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Author: Samuel Kinser
Publisher: Univ of California Press
ISBN: 0520311132
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
How is it possible, after four centuries, that a major episode in Rabelais's novels remains systematically misread? The episode, which playfully and grotesquely treats the relation of Carnival to Lent, occurs in Rabelais's Fourth Book, his last and most artfully crafted novel. Samuel Kinser argues that the text has been distorted because critics have not attended to the episode's performative as well as literary contexts, overlooking the innovative use Rabelais made in his work of his immediate world. In this original interpretation of the Fourth Book, Kinser evokes the gestures, games, and visual, oral, bodily semantics of Carnival and Lent as they were performed in Rabelais's day. He also underscores the importance to Rabelais of the invention of printing, an innovation which revolutionized the relationships of author and reader. Understanding this and fearing it, Rabelais adopted an extraordinary set of disguises as an author, disguises which in their bewildering interplay constitute the truest sense of his carnival. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Author: Samuel Kinser
Publisher: Univ of California Press
ISBN: 0520311132
Category : Literary Criticism
Languages : en
Pages : 308
Get Book Here
Book Description
How is it possible, after four centuries, that a major episode in Rabelais's novels remains systematically misread? The episode, which playfully and grotesquely treats the relation of Carnival to Lent, occurs in Rabelais's Fourth Book, his last and most artfully crafted novel. Samuel Kinser argues that the text has been distorted because critics have not attended to the episode's performative as well as literary contexts, overlooking the innovative use Rabelais made in his work of his immediate world. In this original interpretation of the Fourth Book, Kinser evokes the gestures, games, and visual, oral, bodily semantics of Carnival and Lent as they were performed in Rabelais's day. He also underscores the importance to Rabelais of the invention of printing, an innovation which revolutionized the relationships of author and reader. Understanding this and fearing it, Rabelais adopted an extraordinary set of disguises as an author, disguises which in their bewildering interplay constitute the truest sense of his carnival. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Author: Viveka Velupillai
Publisher: John Benjamins Publishing
ISBN: 9027273502
Category : Language Arts & Disciplines
Languages : en
Pages : 541
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Book Description
This clear and accessible introduction to linguistic typology covers all linguistic domains from phonology and morphology over parts-of-speech, the NP and the VP, to simple and complex clauses, pragmatics and language change. There is also a discussion on methodological issues in typology. This textbook is the first introduction that consistently applies the findings of the World Atlas of Language Structures, systematically includes pidgin and creole languages and devotes a section to sign languages in each chapter. All chapters contain numerous illustrative examples and specific feature maps. Keywords and exercises help review the main topics of each chapter. Appendices provide macro data for all the languages cited in the book as well as a list of web sites of typological interest. An extensive glossary gives at-a-glance definitions of the terms used in the book. This introduction is designed for students of courses with a focus on language diversity and typology, as well as typologically-oriented courses in morphology and syntax. The book will also serve as a guide for field linguists.
Author: Abel Boyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 1024
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Book Description
Author: Harley Harris Bartlett
Publisher:
ISBN:
Category : Burning of land
Languages : en
Pages : 888
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Book Description
Author:
Publisher:
ISBN:
Category : Vietnam (Democratic Republic)
Languages : en
Pages : 718
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Book Description
Author: Christopher Woodall
Publisher: Deep Vellum Publishing
ISBN: 162897205X
Category : Fiction
Languages : en
Pages : 684
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Book Description
November may be said to have four protagonists: a group of night-shift workers in Southeast France; their friends, relatives, lovers, acquaintances; the factory in which they work; the work itself. The focus is on two and a half hours during one evening in November 1976 and the plastic die-casting workshop where the men are employed. Staggering in scope, November is a virtuoso performance—a contemporary take on the classical modernist novel, anatomizing the ways we live, think, and labor: what we've lost, and what we're losing.
Author: Curt Leviant
Publisher: Open Road Media
ISBN: 1504080483
Category : Fiction
Languages : en
Pages : 512
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Book Description
“A comedy of errors [and] bedroom farce” from an award-winning author critically acclaimed for his satiric stories of love and Jewish experience (Kirkus Reviews). Reunited at their Jewish day school reunion, Guido and Charlie find themselves attracted to the same woman, a beautiful cellist named Aviva. Guido, a photographer, makes his move by going to Aviva for music lessons and soon enough, they become lovers. What Guido doesn’t know is that his friend Charlie, a psychologist, has taken Aviva as a client and is a party to the relationship through Aviva’s weekly confessions. Written from the point of view of all three characters, with a swirl of delightful supporting characters and even a directory of footnotes that adds expansions, humor and surprises to the narrative, Diary of an Adulterous Woman is a highly entertaining look at desire, jealousy, the power of secrets and the all-too-human complications both longing and love can bring.
Author: Fletcher D. Cox
Publisher: Springer
ISBN: 331950715X
Category : Political Science
Languages : en
Pages : 350
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Book Description
This book explores a critical question: in the wake of identity-based violence, what can internal and international peacebuilders do to help “deeply divided societies” rediscover a sense of living together? In 2016, ethnic, religious, and sectarian violence in Syria and Iraq, the Central African Republic, Myanmar, and Burundi grab headlines and present worrying scenarios of mass atrocities. The principal concern which this volume addresses is “social cohesion” - relations within society and across deep divisions, and the relationship of individuals and groups with the state. For global peacebuilding networks, the social cohesion concept is a leitmotif for assessment of social dynamics and a strategic goal of interventions to promote resilience following violent conflict. In this volume, case studies by leading international scholars paired with local researchers yield in-depth analyses of social cohesion and related peacebuilding efforts in seven countries: Guatemala, Kenya, Lebanon, Nepal, Nigeria, Myanmar, and Sri Lanka.
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Publisher:
ISBN:
Category : Armenian Americans
Languages : en
Pages : 356
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Book Description
Author: Peter Wuteh Vakunta
Publisher: African Books Collective
ISBN: 995655331X
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Toward the Decolonization of the Europhone African Novel is a treatise on the problematics of language choice in Europhone African literature. Vakunta’s research is rooted in the notion that the postcolonial African fiction writer is at a crossroads of languages, groping for linguistic re-orientation. Using the prose of fiction of Patrice Nganang, Ahmadou Kourouma, Mercedes Fouda, Nazi Boni, and Gabriel K. Fonkou as corpus, he contends that postcolonial African fiction is an offshoot of a linguistic tinkering process that enables writers to tinker with the language of the ex-colonizer in a deliberate attempt to divest indigenous writing of its hegemonic vestiges.
