Author: Eduardo González
Publisher: Durham : Duke University Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 336
Book Description
Viewing stories and novels from an ethnographic perspective, Eduardo González here explores the relationship between myth, ritual, and death in writings by Borges, Vargas Llosa, Cortázar, and Roa Bastos. He then weaves this analysis into a larger cultural fabric composed of the works of Chaucer, Shakespeare, Joyce, Benjamin, H. G. Wells, Kafka, Poe, and others. What interests González is the signature of authorial selfhood in narrative and performance, which he finds willfully and temptingly disfigured in the works he examines: horrific and erotic, subservient and tyrannical, charismatic and repellent. Searching out the personal image and plot, González uncovers two fundamental types of narrative: one that strips character of moral choice; and another in which characters' choices deprive them of personal autonomy and hold them in ritual bondage to a group. Thus The Monstered Self becomes a study of the conflict between individual autonomy and the stereotypes of solidarity. Written in a characteristically allusive, elliptical style, and drawing on psychoanalysis, religion, mythology, and comparative literature, The Monstered Self is in itself a remarkable performance, one that will engage readers in anthropology, psychology, and cultural history as well as those specifically interested in Latin American narrative.
The Monstered Self
Author: Eduardo González
Publisher: Durham : Duke University Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 336
Book Description
Viewing stories and novels from an ethnographic perspective, Eduardo González here explores the relationship between myth, ritual, and death in writings by Borges, Vargas Llosa, Cortázar, and Roa Bastos. He then weaves this analysis into a larger cultural fabric composed of the works of Chaucer, Shakespeare, Joyce, Benjamin, H. G. Wells, Kafka, Poe, and others. What interests González is the signature of authorial selfhood in narrative and performance, which he finds willfully and temptingly disfigured in the works he examines: horrific and erotic, subservient and tyrannical, charismatic and repellent. Searching out the personal image and plot, González uncovers two fundamental types of narrative: one that strips character of moral choice; and another in which characters' choices deprive them of personal autonomy and hold them in ritual bondage to a group. Thus The Monstered Self becomes a study of the conflict between individual autonomy and the stereotypes of solidarity. Written in a characteristically allusive, elliptical style, and drawing on psychoanalysis, religion, mythology, and comparative literature, The Monstered Self is in itself a remarkable performance, one that will engage readers in anthropology, psychology, and cultural history as well as those specifically interested in Latin American narrative.
Publisher: Durham : Duke University Press
ISBN:
Category : Business & Economics
Languages : en
Pages : 336
Book Description
Viewing stories and novels from an ethnographic perspective, Eduardo González here explores the relationship between myth, ritual, and death in writings by Borges, Vargas Llosa, Cortázar, and Roa Bastos. He then weaves this analysis into a larger cultural fabric composed of the works of Chaucer, Shakespeare, Joyce, Benjamin, H. G. Wells, Kafka, Poe, and others. What interests González is the signature of authorial selfhood in narrative and performance, which he finds willfully and temptingly disfigured in the works he examines: horrific and erotic, subservient and tyrannical, charismatic and repellent. Searching out the personal image and plot, González uncovers two fundamental types of narrative: one that strips character of moral choice; and another in which characters' choices deprive them of personal autonomy and hold them in ritual bondage to a group. Thus The Monstered Self becomes a study of the conflict between individual autonomy and the stereotypes of solidarity. Written in a characteristically allusive, elliptical style, and drawing on psychoanalysis, religion, mythology, and comparative literature, The Monstered Self is in itself a remarkable performance, one that will engage readers in anthropology, psychology, and cultural history as well as those specifically interested in Latin American narrative.
Quixotic Desire
Author: Ruth S. El Saffar
Publisher: Cornell University Press
ISBN: 9780801480812
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
'A value of the collection is its multiple trajectory, as commentary on the Cervantine corpus, on authorial and fictional psyches, and on the dialectical (hi)story of literature and psychoanalysis. The editors and their distinguished collaborators have produced a monumental work of scholarship.'--Choice In this venturesome collection, scholars representing a variety of approaches contribute fifteen essays that shed new light not only on the uses of psychoanalysis for reading Cervantes, but also on the relationship between Freud's reading of Cervantes in the summer of 1883 and the very foundation of psychoanalytic paradigms.
Publisher: Cornell University Press
ISBN: 9780801480812
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
'A value of the collection is its multiple trajectory, as commentary on the Cervantine corpus, on authorial and fictional psyches, and on the dialectical (hi)story of literature and psychoanalysis. The editors and their distinguished collaborators have produced a monumental work of scholarship.'--Choice In this venturesome collection, scholars representing a variety of approaches contribute fifteen essays that shed new light not only on the uses of psychoanalysis for reading Cervantes, but also on the relationship between Freud's reading of Cervantes in the summer of 1883 and the very foundation of psychoanalytic paradigms.
Grounds of Comparison
Author: Pheng Cheah
Publisher: Routledge
ISBN: 1135382670
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Benedict Anderson, professor at Cornell and specialist in Southeast Asian studies, is best known for his book Imagined Communities: Reflections on the Origin and Spread of Nationalism (1991). It is no understatement to say that this is one of the most influential books of the last twenty years. Widely read both by social scientists and humanists, it has become an unavoidable document. For people in the humanities, Anderson is particularly interesting because he explores the rise of nationalism in connection with the rise of the novel.
Publisher: Routledge
ISBN: 1135382670
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
Benedict Anderson, professor at Cornell and specialist in Southeast Asian studies, is best known for his book Imagined Communities: Reflections on the Origin and Spread of Nationalism (1991). It is no understatement to say that this is one of the most influential books of the last twenty years. Widely read both by social scientists and humanists, it has become an unavoidable document. For people in the humanities, Anderson is particularly interesting because he explores the rise of nationalism in connection with the rise of the novel.
Mothers, Lovers, and Others
Author: Cynthia Schmidt-Cruz
Publisher: SUNY Press
ISBN: 9780791459553
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Provocative reappraisal of the portrayal of women in Julio Cortázar's short stories.
Publisher: SUNY Press
ISBN: 9780791459553
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Provocative reappraisal of the portrayal of women in Julio Cortázar's short stories.
Out of Context
Author: Daniel Balderston
Publisher: Duke University Press
ISBN: 0822383020
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
In Jorge Luis Borges's finely wrought, fantastic stories, so filigreed with strange allusions, critics have consistently found little to relate to the external world, to history--in short, to reality. Out of Context corrects this shortsighted view and reveals the very real basis of the Argentine master's purported "irreality." By providing the historical context for some of the writer's best-loved and least understood works, this study also gives us a new sense of Borges's place within the context of contemporary literature. Through a detailed examination of seven stories, Daniel Balderston shows how Borges's historical and political references, so often misread as part of a literary game, actually open up a much more complex reality than the one made explicit to the reader. Working in tension with the fantastic aspects of Borges' work, these precise references to realities outside the text illuminate relations between literature and history as well as the author's particular understanding of both. In Borges's perspective as it is revealed here, history emerges as an "other" only partially recoverable in narrative form. From what can be recovered, Balderston is able to clarify Borges's position on historical episodes and trends such as colonialism, the Peronist movement, "Western culture," militarism, and the Spanish invasion of the Americas. Informed by a wide reading of history, a sympathetic use of critical theory, and a deep understanding of Borges's work, this iconoclastic study provides a radical new approach to one of the most celebrated and—until now—hermetic authors of our time.
Publisher: Duke University Press
ISBN: 0822383020
Category : Literary Criticism
Languages : en
Pages : 234
Book Description
In Jorge Luis Borges's finely wrought, fantastic stories, so filigreed with strange allusions, critics have consistently found little to relate to the external world, to history--in short, to reality. Out of Context corrects this shortsighted view and reveals the very real basis of the Argentine master's purported "irreality." By providing the historical context for some of the writer's best-loved and least understood works, this study also gives us a new sense of Borges's place within the context of contemporary literature. Through a detailed examination of seven stories, Daniel Balderston shows how Borges's historical and political references, so often misread as part of a literary game, actually open up a much more complex reality than the one made explicit to the reader. Working in tension with the fantastic aspects of Borges' work, these precise references to realities outside the text illuminate relations between literature and history as well as the author's particular understanding of both. In Borges's perspective as it is revealed here, history emerges as an "other" only partially recoverable in narrative form. From what can be recovered, Balderston is able to clarify Borges's position on historical episodes and trends such as colonialism, the Peronist movement, "Western culture," militarism, and the Spanish invasion of the Americas. Informed by a wide reading of history, a sympathetic use of critical theory, and a deep understanding of Borges's work, this iconoclastic study provides a radical new approach to one of the most celebrated and—until now—hermetic authors of our time.
The Oxford Book of Latin American Short Stories
Author: Roberto Gonzalez Echevarria
Publisher: Oxford University Press
ISBN: 0195130855
Category : Fiction
Languages : en
Pages : 496
Book Description
This collection brings together 53 stories that span the history of Latin American literature and represent the most dazzling achievements in the form. It covers the entire history of Latin American short fiction, from the colonial period to present.
Publisher: Oxford University Press
ISBN: 0195130855
Category : Fiction
Languages : en
Pages : 496
Book Description
This collection brings together 53 stories that span the history of Latin American literature and represent the most dazzling achievements in the form. It covers the entire history of Latin American short fiction, from the colonial period to present.
Cuba and the Tempest
Author: Eduardo González
Publisher: Univ of North Carolina Press
ISBN: 0807877131
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
In a unique analysis of Cuban literature inside and outside the country's borders, Eduardo Gonzalez looks closely at the work of three of the most important contemporary Cuban authors to write in the post-1959 diaspora: Guillermo Cabrera Infante (1929-2005), who left Cuba for good in 1965 and established himself in London; Antonio Benitez-Rojo (1931-2005), who settled in the United States; and Leonardo Padura Fuentes (b. 1955), who still lives and writes in Cuba. Through the positive experiences of exile and wandering that appear in their work, these three writers exhibit what Gonzalez calls "Romantic authorship," a deep connection to the Romantic spirit of irony and complex sublimity crafted in literature by Lord Byron, Thomas De Quincey, and Samuel Taylor Coleridge. In Gonzalez's view, a writer becomes a belated Romantic by dint of exile adopted creatively with comic or tragic irony. Gonzalez weaves into his analysis related cinematic elements of myth, folktale, and the grotesque that appear in the work of filmmakers such as Alfred Hitchcock and Pedro Almodovar. Placing the three Cuban writers in conversation with artists and thinkers from British and American literature, anthropology, philosophy, psychoanalysis, and cinema, Gonzalez ultimately provides a space in which Cuba and its literature, inside and outside its borders, are deprovincialized.
Publisher: Univ of North Carolina Press
ISBN: 0807877131
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
In a unique analysis of Cuban literature inside and outside the country's borders, Eduardo Gonzalez looks closely at the work of three of the most important contemporary Cuban authors to write in the post-1959 diaspora: Guillermo Cabrera Infante (1929-2005), who left Cuba for good in 1965 and established himself in London; Antonio Benitez-Rojo (1931-2005), who settled in the United States; and Leonardo Padura Fuentes (b. 1955), who still lives and writes in Cuba. Through the positive experiences of exile and wandering that appear in their work, these three writers exhibit what Gonzalez calls "Romantic authorship," a deep connection to the Romantic spirit of irony and complex sublimity crafted in literature by Lord Byron, Thomas De Quincey, and Samuel Taylor Coleridge. In Gonzalez's view, a writer becomes a belated Romantic by dint of exile adopted creatively with comic or tragic irony. Gonzalez weaves into his analysis related cinematic elements of myth, folktale, and the grotesque that appear in the work of filmmakers such as Alfred Hitchcock and Pedro Almodovar. Placing the three Cuban writers in conversation with artists and thinkers from British and American literature, anthropology, philosophy, psychoanalysis, and cinema, Gonzalez ultimately provides a space in which Cuba and its literature, inside and outside its borders, are deprovincialized.
The Wise Men of Greece
Author: John Stuart Blackie
Publisher:
ISBN:
Category : Philosophers, Ancient
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Philosophers, Ancient
Languages : en
Pages : 388
Book Description
Pariah in the Desert
Author: Todd S. Garth
Publisher: Bucknell University Press
ISBN: 1611487684
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
This is the first book in English on Horacio Quiroga (Uruguay 1878-Argentina 1937), a canonical author whose works are read by all advanced students of Spanish in the US and many other countries. The study examines Quiroga’s work through the theoretical lens of the heroic—a lens elaborated in part by means of Quiroga’s own disquisitions on the subject—and the complementary phenomenon of the monstrous. This lens serves to elucidate many evidently obscure and self-contradictory aspects of Quiroga’s work and its relation to the context in which he lived. That context included the neo-colonial social and economic milieu of Argentina’s fast-changing, immigrant-charged, increasingly materialistic society; the growing influence of foreign cultural discourses, particularly Hollywood film; the conflict between the genders in a society that embraced modernity but resisted changes in gender roles; the weight of new scientific discourses, especially Darwinian evolution, in social and political thought; and the impact on pedagogical theory and practice of these multiple changing discourses. This study discloses the extraordinary range of Quiroga’s work, which includes erotic romance, science fiction and fantasy, psychological occult, social satire, a great variety of juvenile literature, outdoor adventure and—most familiar to readers in the United States—gothic and naturalist horror. The book concludes that Quiroga’s consistent imperative of the heroic is essential to reconciling these various, evidently incompatible aspects of Quiroga’s poetics, revealing its theoretical and ethical coherence.
Publisher: Bucknell University Press
ISBN: 1611487684
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
This is the first book in English on Horacio Quiroga (Uruguay 1878-Argentina 1937), a canonical author whose works are read by all advanced students of Spanish in the US and many other countries. The study examines Quiroga’s work through the theoretical lens of the heroic—a lens elaborated in part by means of Quiroga’s own disquisitions on the subject—and the complementary phenomenon of the monstrous. This lens serves to elucidate many evidently obscure and self-contradictory aspects of Quiroga’s work and its relation to the context in which he lived. That context included the neo-colonial social and economic milieu of Argentina’s fast-changing, immigrant-charged, increasingly materialistic society; the growing influence of foreign cultural discourses, particularly Hollywood film; the conflict between the genders in a society that embraced modernity but resisted changes in gender roles; the weight of new scientific discourses, especially Darwinian evolution, in social and political thought; and the impact on pedagogical theory and practice of these multiple changing discourses. This study discloses the extraordinary range of Quiroga’s work, which includes erotic romance, science fiction and fantasy, psychological occult, social satire, a great variety of juvenile literature, outdoor adventure and—most familiar to readers in the United States—gothic and naturalist horror. The book concludes that Quiroga’s consistent imperative of the heroic is essential to reconciling these various, evidently incompatible aspects of Quiroga’s poetics, revealing its theoretical and ethical coherence.
Entiendes?
Author: Emilie L. Bergmann
Publisher: Duke University Press
ISBN: 9780822316152
Category : Literary Criticism
Languages : en
Pages : 452
Book Description
"¿Entiendes?" is literally translated as "Do you understand? Do you get it?" But those who do "get it" will also hear within this question a subtler meaning: "Are you queer? Are you one of us?" The issues of gay and lesbian identity represented by this question are explored for the first time in the context of Spanish and Hispanic literature in this groundbreaking anthology. Combining intimate knowledge of Spanish-speaking cultures with contemporary queer theory, these essays address texts that share both a common language and a concern with lesbian, gay, and bisexual identities. Using a variety of approaches, the contributors tease the homoerotic messages out of a wide range of works, from chronicles of colonization in the Caribbean to recent Puerto Rican writing, from the work of Cervantes to that of the most outrageous contemporary Latina performance artists. This volume offers a methodology for examining work by authors and artists whose sexuality is not so much open as "an open secret," respecting, for example, the biographical privacy of writers like Gabriela Mistral while responding to the voices that speak in their writing. Contributing to an archeology of queer discourses, ¿Entiendes? also includes important studies of terminology and encoded homosexuality in Argentine literature and Caribbean journalism of the late nineteenth century. Whether considering homosexual panic in the stories of Borges, performances by Latino AIDS activists in Los Angeles, queer lives in turn-of-the-century Havana and Buenos Aires, or the mapping of homosexual geographies of 1930s New York in Lorca's "Ode to Walt Whitman," ¿Entiendes? is certain to stir interest at the crossroads of sexual and national identities while proving to be an invaluable resource.
Publisher: Duke University Press
ISBN: 9780822316152
Category : Literary Criticism
Languages : en
Pages : 452
Book Description
"¿Entiendes?" is literally translated as "Do you understand? Do you get it?" But those who do "get it" will also hear within this question a subtler meaning: "Are you queer? Are you one of us?" The issues of gay and lesbian identity represented by this question are explored for the first time in the context of Spanish and Hispanic literature in this groundbreaking anthology. Combining intimate knowledge of Spanish-speaking cultures with contemporary queer theory, these essays address texts that share both a common language and a concern with lesbian, gay, and bisexual identities. Using a variety of approaches, the contributors tease the homoerotic messages out of a wide range of works, from chronicles of colonization in the Caribbean to recent Puerto Rican writing, from the work of Cervantes to that of the most outrageous contemporary Latina performance artists. This volume offers a methodology for examining work by authors and artists whose sexuality is not so much open as "an open secret," respecting, for example, the biographical privacy of writers like Gabriela Mistral while responding to the voices that speak in their writing. Contributing to an archeology of queer discourses, ¿Entiendes? also includes important studies of terminology and encoded homosexuality in Argentine literature and Caribbean journalism of the late nineteenth century. Whether considering homosexual panic in the stories of Borges, performances by Latino AIDS activists in Los Angeles, queer lives in turn-of-the-century Havana and Buenos Aires, or the mapping of homosexual geographies of 1930s New York in Lorca's "Ode to Walt Whitman," ¿Entiendes? is certain to stir interest at the crossroads of sexual and national identities while proving to be an invaluable resource.