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Author: Mahealani Uchiyama
Publisher: North Atlantic Books
ISBN: 1623176492
Category : Music
Languages : en
Pages : 128
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Book Description
An introductory guide to the mbira: the spiritual traditions, historical perspectives, and practical applications of a sacred Zimbabwean instrument. In this accessible overview steeped in history and tradition, teacher and student Māhealani Uchiyama offers insights for learning about the mbira and actively engaging with it in an informed and respectful way. The mbira is made of a wooden soundboard and hammered metal keys. It can be played solo or accompanied by singing, clapping, dancing, percussion, or other mbira. In traditional Zimbabwean culture, the mbira is a spiritual practice that bridges worlds: for example, the realm of the ancestors and of healing energies with the worlds of the living. Supplemented with 32 images and glossary of terms, this book helps readers understand: • The mbira’s special roles within the lamellaphone instrument family • Relevant Zimbabwean and African cultural, historical, and spiritual perspectives • Ways the mbira can become a connection point for people severed from their African roots • How appropriation and commodification have contributed to the mbira’s popularization around the world • Codes of conduct for respectfully playing the mbira and for taking it up as a practice
Author: Mahealani Uchiyama
Publisher: North Atlantic Books
ISBN: 1623176492
Category : Music
Languages : en
Pages : 128
Get Book Here
Book Description
An introductory guide to the mbira: the spiritual traditions, historical perspectives, and practical applications of a sacred Zimbabwean instrument. In this accessible overview steeped in history and tradition, teacher and student Māhealani Uchiyama offers insights for learning about the mbira and actively engaging with it in an informed and respectful way. The mbira is made of a wooden soundboard and hammered metal keys. It can be played solo or accompanied by singing, clapping, dancing, percussion, or other mbira. In traditional Zimbabwean culture, the mbira is a spiritual practice that bridges worlds: for example, the realm of the ancestors and of healing energies with the worlds of the living. Supplemented with 32 images and glossary of terms, this book helps readers understand: • The mbira’s special roles within the lamellaphone instrument family • Relevant Zimbabwean and African cultural, historical, and spiritual perspectives • Ways the mbira can become a connection point for people severed from their African roots • How appropriation and commodification have contributed to the mbira’s popularization around the world • Codes of conduct for respectfully playing the mbira and for taking it up as a practice
Author: Paul F. Berliner
Publisher: University of Chicago Press
ISBN: 022662871X
Category : Music
Languages : en
Pages : 620
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Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner’s The Art of Mbira documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. In this book, Berliner provides insight into the communities of study, performance, and worship that surround mbira. He chronicles how master player Cosmas Magaya and his associates have developed their repertory and practices over more than four decades, shaped by musical interaction, social and political dynamics in Zimbabwe, and the global economy of the music industry. At once a detailed exposition of the music’s forms and practices, it is also an indispensable historical and cultural guide to mbira in a changing world. Together with Berliner and Magaya's compendium of mbira compositions, Mbira’s Restless Dance, The Art of Mbira breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Paul Berliner
Publisher: University of Chicago Press
ISBN: 9780226043791
Category : Music
Languages : en
Pages : 370
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Book Description
Originally published: Berkeley: University of California Press, c1978, in series: Perspectives on southern Africa; 26.
Author: Paul F. Berliner
Publisher: University of Chicago Press
ISBN: 022662630X
Category : Music
Languages : en
Pages : 907
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Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner and Cosmas Magaya’s Mbira’s Restless Dance documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. Mbira’s Restless Dance is written to be played. This two-volume, spiral-bound set features musical transcriptions of thirty-nine compositions and variations, annotated with the master player’s advice on technique and performance, his notes and observations, and commentary by Berliner. Enhanced with extensive website audiovisuals, Mbira’s Restless Dance is in effect a series of masterclasses with Magaya, suitable for experienced mbira players and those learning the fundamentals. Together with Berliner's The Art of Mbira, in which he provides an indispensable historical and cultural guide to mbira in a changing world, Mbira's Restless Dance breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Paul F. Berliner
Publisher: University of Chicago Press
ISBN: 022662868X
Category : Music
Languages : en
Pages : 620
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Book Description
Growing out of the collaborative research of an American ethnomusicologist and Zimbabwean musician, Paul F. Berliner’s The Art of Mbira documents the repertory for a keyboard instrument known generally as mbira. At the heart of this work lies the analysis of the improvisatory processes that propel mbira music’s magnificent creativity. In this book, Berliner provides insight into the communities of study, performance, and worship that surround mbira. He chronicles how master player Cosmas Magaya and his associates have developed their repertory and practices over more than four decades, shaped by musical interaction, social and political dynamics in Zimbabwe, and the global economy of the music industry. At once a detailed exposition of the music’s forms and practices, it is also an indispensable historical and cultural guide to mbira in a changing world. Together with Berliner and Magaya's compendium of mbira compositions, Mbira’s Restless Dance, The Art of Mbira breaks new ground in the depth and specificity of its exploration of an African musical tradition, and in the entwining of the authors’ collaborative voices. It is a testament to the powerful relationship between music and social life—and the rewards of lifelong musical study, performance, and friendship.
Author: Dambudzo Ruzhowa
Publisher:
ISBN:
Category : Shona language
Languages : en
Pages : 92
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Book Description
Author: Helen Winter
Publisher: Helen Winter
ISBN:
Category : Music
Languages : en
Pages : 42
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Book Description
The kalimba or mbira is a traditional and typical African instrument. It consists of metal keys attached by a wooden support structure. Normally, the African mbira has 4-20 keys, but there also exist mbiras with 45 keys. One of the ethnic groups of people of Zimbabwe, the Rosvi, are called "Mbira people". Any folk song presupposes dance, but in Africa, dance is impossible to separate from a song. Music and dance accompany African birth, growing up, initiation, marriage, the birth of children, death, as well as most social activity, such as hunting, planting and gathering. Music is often associated in Africa with magic. As the African proverb says: "the spirit cannot ascend to heaven without a song". This educational book will help you begin to play music simply and easily. If you are a beginner, playing by notes can be difficult. It is easier to play the finger piano by following numbers. Learn how to play music in a quick and easy way, without knowledge of reading sheet music. Our sheet music is universal and suitable for any 8-, 10- or 17- note kalimbas and mbiras. Follow the numbers and begin to play! Some melodies might have been changed and simplified to be played in the diatonic range. If your thumb piano has flat keys, it is recommended that you use classic sheet music for the piano. Also, we added a QR code to all songs. You can follow the link and listen to the rhythm before beginning to play. List of 31 African songs for kalimba: Achta ta ta ta ta. Song from Morocco Askari Eee. Song from Tanzania Atadwe. Song from Ghana Banaha. Song from Congo Banuwa. Song from Liberia Bebe Moke. Song from Congo Before Dinner. Song from Congo Che Che Koolay. Song from Ghana Coco Laye-Laye. Song from Congo Do Do Ki Do. Song from Cameroon Eh Soom Boo Kawaya. Song from Nigeria Funga Alafia. Song from Ghana Kanzenzenze. Song from Congo Kotiko. Song from Congo L'abe igi orombo. Song from Nigeria Manamolela. Song from South Africa Mayo Nafwa. Song from Zambia Obwisana. Song from Ghana Plouf Tizen Tizen. Song from Algeria Sansa Kroma. Song from Ghana Sélinguenia. Song from Kenya Shosholoza. Song from South Africa Sindi. Song from Burkina Faso Siyahamba. Song from South Africa Siyanibingelela. Song from South Africa Stick Passing Song. Song from Uganda Umele. Song from South Africa Wa Wa Wa. Song from Congo Welcome Song. Song from Uganda Zimbole. Song from South Africa Zomina. Song from Togo
Author: Banning Eyre
Publisher: Duke University Press
ISBN: 0822375427
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
Like Fela Kuti and Bob Marley, singer, composer, and bandleader Thomas Mapfumo and his music came to represent his native country's anticolonial struggle and cultural identity. Mapfumo was born in 1945 in what was then the British colony of Rhodesia (now Zimbabwe). The trajectory of his career—from early performances of rock 'n' roll tunes to later creating a new genre based on traditional Zimbabwean music, including the sacred mbira, and African and Western pop—is a metaphor for Zimbabwe's evolution from colony to independent nation. Lion Songs is an authoritative biography of Mapfumo that narrates the life and career of this creative, complex, and iconic figure. Banning Eyre ties the arc of Mapfumo's career to the history of Zimbabwe. The genre Mapfumo created in the 1970s called chimurenga, or "struggle" music, challenged the Rhodesian government—which banned his music and jailed him—and became important to Zimbabwe achieving independence in 1980. In the 1980s and 1990s Mapfumo's international profile grew along with his opposition to Robert Mugabe's dictatorship. Mugabe had been a hero of the revolution, but Mapfumo’s criticism of his regime led authorities and loyalists to turn on the singer with threats and intimidation. Beginning in 2000, Mapfumo and key band and family members left Zimbabwe. Many of them, including Mapfumo, now reside in Eugene, Oregon. A labor of love, Lion Songs is the product of a twenty-five-year friendship and professional relationship between Eyre and Mapfumo that demonstrates Mapfumo's musical and political importance to his nation, its freedom struggle, and its culture.
Author: Tony Perman
Publisher: University of Illinois Press
ISBN: 025205668X
Category : Music
Languages : en
Pages : 221
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Book Description
Making music offers enormous possibilities--and faces significant limitations--in its power to generate belonging and advance social justice. Tony Perman and Stefan Fiol edit essays focused on the forms of interplay between music-making and community-making as mutually creative processes. Contributors in the first section look at cases where music arrived in settings with little or no sense of community and formed social bonds that lasted beyond its departure. In the sections that follow, the essayists turn to stable communities that used musical forms to address social needs and both forged new social groups and, in some cases, splintered established communities. By centering the value of difference in productive feedback dynamics of music and community while asserting the need for mutual moral indebtedness, they foreground music’s potential to transform community for the better. Contributors: Stephen Blum, Joanna Bosse, Sylvia Bruinders, Donna A. Buchanan, Rick Deja, Veit Erlmann, Stefan Fiol, Eduardo Herrera, David A. McDonald, Tony Perman, Thomas Solomon, and Ioannis Tsekouras
Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816966
Category : Music
Languages : en
Pages : 420
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Book Description
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.
