Author: Christian Knöppler
Publisher: transcript Verlag
ISBN: 3839437350
Category : Social Science
Languages : en
Pages : 263
Book Description
The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.
The Monster Always Returns
Author: Christian Knöppler
Publisher: transcript Verlag
ISBN: 3839437350
Category : Social Science
Languages : en
Pages : 263
Book Description
The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.
Publisher: transcript Verlag
ISBN: 3839437350
Category : Social Science
Languages : en
Pages : 263
Book Description
The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.
Return Of Reader
Author: Elizabeth Freund
Publisher: Routledge
ISBN: 1136496483
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.
Publisher: Routledge
ISBN: 1136496483
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.
Monsters, Gender and Sexuality in Medieval English Literature
Author: Dana Oswald
Publisher: Boydell & Brewer
ISBN: 1843842327
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
A gendered reading of monster and the monstrous body in medieval literature. Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature. DANA M. OSWALD is Assistant Professor of English, University of Wisconsin-Parkside.
Publisher: Boydell & Brewer
ISBN: 1843842327
Category : Literary Criticism
Languages : en
Pages : 245
Book Description
A gendered reading of monster and the monstrous body in medieval literature. Monsters abound in Old and Middle English literature, from Grendel and his mother in Beowulf to those found in medieval romances such as Sir Gowther. Through a close examination of the way in which their bodies are sexed and gendered, and drawing from postmodern theories of gender, identity, and subjectivity, this book interrogates medieval notions of the body and the boundaries of human identity. Case studies of Wonders of the East, Beowulf, Mandeville's Travels, the Alliterative Morte Arthure, and Sir Gowther reveal a shift in attitudes toward the gendered and sexed body, and thus toward identity, between the two periods: while Old English authors and artists respond to the threat of the gendered, monstrous form by erasing it, Middle English writers allow transgressive and monstrous bodies to transform and therefore integrate into society. This metamorphosis enables redemption for some monsters, while other monstrous bodies become dangerously flexible and invisible, threatening the communities they infiltrate. These changing cultural reactions to monstrous bodies demonstrate the precarious relationship between body and identity in medieval literature. DANA M. OSWALD is Assistant Professor of English, University of Wisconsin-Parkside.
The Metaphor of the Monster
Author: Keith Moser
Publisher: Bloomsbury Publishing USA
ISBN: 1501364359
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
The Metaphor of the Monster offers fresh perspectives and a variety of disciplinary approaches to the ever-broadening field of monster studies. The eclectic group of contributors to this volume represents areas of study not generally considered under the purview of monster studies, including world literature, classical studies, philosophy, ecocriticism, animal ethics, and gender studies. Combining historical overviews with contemporary and global outlooks, this volume recontextualizes the monstrous entities that have always haunted the human imagination in the age of the Anthropocene. It also invites reflection on new forms of monstrosity in an era epitomized by an unprecedented deluge of (mis)information. Uniting researchers from varied academic backgrounds in a common effort to challenge the monstrous labels that have historically been imposed upon "the Other," this book endeavors above all to bring the monster out of the shadows and into the light of moral consideration.
Publisher: Bloomsbury Publishing USA
ISBN: 1501364359
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
The Metaphor of the Monster offers fresh perspectives and a variety of disciplinary approaches to the ever-broadening field of monster studies. The eclectic group of contributors to this volume represents areas of study not generally considered under the purview of monster studies, including world literature, classical studies, philosophy, ecocriticism, animal ethics, and gender studies. Combining historical overviews with contemporary and global outlooks, this volume recontextualizes the monstrous entities that have always haunted the human imagination in the age of the Anthropocene. It also invites reflection on new forms of monstrosity in an era epitomized by an unprecedented deluge of (mis)information. Uniting researchers from varied academic backgrounds in a common effort to challenge the monstrous labels that have historically been imposed upon "the Other," this book endeavors above all to bring the monster out of the shadows and into the light of moral consideration.
The Monster Hunter's Handbook
Author: Ibrahim Amin
Publisher: Bloomsbury Publishing USA
ISBN: 1596912383
Category : Humor
Languages : en
Pages : 226
Book Description
The book instructs readers in the background of each creature and the dangers each present. It also includes a catalog of the premodern worlds most powerful armament. This book details everything a new generation of valiant monster hunters needs to know t
Publisher: Bloomsbury Publishing USA
ISBN: 1596912383
Category : Humor
Languages : en
Pages : 226
Book Description
The book instructs readers in the background of each creature and the dangers each present. It also includes a catalog of the premodern worlds most powerful armament. This book details everything a new generation of valiant monster hunters needs to know t
Monstrosity in Matheson's "I Am Legend" and Lawrence's Film Adaptation
Author: Kinga Gmiat
Publisher: GRIN Verlag
ISBN: 3656471843
Category : Literary Collections
Languages : en
Pages : 36
Book Description
Seminar paper from the year 2013 in the subject English Language and Literature Studies - Comparative Literature, grade: 2,0, University of Dusseldorf "Heinrich Heine" (American Studies), course: The Virus as Political Metaphor in 20th Century American Literature and Film, language: English, abstract: It is difficult to imagine our world without monsters. Their hideous appearance and scary behavior became integrated in our lives and culture. No culture can live without monsters. Children at an early age fear monsters under their beds and adolescents fight against monsters in computer games. We read about them in fictional literature and see them in classic movies as well as new publications. Monsters have always played an important role in culture. But what are monsters? How do they find their way into our society and where do they come from? Not only are they defined by their deterrent appearance but also by qualities ascribed by the culture they appear in (cf. Murgatroyd 2007, p. 2). The anthropologist Jeffrey Jerome Cohen deals with monsters and their role in society. In his work called “Monster Theory” he proposes a method of understanding cultures through the monsters they invent by giving seven theses explaining the monster ́s characterizations (cf. Cohen, Jeffrey Jerome: Monster Culture (Seven Theses). In: Monster Theory. Reading Culture. Minneapolis 1996, p. 3f.). Cohen ́s second thesis “The Monster Always Escapes” will be of special interest to us. Also referring to Cohen ́s first thesis “The Monster ́s Body Is A Cultural Body” we will examine how monsters are born into society and how they keep on living within the frames of cultural, political and social relations. Afterwards we will apply Cohen ́s thesis to Richard Matheson ́s “I Am Legend”, a Science Fiction and horror novel, which deals with monsters in form of vampires. In Matheson ́s fictional work the protagonist Robert Neville, as the only human being, lives in a world of bloodthirsty vampires. Neville, trying to understand the germ which created the disease and to which he himself is immune, does scientific researches. He haunts the vampires and kills them, when ultimately he is captured by a pair of infected survivors. The novel is set in Los Angeles.
Publisher: GRIN Verlag
ISBN: 3656471843
Category : Literary Collections
Languages : en
Pages : 36
Book Description
Seminar paper from the year 2013 in the subject English Language and Literature Studies - Comparative Literature, grade: 2,0, University of Dusseldorf "Heinrich Heine" (American Studies), course: The Virus as Political Metaphor in 20th Century American Literature and Film, language: English, abstract: It is difficult to imagine our world without monsters. Their hideous appearance and scary behavior became integrated in our lives and culture. No culture can live without monsters. Children at an early age fear monsters under their beds and adolescents fight against monsters in computer games. We read about them in fictional literature and see them in classic movies as well as new publications. Monsters have always played an important role in culture. But what are monsters? How do they find their way into our society and where do they come from? Not only are they defined by their deterrent appearance but also by qualities ascribed by the culture they appear in (cf. Murgatroyd 2007, p. 2). The anthropologist Jeffrey Jerome Cohen deals with monsters and their role in society. In his work called “Monster Theory” he proposes a method of understanding cultures through the monsters they invent by giving seven theses explaining the monster ́s characterizations (cf. Cohen, Jeffrey Jerome: Monster Culture (Seven Theses). In: Monster Theory. Reading Culture. Minneapolis 1996, p. 3f.). Cohen ́s second thesis “The Monster Always Escapes” will be of special interest to us. Also referring to Cohen ́s first thesis “The Monster ́s Body Is A Cultural Body” we will examine how monsters are born into society and how they keep on living within the frames of cultural, political and social relations. Afterwards we will apply Cohen ́s thesis to Richard Matheson ́s “I Am Legend”, a Science Fiction and horror novel, which deals with monsters in form of vampires. In Matheson ́s fictional work the protagonist Robert Neville, as the only human being, lives in a world of bloodthirsty vampires. Neville, trying to understand the germ which created the disease and to which he himself is immune, does scientific researches. He haunts the vampires and kills them, when ultimately he is captured by a pair of infected survivors. The novel is set in Los Angeles.
Daisy Weal and the Monster
Author: Robert A.V. Jacobs
Publisher: Lulu.com
ISBN: 0244456607
Category : Fiction
Languages : en
Pages : 232
Book Description
Daisy Weal was gifted with extraordinary powers. Her early years were spent learning how to control them, learning how to fit in and learning how to be Human. But now Daisy is ten and as her knowledge of the universe expands, she discovers a monstrous being from another reality that is a serious threat to Humanity. Can her understanding of it be enough to prevent disaster? Would she have enough time to deal with this threat, before a second emerges that was trapped in another dimension. How can she know that the gateway has been inadvertently opened by a curious scientist and that the fate of the entire universe now hangs in the balance? Despite all of her efforts to maintain a front of normality against these impossible odds, she was eventually noticed and recruited into a secret service specifically for her special talents. Would those talents be enough to enable her to deal with one monstrous being, one dimensional horror and at the same time stop a madman from destroying London.
Publisher: Lulu.com
ISBN: 0244456607
Category : Fiction
Languages : en
Pages : 232
Book Description
Daisy Weal was gifted with extraordinary powers. Her early years were spent learning how to control them, learning how to fit in and learning how to be Human. But now Daisy is ten and as her knowledge of the universe expands, she discovers a monstrous being from another reality that is a serious threat to Humanity. Can her understanding of it be enough to prevent disaster? Would she have enough time to deal with this threat, before a second emerges that was trapped in another dimension. How can she know that the gateway has been inadvertently opened by a curious scientist and that the fate of the entire universe now hangs in the balance? Despite all of her efforts to maintain a front of normality against these impossible odds, she was eventually noticed and recruited into a secret service specifically for her special talents. Would those talents be enough to enable her to deal with one monstrous being, one dimensional horror and at the same time stop a madman from destroying London.
The Monster in Theatre History
Author: Michael Chemers
Publisher: Routledge
ISBN: 1315454076
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.
Publisher: Routledge
ISBN: 1315454076
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.
Return of the B Science Fiction and Horror Heroes
Author: Tom Weaver
Publisher: McFarland
ISBN: 9780786407552
Category : Performing Arts
Languages : en
Pages : 900
Book Description
The people who directed, produced, and starred in the scary and fantastic movies of the genre heyday over thirty years ago created memorable experiences as well as memorable movies. This McFarland Classic brings together over fifty interviews with the directors, producers, actors, and make-up artists of science fiction and horror films of the 1940s, 1950s, and 1960s. From B movies to classics, Samuel Z. Arkoff to Acquanetta, these veteran vampire baits, swamp monsters, and flying saucers attackees share their memories. This classic volume represents the union of two previous volumes: Interviews with B Science Fiction and Horror Movie Makers ("more fun than the lovably cheap movies that inspired it"--Booklist/RBB); and Science Fiction Stars and Horror Heroes ("candid...a must" --ARBA). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences squeal with fear, and occasionally, howl with laughter.
Publisher: McFarland
ISBN: 9780786407552
Category : Performing Arts
Languages : en
Pages : 900
Book Description
The people who directed, produced, and starred in the scary and fantastic movies of the genre heyday over thirty years ago created memorable experiences as well as memorable movies. This McFarland Classic brings together over fifty interviews with the directors, producers, actors, and make-up artists of science fiction and horror films of the 1940s, 1950s, and 1960s. From B movies to classics, Samuel Z. Arkoff to Acquanetta, these veteran vampire baits, swamp monsters, and flying saucers attackees share their memories. This classic volume represents the union of two previous volumes: Interviews with B Science Fiction and Horror Movie Makers ("more fun than the lovably cheap movies that inspired it"--Booklist/RBB); and Science Fiction Stars and Horror Heroes ("candid...a must" --ARBA). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences squeal with fear, and occasionally, howl with laughter.
Capitalism: A Horror Story
Author: Jon Greenaway
Publisher: Watkins Media Limited
ISBN: 1915672244
Category : Political Science
Languages : en
Pages : 181
Book Description
A horror-story history of capitalism and its relationship to the haunted and the gothic, and a manifesto of Gothic Marxism, which finds revolutionary hope in the nightmare of modernity. What does it mean to see horror in capitalism? What can horror tell us about the state and nature of capitalism? Blending film criticism, cultural theory, and philosophy, Capitalism: A Horror Story examines literature, film, and philosophy, from Frankenstein to contemporary cinema, delving into the socio-political function of the monster, the haunted nature of the digital world, and the inescapable horror of contemporary capitalist politics. Revitalizing the tradition of Romantic anticapitalism and offering a “dark way of being red”, Capitalism: A Horror Story argues for a Gothic Marxism, showing how we can find revolutionary hope in horror- a site of monstrous becoming that opens the door to a Utopian future.
Publisher: Watkins Media Limited
ISBN: 1915672244
Category : Political Science
Languages : en
Pages : 181
Book Description
A horror-story history of capitalism and its relationship to the haunted and the gothic, and a manifesto of Gothic Marxism, which finds revolutionary hope in the nightmare of modernity. What does it mean to see horror in capitalism? What can horror tell us about the state and nature of capitalism? Blending film criticism, cultural theory, and philosophy, Capitalism: A Horror Story examines literature, film, and philosophy, from Frankenstein to contemporary cinema, delving into the socio-political function of the monster, the haunted nature of the digital world, and the inescapable horror of contemporary capitalist politics. Revitalizing the tradition of Romantic anticapitalism and offering a “dark way of being red”, Capitalism: A Horror Story argues for a Gothic Marxism, showing how we can find revolutionary hope in horror- a site of monstrous becoming that opens the door to a Utopian future.