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Author: Alan V. Murray
Publisher: Boydell & Brewer
ISBN: 1783275421
Category : History
Languages : en
Pages : 265
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Book Description
Fresh insights into the development of the tournament as an opportunity for social display.
Author: Alan V. Murray
Publisher: Boydell & Brewer
ISBN: 1783275421
Category : History
Languages : en
Pages : 265
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Book Description
Fresh insights into the development of the tournament as an opportunity for social display.
Author: Richard Barber
Publisher: Boydell & Brewer
ISBN: 9780851157818
Category : History
Languages : en
Pages : 225
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Book Description
"First published hardback 1989"--T.p. verso.
Author: Noel Fallows
Publisher: Boydell Press
ISBN: 1843835940
Category : History
Languages : en
Pages : 578
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Book Description
Based on close reading of original sources, Fallows (Spanish, U. of Georgia) offers a detailed reconstruction of the history and practice of jousting, detailing techniques and injuries, styles of fighting, and all the parts of the arms and armor used, with frequent citing of original descriptions. As is typical for this publisher, the volume is beautifully produced, printed on good stock and well-illustrated with color and b&w plates. Notable is the inclusion of three 15th- and 16th-century jousting manuals, presented in full in side-by-side English and Spanish translation. A glossary and bibliography are provided. The Boydell Press is an imprint of Boydell & Brewer. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com).
Author: L. O. Aranye Fradenburg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 416
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Book Description
How was statecraft performed five centuries ago? Louise Fradenburg explores the evolution of arts of rule in Scotland under the reigns of James III and James IV, revealing the broad spectacle of a late medieval court on the brink of the Renaissance.
Author: Christopher Gravett
Publisher: Osprey Publishing
ISBN: 9781855329379
Category : History
Languages : en
Pages : 0
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Book Description
Like all warrior classes throughout history medieval knights engaged in military games, partly in preparation for war and partly for pure sport. From their often brutal origins in the 10th century to the gaudy pageantry and eventual decline of the 15th and 16th centuries, tournaments were the centre of the knightly life. The image of the armoured and surcoated knight on his caparisoned charger remains the epitome of the chivalric ideal. Christopher Gravett explores the history of the tournament from its chaotic beginnings to its more formal, 'civilised' incarnation, describing the various 'events' and equipment which came into use.
Author: Alan R. Young
Publisher:
ISBN:
Category : History
Languages : en
Pages : 232
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Book Description
This is the first book to trace the history & significance of the tournament in all its aspects in the Tudor & Jacobean periods. In its original medieval form, the tournament was a cross between sport & warfare, often an event involving two large opposing groups of knights who fought each other across a wide area of country. Loss of life or limb was common. These brutal events were a far cry from the carefully controlled & staged affairs that tournaments had become by Tudor times, a development that mirrors a profound change in role. As a vehicle for training in warfare, the Tudor & Jacobean tournament was largely anachronistic, but it played a crucial part in the political & cultural life of the country. These events were a major instrument of political propaganda, a public spectacle which the monarch could use in the profoundly serious business of displaying his or her magnificence. They were frequently staged & lavishly financed, with the provision of rich & costly trappings for participants & key spectators alike. Tournaments were also of considerable importance in keeping alive the ideals of chivalry, & all that these implied about service to king & country. Unlike later court entertainments, tournaments were spectacles at which even the meanest citizen could bask in the display of royal magnificence. Drawing on much original research, Professor Young fully explores all aspects of the tournament & its significance, including the construction of tiltyards, the tournament as theatre, & tournament literature, some of which was contributed by such great figures as Philip Sidney & Ben Jonson. But above all Young makes clear that the tournament was never mere entertainment, extravagant fantasy, or the archaic exercise of obsolete military skills. In fact, Tudor & Jacobean tournaments helped to keep alive values & ideals which perhaps contributed to the English Civil War, the American Civil War & even World War I.
Author: Robert W. Jones
Publisher: Boydell & Brewer
ISBN: 1843835614
Category : Antiques & Collectibles
Languages : en
Pages : 230
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Book Description
Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance. `A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite. Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning. ROBERT W. JONES gained his PhD from Cardiff University.
Author:
Publisher: BRILL
ISBN: 9004306455
Category : History
Languages : en
Pages : 669
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Book Description
The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds—evidence of which survives in the archaeological record—and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe. Contributors are Stephen Atkinson, Debby Banham, Albrecht Classen, Joshua Easterling, Charlene M. Eska, Carmel Ferragud, M.R. Geldof, Elina Gertsman, Barbara A. Goodman, Máire Johnson, Rachel E. Kellett, Ilana Krug, Virginia Langum, Michael Livingston, Iain A. MacInnes, Timothy May, Vibeke Olson, Salvador Ryan, William Sayers, Patricia Skinner, Alicia Spencer-Hall, Wendy J. Turner, Christine Voth, and Robert C. Woosnam-Savage.
Author: Joanna Bellis
Publisher: Boydell & Brewer
ISBN: 1783271558
Category : History
Languages : en
Pages : 236
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Book Description
An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century. War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged. The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience. JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London. Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,
Author: Nigel Bryant
Publisher: Boydell & Brewer
ISBN: 178327459X
Category : Art
Languages : en
Pages : 161
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Book Description
First translation of two vivid accounts of French thirteenth-century tournaments, rich in detail and an impassioned defence of tournaments and their importance. The Romance of Le Hem and The Tournament at Chauvency are eyewitness accounts of the famous tournaments held in 1278 at Le Hem on the banks of the Somme in north-eastern France, and in 1285 at Chauvency in Lorraine. Written within weeks of the events they describe, they record in vivid detail not only the jousts and the mêlées but also the entertainments and dramatic interludes which preceded, followed and embellished these festivals of martial sport. As Sarrasin makes clear, theatre as well as jousting, and jousting in the context of enacted stories, were central to what took place at Le Hem, involving elaborate role-play by participants as figures from Arthurian romance. And few medieval accounts of events have such thrilling immediacy as Jacques Bretel's record of Chauvency. He sat in a prime place, on the fourth step of the stand, and the reader sees and hears the action as if sitting at his shoulder - and eavesdrops on conversations, too. He gives remarkable insights into the surprising role played by song, and into how the whole event was perceived and understood. These intriguing works are invaluable source material for scholars not only of medieval chivalry and tournaments but also of festivities and performance.
