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Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 9780813921761
Category : Art
Languages : en
Pages : 300
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Book Description
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
Author: Zhaoming Qian
Publisher: University of Virginia Press
ISBN: 9780813921761
Category : Art
Languages : en
Pages : 300
Get Book Here
Book Description
The Modernist Response to Chinese Art is a work of both erudition and sympathy that reveals the root of modernist poets' otherwise baffling interest in and use of Chinese art. Most impressive, perhaps, is the depth of their embrace of it, as Qian has so convincingly documented. --Patricia C. Williams.
Author: Adrian Cheng
Publisher: Assouline Publishing
ISBN: 1614288844
Category : Travel
Languages : en
Pages : 6
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Book Description
While readers will come away from Chinese Art with a nuanced understanding of Chinese culture, the volume is also a work of art in its own right—a must-have collectible for any devotee of Chinese art and culture. Assouline’s Ultimate Collection is an homage to the art of luxury bookmaking—the oversized volume is hand-bound using traditional techniques, with several of the plates hand-tipped on art-quality paper and housed in a luxury silk clamshell.
Author: Anne Witchard
Publisher: Edinburgh University Press
ISBN: 0748690972
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism.
Author: Mark Byron
Publisher: Cambridge University Press
ISBN: 1108499015
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
Author: Zhanghui Yang
Publisher: Taylor & Francis
ISBN: 1040098282
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
The present book examines William Carlos Williams’s negotiation with cultural modes and systems of the Chinese landscape tradition in his landscape writing. Focusing on Walliams’s landscape modes of landscape with(out) infused emotions, the book builds a linkage between their interactions with Chinese landscape aesthetics and shows how these conversations helped shape Williams’s cross-cultural landscape poetics. The exploration of Williams’s experiment with the Chinese serene interplay of self and landscape, the interfusion of scene and emotion, an idea of seeing from the perspective of Wang Guowei’s theory of jingjie, and the poetic space of frustration and completion in the context of space and human geography, expand the understanding of a cross-cultural landscape tradition developed by Williams through bringing into focus the convergence of East-West poetics.
Author: Yunte Huang
Publisher: University of Chicago Press
ISBN: 0226822664
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
Chinese Whispers examines multiple contact zones between the Anglophone and Sinophone worlds, investigating how poetry both enables and complicates the transpacific production of meaning. In this new book, the noted critic and best-selling author Yunte Huang explores the dynamics of poetry and poetics in the age of globalization, particularly questions of translatability, universality, and risk in the transpacific context. “Chinese whispers” refers to an American children’s game dating to the years of the Cold War, a period in which everything Chinese, or even Chinese sounding, was suspect. Taking up various manifestations of the phrase in the twentieth and twenty-first centuries, Huang investigates how poetry, always to a significant degree untranslatable, complicates the transpacific production of meanings and values. The book opens with the efforts of I. A. Richards, arguably the founder of Anglo-American academic literary criticism, to promote Basic English in China in the early twentieth century. It culminates by resituating Ernest Fenollosa’s famous essay “The Chinese Written Character as a Medium for Poetry,” exploring the ways in which Chinese has historically enriched but also entrapped the Western conception of language.
Author: National Endowment for the Humanities
Publisher:
ISBN:
Category : Federal aid to education
Languages : en
Pages : 352
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Book Description
Author: Chee Lay Tan
Publisher: Cambridge Scholars Publishing
ISBN: 1443886297
Category : Poetry
Languages : en
Pages : 291
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Book Description
This book investigates the poetics of three of the most internationally renowned contemporary Chinese poets – Bei Dao, Yang Lian and Duoduo – who were all exiled from China after the 1989 Tiananmen student movement. Their poetry was later to be labelled ‘Misty poetry’ (Menglongshi). Emphasising polyvalent imagery and irregular syntax, Misty poetry engenders a multiplicity of meanings, often leading to interpretational indeterminacy. This book examines three aspects of the ‘Mistiness’ of the poets’ oeuvre: the socio-historic background where Misty poets live and write; imagery; and linguistic elements. After first identifying the roots of Mistiness, this book identifies imagistic and linguistic clues in order to construct a hermeneutical system that examines the irregularities of the Misty poetics and appreciates the polysemy of the poets’ works. Stylometry is used to analyse image frequency and its significance in a stylistic manner, and a semiotic approach is then systematically applied to analyse the poets’ highly irregular images, syntax and the different effects of their poems’ obscurity. Through these approaches that unveil the poems’ evocativeness, the irregularity of the poetry’s Mistiness is established as its most powerful linguistic and imagistic aspect. The book then places the three poets’ different misty characteristics into contrast: Bei Dao’s twisted imagery and elliptical syntax, Yang’s imagery in a classically-inspired syntax, and Duoduo’s integration of images into a rhythmic syntax. While the poets’ progressions from pre- to post-exile poetics suggest the potential of a non-nationally specific, or borderless poetics, their seemingly irregular poetic Mistiness is the most powerful trait of Misty poetry for evoking its system of multifaceted significations and alternative aesthetics.
Author: Susan Stanford Friedman
Publisher: Columbia University Press
ISBN: 0231539479
Category : Literary Criticism
Languages : en
Pages : 466
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Book Description
Drawing on a vast archive of world history, anthropology, geography, cultural theory, postcolonial studies, gender studies, literature, and art, Susan Stanford Friedman recasts modernity as a networked, circulating, and recurrent phenomenon producing multiple aesthetic innovations across millennia. Considering cosmopolitan as well as nomadic and oceanic worlds, she radically revises the scope of modernist critique and opens the practice to more integrated study. Friedman moves from large-scale instances of pre-1500 modernities, such as Tang Dynasty China and the Mongol Empire, to small-scale instances of modernisms, including the poetry of Du Fu and Kabir and Abbasid ceramic art. She maps the interconnected modernisms of the long twentieth century, pairing Joseph Conrad with Tayeb Salih, E. M. Forster with Arundhati Roy, Virginia Woolf with the Tagores, and Aimé Césaire with Theresa Hak Kyung Cha. She reads postcolonial works from Sudan and India and engages with the idea of Négritude. Rejecting the modernist concepts of marginality, othering, and major/minor, Friedman instead favors rupture, mobility, speed, networks, and divergence, elevating the agencies and creative capacities of all cultures not only in the past and present but also in the century to come.
Author: Peter J. Kitson
Publisher: Cambridge University Press
ISBN: 1107513375
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
The first major cultural study to focus exclusively on this decisive period in modern British-Chinese relations. Based on extensive archival investigations, Peter J. Kitson shows how British knowledge of China was constructed from the writings and translations of a diverse range of missionaries, diplomats, travellers, traders, and literary men and women during the Romantic period. The new perceptions of China that it gave rise to were mediated via a dynamic print culture to a diverse range of poets, novelists, essayists, dramatists and reviewers, including Jane Austen, Thomas Percy, William Jones, S. T. Coleridge, George Colman, Robert Southey, Charles Lamb, William and Dorothy Wordsworth and others, informing new British understandings and imaginings of China on the eve of the Opium War of 1839–42. Kitson aims to restore China to its true global presence in our understandings of the culture and literature of Britain in the late eighteenth and early nineteenth centuries.
