On Saturday, September 22, 1928, Barbara Griffiths, age four, strayed into the woods surrounding the upstate village of Massena, New York. Hundreds of people looked everywhere for the child but could not find her. At one point, someone suggested that Barbara had been kidnapped and killed by Jews, and as the search continued, policemen and townspeople alike gave credence to the quickly spreading rumors. The allegation of ritual murder, known to Jews as “blood libel,” took hold. To believe in the accusation seems bizarre at first glance—blood libel was essentially unknown in the United States. But a great many of Massena’s inhabitants, both Christians and Jews, had emigrated recently from Central and Eastern Europe, where it was all too common. Historian Edward Berenson, himself a native of Massena, sheds light on the cross-cultural forces that ignited America’s only known instance of blood libel, and traces its roots in Old World prejudice, homegrown antisemitism, and the resurgence of the Ku Klux Klan in the 1920s. Residues of all three have persisted until the present day. More than just the disturbing story of one town’s embrace of an insidious anti-Jewish myth, The Accusation is a shocking and perceptive exploration of American and European responses to antisemitism.
Author: Magda Teter
Publisher: Harvard University Press
ISBN: 0674243552
Category : History
Languages : en
Pages : 561
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Book Description
A landmark history of the antisemitic blood libel myth—how it took root in Europe, spread with the invention of the printing press, and persists today. Accusations that Jews ritually killed Christian children emerged in the mid-twelfth century, following the death of twelve-year-old William of Norwich, England, in 1144. Later, continental Europeans added a destructive twist: Jews murdered Christian children to use their blood. While charges that Jews poisoned wells and desecrated the communion host waned over the years, the blood libel survived. Initially blood libel stories were confined to monastic chronicles and local lore. But the development of the printing press in the mid-fifteenth century expanded the audience and crystallized the vocabulary, images, and “facts” of the blood libel, providing a lasting template for hate. Tales of Jews killing Christians—notably Simon of Trent, a toddler whose body was found under a Jewish house in 1475—were widely disseminated using the new technology. Following the paper trail across Europe, from England to Italy to Poland, Magda Teter shows how the blood libel was internalized and how Jews and Christians dealt with the repercussions. The pattern established in early modern Europe still plays out today. In 2014 the Anti-Defamation League appealed to Facebook to take down a page titled “Jewish Ritual Murder.” The following year white supremacists gathered in England to honor Little Hugh of Lincoln as a sacrificial victim of the Jews. Based on sources in eight countries and ten languages, Blood Libel captures the long shadow of a pernicious myth.
Author: E. M. Rose
Publisher:
ISBN: 0190219629
Category : History
Languages : en
Pages : 417
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Book Description
In 1144, the mutilated body of William of Norwich, a young apprentice leatherworker, was found abandoned outside the city's walls. The boy bore disturbing signs of torture, and a story spread that it was a ritual murder, performed by Jews in imitation of the Crucifixion as a mockery of Christianity. The outline of William's tale eventually gained currency far beyond Norwich, and the idea that Jews engaged in ritual murder became firmly rooted in the European imagination. E.M. Rose's engaging book delves into the story of William's murder and the notorious trial that followed to uncover the origin of the ritual murder accusation - known as the "blood libel" - in western Europe in the Middle Ages. Focusing on the specific historical context - 12th-century ecclesiastical politics, the position of Jews in England, the Second Crusade, and the cult of saints - and suspensefully unraveling the facts of the case, Rose makes a powerful argument for why the Norwich Jews (and particularly one Jewish banker) were accused of killing the youth, and how the malevolent blood libel accusation managed to take hold. She also considers four "copycat" cases, in which Jews were similarly blamed for the death of young Christians, and traces the adaptations of the story over time. In the centuries after its appearance, the ritual murder accusation provoked instances of torture, death and expulsion of thousands of Jews and the extermination of hundreds of communities. Although no charge of ritual murder has withstood historical scrutiny, the concept of the blood libel is so emotionally charged and deeply rooted in cultural memory that it endures even today. Rose's groundbreaking work, driven by fascinating characters, a gripping narrative, and impressive scholarship, provides clear answers as to why the blood libel emerged when it did and how it was able to gain such widespread acceptance, laying the foundations for enduring antisemitic myths that continue to present.
Author: Harriet Murav
Publisher: Stanford University Press
ISBN: 0804774439
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
Music from a Speeding Train challenges the view that there was no Jewish culture in the Soviet Union by exploring over one hundred Russian and Yiddish works from the 1920s to the turn of the 21st century.
Author: Raphael Israeli
Publisher: Transaction Publishers
ISBN: 141284679X
Category : Social Science
Languages : en
Pages : 275
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Book Description
At the doorstep of the twenty-first century, one would expect that medieval concepts such as blood libel—the accusation that Jews kill children to use their blood in religious ritual—would have been discarded by any civilized human being. Certainly in the Christian world, where the story originated and endured for centuries, modern attitudes have nearly erased these barbaric accusations. But in Arab and Islamic worlds, where enmity towards Israel and Zionism has conditioned beliefs, attitudes, positions, and fantasies, blood libel and similar charges are still part of life. Most people are unaware of the history of blood libel and do not perceive links between it and many of the false accusations currently hurled against the state of Israel. Raphael Israeli argues that individuals and organizations guilty of human rights crimes project crimes onto Israel to avoid awareness of their own guilt. Certainly when countries ruled by dictators set the agenda of the UN Council for human rights, Israel is consistently censured and condemned. Accusations of “apartheid” and charges of discrimination against Muslims are frequently made. Israel is accused of plots against Muslims in order to harm their productive sectors, of using weapons of mass destruction to commit “genocide” against Arabs, of injecting poisonous substances into Palestinian children, of poisoning Arab lands under the guise of “agricultural aid,” and of laying siege to peaceful citizens. All of these charges are derivatives of blood libel and have been adopted by Middle East Jihadists in their struggle against Israel. This volume aims to explain the origins of the charge of blood libel and define the ways its derivatives have achieved acceptance in certain parts of the world today.
Author: Ronald Florence
Publisher: Other Press (NY)
ISBN: 9781590512395
Category : History
Languages : en
Pages : 0
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Book Description
"This is great material, and Florence...handles it with dramatic flair....An excellent work of popular history."--"Publishers Weekly" Damascus, February 1840. A Capuchin monk and his servant disappear without a trace. By the end of the day, rumors point to the Jewish community, a tiny minority in the city's rich but delicate balance of religions and ethnicities. Within weeks, the rumors turn to accusations of ritual murder, the infamous "blood libel." Fiendish tortures in the pasha's dungeons, coerced confessions, manufactured evidence, and the fury of the crowds are enough to convict the accused Jews. By the time the rest of the world learns of the events in Damascus, the entire leadership of the Jewish community is awaiting execution. Narrating with a novelist's skill, Ronald Florence recounts the unexpected twists of the story and the strange alliances forged by mutual fears and misperceptions as the Damascus affair became a worldwide cause--the Moslem majority were not the accusers of the Jews; the French consul, representative of the nation that had first recognized Jews as citizens, was the chief prosecutor; the Sultan defended the accused Jews; the liberal London "Times" considered whether the accusations might be true. The legacies of the growing rift among the minorities, the dominant Arab society, and the outside world are the divisions in the Middle East today and the myths that continue to feed and sustain anti-Semitism. "Blood Libel" is a gripping historical narrative that explores the fragile social fabric of a society as it stretches and ultimately rips into shreds of hatred and fear.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Edna Nahshon
Publisher: Cambridge University Press
ISBN: 110816160X
Category : Literary Criticism
Languages : en
Pages : 457
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Book Description
Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.
Author: Elissa Bemporad
Publisher:
ISBN: 0190466456
Category : History
Languages : en
Pages : 253
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Book Description
In Legacy of Blood, Elissa Bemporad traces the legacies of the two most extreme manifestations of tsarist antisemitism-pogroms and blood libels-in the Soviet Union, from 1917 to the early 1960s. By exploring the phenomenon and the memory of anti-Jewish violence under the Bolsheviks, this book sheds light on the changing position of Jews in Stalinist society.
