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Author: Sierra St. James
Publisher: Bookcraft, Incorporated
ISBN: 9781573459709
Category : Fiction
Languages : en
Pages : 276
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Book Description
Author: Sierra St. James
Publisher: Bookcraft, Incorporated
ISBN: 9781573459709
Category : Fiction
Languages : en
Pages : 276
Get Book Here
Book Description
Author: Maggs Bros
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 524
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Book Description
Author: Henri Van Laun
Publisher: BoD – Books on Demand
ISBN: 3385223407
Category : Fiction
Languages : en
Pages : 454
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Book Description
Reprint of the original, first published in 1875.
Author: Rosie White
Publisher: Bloomsbury Publishing
ISBN: 178673656X
Category : Games & Activities
Languages : en
Pages : 241
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Book Description
Can comedy on television harbour elements of gender transgression or subversion? If a man is permitted to be 'funny peculiar' – playing the underdog or misfit – does a woman seem stranger in his place? Mapping examples from British and American comedy television over the past 60 years, from I Love Lucy to The Big Bang Theory and Smack the Pony to Waiting For God, this book asks: are particular forms of television comedy gendered in specific ways? Paying attention to series which have not been addressed in academic work, as well as more established shows, White offers fresh insights for the fields of television studies, gender and women's studies, cultural history and comedy.
Author: Molière
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
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Book Description
Author: Larry Kert
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Book Description
Author: Frederick Lawrence
Publisher:
ISBN:
Category :
Languages : en
Pages : 422
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Book Description
Author: Will Kaufman
Publisher: Wayne State University Press
ISBN: 9780814326572
Category : Humor
Languages : en
Pages : 284
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Book Description
In this lively and fascinating analysis of humorists and their work, Will Kaufman breaks new ground with his irony fatigue theory. The Comedian as Confidence Man examines the humorist's internal conflict between the social critic who demands to be taken seriously and the comedian who never can be: the irony fatigue condition. Concentrating on eight American literary and performing comedians from the 18th, 19th, and 20th centuries, this study explores the irony fatigue affect that seems to pervade the work of comedians—those particular social observers who are obliged to promise, "Only kidding, folks," even when they may not be; in G. B. Shaw's words, they must "put things in such a way as to make people who would otherwise hang them believe they are joking." If these social observers are obliged to become, in effect, confidence men, with irony as the satiric weapon that both attacks and diverts, then the implications are great for those social critics who above all wish to be heeded.
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 328
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Book Description
Author: Barbara Kachur
Publisher: Bloomsbury Publishing
ISBN: 1137047798
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Etherege & Wycherley is the first book-length study devoted solely to these two leading comic dramatists of the early Restoration period. B.A. Kachur explores the major plays by George Etherege and William Wycherley within the context of the cultural, social and political changes that marked the reign of Charles II, and addresses issues such as marriage, manners, heroism, sovereignty and anxieties over class hierarchies which preoccupied late seventeenth-century England. The book provides studies of the following plays: - She Would If She Could - The Man of Mode - The Country Wife - The Plain Dealer In addition to examining the plays as cultural and historical texts, Kachur offers: - Biographical sketches detailing the dramaturgical styles of the two playwrights - An overview of Charles II's reign, including its effects on the dramatic literature of the era - A survey of Carolean theatre and drama outlining innovations in staging, and major dramatic genres - Performance histories which illuminate the ways in which twentieth-century directors have interpreted the comedies to make them accessible to modern audiences
