The Motet and Spanish Religiosity, Ca. 1550-1610

The Motet and Spanish Religiosity, Ca. 1550-1610 PDF Author: Todd Michael Borgerding
Publisher:
ISBN:
Category : Motet
Languages : en
Pages : 834

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The Motet and Spanish Religiosity, Ca. 1550-1610

The Motet and Spanish Religiosity, Ca. 1550-1610 PDF Author: Todd Michael Borgerding
Publisher:
ISBN:
Category : Motet
Languages : en
Pages : 834

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Book Description


Mapping the Motet in the Post-Tridentine Era

Mapping the Motet in the Post-Tridentine Era PDF Author: Esperanza Rodríguez-García
Publisher: Routledge
ISBN: 1315463075
Category : Music
Languages : en
Pages : 304

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Book Description
Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).

The Church Music of Fifteenth-century Spain

The Church Music of Fifteenth-century Spain PDF Author: Kenneth Kreitner
Publisher: Boydell Press
ISBN: 9781843830757
Category : Music
Languages : en
Pages : 206

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Book Description
He moves on from this to set Penalosa's work, written in a more mature, northern-oriented style which influenced Iberian composers for generations after his death."--BOOK JACKET.

The Book of Requiems, 1450-1550

The Book of Requiems, 1450-1550 PDF Author: David Burn
Publisher: Leuven University Press
ISBN: 9462703264
Category : Music
Languages : en
Pages : 210

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Book Description
Reference work for musicologists, music theorists, performers, and music lovers Few western musical repertories speak more to the imagination than the Requiem mass for the dead. The Book of Requiems presents in-depth essays on the most important works in this tradition, from the origins of the genre up to the present day. Each chapter is devoted to a specific Requiem, and offers both historical information and a detailed work-discussion. Conceived as a multi-volume essay collection by leading experts, TheBook of Requiems is an authoritative reference publication intended as a first port of call for musicologists, music theorists, and performers both professional and student.

Devotional Music in the Iberian World, 1450-1800

Devotional Music in the Iberian World, 1450-1800 PDF Author: Tess Knighton
Publisher: Routledge
ISBN: 1351569465
Category : Music
Languages : en
Pages : 342

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Book Description
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.

A New Companion to Hispanic Mysticism

A New Companion to Hispanic Mysticism PDF Author:
Publisher: BRILL
ISBN: 9004193464
Category : History
Languages : en
Pages : 538

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Book Description
Winner of the 2011 SCSC Bainton Prize for Reference Works The “canon” of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of “marginal” figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its “marginal” manifestations, we draw mysticism—in all its complex iterations—back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara E. Herrera, Darcy Donahue, Elena del Río Parra, Evelyn Toft, Fernando Durán López, Francisco Morales, Freddy Domínguez, Glyn Redworth, Jane Ackerman, Jessica Boon, José Adriano de Freitas Carvalho, Luce López-Baralt, María Carrión, Maryrica Lottman, and Tess Knighton.

The Cambridge History of Musical Performance

The Cambridge History of Musical Performance PDF Author: Colin Lawson
Publisher: Cambridge University Press
ISBN: 1316184420
Category : Music
Languages : en
Pages : 1066

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Book Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.

Cultures of Music Print in Hamburg, Ca. 1550-1630

Cultures of Music Print in Hamburg, Ca. 1550-1630 PDF Author: Esther Victoria Criscuola de Laix
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1026

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Book Description


European Music, 1520-1640

European Music, 1520-1640 PDF Author: James Haar
Publisher: Boydell Press
ISBN: 9781843832003
Category : Music
Languages : en
Pages : 606

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Book Description
The sixteenth and early seventeenth centuries - the so-called Golden Age of Polyphony - represent a time of great change and development in European music, with the flourishing of Orlando di Lasso, Palestrina, Byrd, Victoria, Monteverdi and Schütz among others. The thirty chapters of this book, contributed by established scholars on subjects within their fields of expertise, deal with polyphonic music - sacred and secular, vocal and instrumental - during this period. The volume offers chronological surveys of national musical cultures (in Italy, France, the Netherlands, Germany, England, and Spain); genre studies (Mass, motet, madrigal, chanson, instrumental music, opera); and is completed with essays on intellectual and cultural developments and concepts relevant to music (music theory, printing, the Protestant Reformation and the corresponding Catholic movement, humanism, concepts of 'Renaissance' and 'Baroque'). It thus provides a complete overview of the music and its context. Contributors: GARY TOMLINSON, JAMES HAAR, TIM CARTER, GIULIO ONGARO, NOEL O'REGAN, ALLAN ATLAS, ANTHONY CUMMINGS, RICHARD FREEDMAN, JEANICE BROOKS, DAVID TUNLEY, KATE VAN ORDEN, KRISTINE FORNEY, IAIN FENLON, KAROL BERGER, PETER BERGQUIST, DAVID CROOK, ROBIN LEAVER, CRAIG MONSON, TODD BORGERDING, LOUISE K. STEIN, GIUSEPPE GERBINO, ROGER BRAY, JONATHAN WAINWRIGHT, VICTOR COELHO, KEITH POLK

A Musical Offering

A Musical Offering PDF Author: Martin Bernstein
Publisher: Pendragon Press
ISBN: 9780945193838
Category : Music
Languages : en
Pages : 784

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Book Description
In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.