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Author: Robert Slifkin
Publisher: Princeton University Press
ISBN: 0691192529
Category : Architecture
Languages : en
Pages : 249
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Book Description
How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculpture In the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation. Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary. Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.
Author: Robert Slifkin
Publisher: Princeton University Press
ISBN: 0691192529
Category : Architecture
Languages : en
Pages : 249
Get Book Here
Book Description
How leading American artists reflected on the fate of humanity in the nuclear era through monumental sculpture In the wake of the atomic bombings of Japan in 1945, artists in the United States began to question what it meant to create a work of art in a world where humanity could be rendered extinct by its own hand. The New Monuments and the End of Man examines how some of the most important artists of postwar America revived the neglected tradition of the sculptural monument as a way to grapple with the cultural and existential anxieties surrounding the threat of nuclear annihilation. Robert Slifkin looks at such iconic works as the industrially evocative welded steel sculptures of David Smith, the austere structures of Donald Judd, and the desolate yet picturesque earthworks of Robert Smithson. Transforming how we understand this crucial moment in American art, he traces the intersections of postwar sculptural practice with cybernetic theory, science-fiction cinema and literature, and the political debates surrounding nuclear warfare. Slifkin identifies previously unrecognized affinities of the sculpture of the 1940s and 1950s with the minimalism and land art of the 1960s and 1970s, and acknowledges the important contributions of postwar artists who have been marginalized until now, such as Raoul Hague, Peter Grippe, and Robert Mallary. Strikingly illustrated throughout, The New Monuments and the End of Man spans the decades from Hiroshima to the Fall of Saigon, when the atomic bomb cast its shadow over American art.
Author: Kirk Savage
Publisher: Univ of California Press
ISBN: 0520271335
Category : Architecture
Languages : en
Pages : 408
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Book Description
Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.
Author: Kirk Savage
Publisher: Princeton University Press
ISBN: 0691184526
Category : History
Languages : en
Pages : 291
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Book Description
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.
Author: Karen L. Cox
Publisher: UNC Press Books
ISBN: 146966268X
Category : History
Languages : en
Pages : 219
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Book Description
When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century--but they've never been as intense as they are today. In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She lucidly shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that antimonument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.
Author: John Elizabeth Stintzi
Publisher: arsenal pulp press
ISBN: 1551528029
Category : Fiction
Languages : en
Pages : 232
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Book Description
Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen -- almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again -- only this time, they’re running back to their mother. Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease -- they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured. This beautiful, tenderly written debut novel by Bronwen Wallace Award for Emerging Writers winner John Elizabeth Stintzi explores what haunts us most, bearing witness to grief over not only what is lost, but also what remains. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Author: Ernest B. Furgurson
Publisher: Vintage
ISBN: 0307425959
Category : History
Languages : en
Pages : 498
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Book Description
In this luminous portrait of wartime Washington, Ernest B. Furgurson–author of the widely acclaimed Chancellorsville 1863, Ashes of Glory, and Not War but Murder--brings to vivid life the personalities and events that animated the Capital during its most tumultuous time. Here among the sharpsters and prostitutes, slaves and statesmen are detective Allan Pinkerton, tracking down Southern sympathizers; poet Walt Whitman, nursing the wounded; and accused Confederate spy Antonia Ford, romancing her captor, Union Major Joseph Willard. Here are generals George McClellan and Ulysses S. Grant, railroad crew boss Andrew Carnegie, and architect Thomas Walter, striving to finish the Capitol dome. And here is Abraham Lincoln, wrangling with officers, pardoning deserters, and inspiring the nation. Freedom Rising is a gripping account of the era that transformed Washington into the world’s most influential city.
Author: James Frederick McCurdy
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 504
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Book Description
Author: Mitch Landrieu
Publisher: Penguin
ISBN: 0525559469
Category : History
Languages : en
Pages : 242
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Book Description
The New Orleans mayor who removed the Confederate statues confronts the racism that shapes us and argues for white America to reckon with its past. A passionate, personal, urgent book from the man who sparked a national debate. "There is a difference between remembrance of history and reverence for it." When Mitch Landrieu addressed the people of New Orleans in May 2017 about his decision to take down four Confederate monuments, including the statue of Robert E. Lee, he struck a nerve nationally, and his speech has now been heard or seen by millions across the country. In his first book, Mayor Landrieu discusses his personal journey on race as well as the path he took to making the decision to remove the monuments, tackles the broader history of slavery, race and institutional inequities that still bedevil America, and traces his personal relationship to this history. His father, as state legislator and mayor, was a huge force in the integration of New Orleans in the 1960s and 19070s. Landrieu grew up with a progressive education in one of the nation's most racially divided cities, but even he had to relearn Southern history as it really happened. Equal parts unblinking memoir, history, and prescription for finally confronting America's most painful legacy, In the Shadow of Statues contributes strongly to the national conversation about race in the age of Donald Trump, at a time when racism is resurgent with seemingly tacit approval from the highest levels of government and when too many Americans have a misplaced nostalgia for a time and place that never existed.
Author: Judith Dupré
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 280
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Book Description
From the award-winning, bestselling author of Skyscrapers, Churches, and Bridges comes a stunning visual history that serves as a tribute to classic American landmarks.
Author: Timothy S. Sedore
Publisher: SIU Press
ISBN: 0809386259
Category : Travel
Languages : en
Pages : 339
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Book Description
From well-known battlefields, such as Manassas, Fredericksburg, and Appomattox, to lesser-known sites, such as Sinking Spring Cemetery and Rude’s Hill, Sedore leads readers on a vivid journey through Virginia’s Confederate history. Tablets, monoliths, courthouses, cemeteries, town squares, battlefields, and more are cataloged in detail and accompanied by photographs and meticulous commentary. Each entry contains descriptions, fascinating historical information, and location, providing a complete portrait of each site. Much more than a visual tapestry or a tourist’s handbook, An Illustrated Guide to Virginia’s Confederate Monuments draws on scholarly and field research to reveal these sites as public efforts to reconcile mourning with Southern postwar ideologies. Sedore analyzes in depth the nature of these attempts to publicly explain Virginia’s sense of grief after the war, delving deep into the psychology of a traumatized area. From commemorations of famous generals to memories of unknown soldiers, the dead speak from the pages of this sweeping companion to history.
