Author: Elizabeth A. H. Green
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
The Modern Conductor
Author: Elizabeth A. H. Green
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
Publisher: Prentice Hall
ISBN:
Category : Music
Languages : en
Pages : 328
Book Description
Guide to Score Study for the Wind Band Conductor
Author: Frank Battisti
Publisher: Meredith Music
ISBN: 1476850674
Category : Music
Languages : en
Pages : 123
Book Description
(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.
Publisher: Meredith Music
ISBN: 1476850674
Category : Music
Languages : en
Pages : 123
Book Description
(Meredith Music Resource). This outstanding "one-of-a-kind" text was designed to assist the conductor in achieving a personal interpretation of music.
The Art of Conducting
Author: Roy Ernst
Publisher: McGraw-Hill Education
ISBN: 9780070313262
Category : History
Languages : en
Pages : 0
Book Description
This text contains practical instruction in choral and instrumental conducting for both beginning and intermediate students, along with a large selection of scores for classroom practice.
Publisher: McGraw-Hill Education
ISBN: 9780070313262
Category : History
Languages : en
Pages : 0
Book Description
This text contains practical instruction in choral and instrumental conducting for both beginning and intermediate students, along with a large selection of scores for classroom practice.
For the Love of Music
Author: John Mauceri
Publisher: Knopf
ISBN: 0525520651
Category : Music
Languages : en
Pages : 225
Book Description
With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.
Publisher: Knopf
ISBN: 0525520651
Category : Music
Languages : en
Pages : 225
Book Description
With a lifetime of experience, profound knowledge and understanding, and heartwarming appreciation, an internationally celebrated conductor and teacher answers the questions: Why should I listen to classical music? How can I get the most from the listening experience? A protégé of Leonard Bernstein--his colleague for eighteen years--and an eminent conductor who has toured and recorded all over the world, John Mauceri helps us to reap the joys and pleasures classical music has to offer. Briefly, we learn the way a musical tradition born in ancient Greece, embraced by the Roman Empire, and subsequently nurtured by influences from across the globe, gave shape to the classical music that came to be embraced by cultures from Japan to Bolivia. Then Mauceri examines the music itself, helping us understand what it is we hear when we listen to classical music: how, by a kind of sonic metaphor, it expresses the deepest recesses of human feeling and emotion; how each piece bears the traces of its history; how the concert experience--a unique one each and every time--allows us to discover music anew. Unpretentious, graceful, instructive, this is a book for the aficionado, the novice, and anyone looking to have the love of music fired within them.
The Compleat Conductor
Author: Gunther Schuller
Publisher: Oxford University Press
ISBN: 019984058X
Category : Music
Languages : en
Pages : 585
Book Description
A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Publisher: Oxford University Press
ISBN: 019984058X
Category : Music
Languages : en
Pages : 585
Book Description
A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Dvorak to Duke Ellington
Author: Maurice Peress
Publisher: Oxford University Press
ISBN: 0195098226
Category : Juvenile Nonfiction
Languages : en
Pages : 265
Book Description
Prominent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' and Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvořák.
Publisher: Oxford University Press
ISBN: 0195098226
Category : Juvenile Nonfiction
Languages : en
Pages : 265
Book Description
Prominent symphony conductor Maurice Peress describes his career conducting the premiers of such works as Leonard Bernstein's 'Mass' and Duke Ellington's 'Queenie Pie'. He traces the great impact of African American music on American music, beginning with the work of Antonin Dvořák.
The Conductor and His Baton
Author: Nicolai Malko
Publisher:
ISBN: 9788759875193
Category : Conducting
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788759875193
Category : Conducting
Languages : en
Pages : 0
Book Description
Beyond the Baton
Author: Diane Wittry
Publisher: OUP USA
ISBN: 0195300939
Category : Music
Languages : en
Pages : 348
Book Description
Publisher description
Publisher: OUP USA
ISBN: 0195300939
Category : Music
Languages : en
Pages : 348
Book Description
Publisher description
Conversations with Joseph Flummerfelt
Author: Joseph Flummerfelt
Publisher: Rowman & Littlefield
ISBN: 0810869764
Category : Biography & Autobiography
Languages : en
Pages : 231
Book Description
In Conversations with Joseph Flummerfelt: Thoughts on Conducting, Music, and Musicians, Donald Nally presents a window into the mind and heart of one of America's most celebrated and distinguished choral conductors. This captivating narrative traces Flummerfelt's formative years and influences, his most important artistic collaborations, and his approach to conducting and music. There is also a philosophical discussion of cultural influences and obstacles in art, how one teaches conducting, and the foundations of ensemble music-making. This book explores the conductor's early career influences from musicians such as Robert Shaw and Nadia Boulanger and reveals his thoughts on composers Igor Stravinsky, Samuel Barber, Benjamin Britten, and Olivier Messiaen, among others. Topics range from his approaches to style, conducting gesture, sound generation, and choral sound to the psychology of music-making and the contemporary environment of art-making. Nally's interview style captures the energy and rhythm of Flummerfelt's speech so the conductor's voice and passion is readily evident. Through these intimate conversations, Flummerfelt reveals his life, art, and ideas-from close collaborations with some of the world's greatest orchestral conductors to his work as artistic director of Westminster Choir College. More than thirty photos present a visual record of Flummerfelt's collaborations with many of the great musicians of our time; a biographical timeline, list of collaborating orchestras and conductors, and discography are also included. Book jacket.
Publisher: Rowman & Littlefield
ISBN: 0810869764
Category : Biography & Autobiography
Languages : en
Pages : 231
Book Description
In Conversations with Joseph Flummerfelt: Thoughts on Conducting, Music, and Musicians, Donald Nally presents a window into the mind and heart of one of America's most celebrated and distinguished choral conductors. This captivating narrative traces Flummerfelt's formative years and influences, his most important artistic collaborations, and his approach to conducting and music. There is also a philosophical discussion of cultural influences and obstacles in art, how one teaches conducting, and the foundations of ensemble music-making. This book explores the conductor's early career influences from musicians such as Robert Shaw and Nadia Boulanger and reveals his thoughts on composers Igor Stravinsky, Samuel Barber, Benjamin Britten, and Olivier Messiaen, among others. Topics range from his approaches to style, conducting gesture, sound generation, and choral sound to the psychology of music-making and the contemporary environment of art-making. Nally's interview style captures the energy and rhythm of Flummerfelt's speech so the conductor's voice and passion is readily evident. Through these intimate conversations, Flummerfelt reveals his life, art, and ideas-from close collaborations with some of the world's greatest orchestral conductors to his work as artistic director of Westminster Choir College. More than thirty photos present a visual record of Flummerfelt's collaborations with many of the great musicians of our time; a biographical timeline, list of collaborating orchestras and conductors, and discography are also included. Book jacket.
Conducting Technique
Author: Brock McElheran
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 164
Book Description
Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 164
Book Description
Conducting Technique has been accepted as a standard text for both choral and orchestral conducting courses taught at universities, colleges, and conservatories throughout the English-speaking world. For this revised edition the author has made a number of corrections and additions, includinga new preface.