Author: David A. Noebel
Publisher:
ISBN:
Category : Communism and music
Languages : en
Pages : 368
Book Description
The Marxist Minstrels
Author: David A. Noebel
Publisher:
ISBN:
Category : Communism and music
Languages : en
Pages : 368
Book Description
Publisher:
ISBN:
Category : Communism and music
Languages : en
Pages : 368
Book Description
Rhythm, Riots, and Revolution
Author: David A. Noebel
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Communism
Languages : en
Pages : 360
Book Description
Communism, Hypnotism and the Beatles
Author: David A. Noebel
Publisher:
ISBN:
Category : Communism and music
Languages : en
Pages : 40
Book Description
This book is an analysis of the Communist use of music, the Communist master music plan.
Publisher:
ISBN:
Category : Communism and music
Languages : en
Pages : 40
Book Description
This book is an analysis of the Communist use of music, the Communist master music plan.
Positively 4th Street
Author: David Hajdu
Publisher: Farrar, Straus and Giroux
ISBN: 1429961767
Category : Biography & Autobiography
Languages : en
Pages : 355
Book Description
The story of how four young bohemians on the make - Bob Dylan, Joan Baez, Mimi Baez, and Richard Farina - converged in Greenwich Village, fell into love, and invented a sound and a style that are one of the most lasting legacies of the 1960s When Bob Dylan, age twenty-five, wrecked his motorcycle on the side of a road near Woodstock in 1966 and dropped out of the public eye, he was recognized as a genius, a youth idol, and the authentic voice of the counterculture: and Greenwich Village, where he first made his mark as a protest singer with an acid wit and a barbwire throat, was unquestionably the center of youth culture. So embedded are Dylan and the Village in the legend of the Sixties--one of the most powerful legends we have these days--that it is easy to forget how it all came about. In Positively Fourth Street, David Hajdu, whose 1995 biography of jazz composer Billy Strayhorn was the best and most popular music book in many seasons, tells the story of the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but his part-time lover Joan Baez - the first voice of the new generation; her sister Mimi - beautiful, haunted, and an artist in her own right; and her husband Richard Farina, a comic novelist (Been Down So Long It Looks Like Up To Me) who invented the worldliwise bohemian persona that Dylan adopted--some say stole--and made as his own. The story begins in the plain Baez split-level house in a Boston suburb, moves to the Cambridge folk scene, Cornell University (where Farina ran with Thomas Pynchon), and the University of Minnesota (where Robert Zimmerman christened himself Bob Dylan and swapped his electric guitar for an acoustic and a harmonica rack) before the four protagonists converge in New York. Based on extensive new interviews and full of surprising revelations, Positively Fourth Street is that rare book with a new story to tell about the 1960s. It is, in a sense, a book about the Sixties before they were the Sixties--about how the decade and all that it is now associated with it were created in a fit of collective inspiration, with an energy and creativity that David Hajdu captures on the page as if for the first time.
Publisher: Farrar, Straus and Giroux
ISBN: 1429961767
Category : Biography & Autobiography
Languages : en
Pages : 355
Book Description
The story of how four young bohemians on the make - Bob Dylan, Joan Baez, Mimi Baez, and Richard Farina - converged in Greenwich Village, fell into love, and invented a sound and a style that are one of the most lasting legacies of the 1960s When Bob Dylan, age twenty-five, wrecked his motorcycle on the side of a road near Woodstock in 1966 and dropped out of the public eye, he was recognized as a genius, a youth idol, and the authentic voice of the counterculture: and Greenwich Village, where he first made his mark as a protest singer with an acid wit and a barbwire throat, was unquestionably the center of youth culture. So embedded are Dylan and the Village in the legend of the Sixties--one of the most powerful legends we have these days--that it is easy to forget how it all came about. In Positively Fourth Street, David Hajdu, whose 1995 biography of jazz composer Billy Strayhorn was the best and most popular music book in many seasons, tells the story of the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but his part-time lover Joan Baez - the first voice of the new generation; her sister Mimi - beautiful, haunted, and an artist in her own right; and her husband Richard Farina, a comic novelist (Been Down So Long It Looks Like Up To Me) who invented the worldliwise bohemian persona that Dylan adopted--some say stole--and made as his own. The story begins in the plain Baez split-level house in a Boston suburb, moves to the Cambridge folk scene, Cornell University (where Farina ran with Thomas Pynchon), and the University of Minnesota (where Robert Zimmerman christened himself Bob Dylan and swapped his electric guitar for an acoustic and a harmonica rack) before the four protagonists converge in New York. Based on extensive new interviews and full of surprising revelations, Positively Fourth Street is that rare book with a new story to tell about the 1960s. It is, in a sense, a book about the Sixties before they were the Sixties--about how the decade and all that it is now associated with it were created in a fit of collective inspiration, with an energy and creativity that David Hajdu captures on the page as if for the first time.
Counterculture Kaleidoscope
Author: Nadya Zimmerman
Publisher: University of Michigan Press
ISBN: 047203572X
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
A bold reconsideration of the meaning of 1960s San Francisco counterculture
Publisher: University of Michigan Press
ISBN: 047203572X
Category : Biography & Autobiography
Languages : en
Pages : 241
Book Description
A bold reconsideration of the meaning of 1960s San Francisco counterculture
American Studies
Author: Jack Salzman
Publisher: Cambridge University Press
ISBN: 9780521266871
Category : Art
Languages : en
Pages : 980
Book Description
A major three-volume bibliography, including an additional supplement, of an annotated listing of American Studies monographs published between 1900 and 1988.
Publisher: Cambridge University Press
ISBN: 9780521266871
Category : Art
Languages : en
Pages : 980
Book Description
A major three-volume bibliography, including an additional supplement, of an annotated listing of American Studies monographs published between 1900 and 1988.
Witnessing Suburbia
Author: Eileen Luhr
Publisher: Univ of California Press
ISBN: 0520255968
Category : History
Languages : en
Pages : 280
Book Description
"Down at the local God-mall there's a whole lot of shaking going on, and Eileen Luhr explains why we should all take notice. This is a highly original, witty, at times mind-boggling exploration of the strange interfaces between youth culture and suburban evangelicalism." —Mike Davis, author of In Praise of Barbarians
Publisher: Univ of California Press
ISBN: 0520255968
Category : History
Languages : en
Pages : 280
Book Description
"Down at the local God-mall there's a whole lot of shaking going on, and Eileen Luhr explains why we should all take notice. This is a highly original, witty, at times mind-boggling exploration of the strange interfaces between youth culture and suburban evangelicalism." —Mike Davis, author of In Praise of Barbarians
The Lyre of Orpheus
Author: Christopher Partridge
Publisher: Oxford University Press, USA
ISBN: 0199751404
Category : Music
Languages : en
Pages : 369
Book Description
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
Publisher: Oxford University Press, USA
ISBN: 0199751404
Category : Music
Languages : en
Pages : 369
Book Description
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
Ramblin' Man: The Life and Times of Woody Guthrie
Author: Ed Cray
Publisher: W. W. Norton & Company
ISBN: 0393327361
Category : Biography & Autobiography
Languages : en
Pages : 529
Book Description
A patriot and a political radical, Woody Guthrie captured the spirit of his times in his enduring songs. Ed Cray, the first biographer to be granted access to the Woody Guthrie Archive, has created a haunting portrait.
Publisher: W. W. Norton & Company
ISBN: 0393327361
Category : Biography & Autobiography
Languages : en
Pages : 529
Book Description
A patriot and a political radical, Woody Guthrie captured the spirit of his times in his enduring songs. Ed Cray, the first biographer to be granted access to the Woody Guthrie Archive, has created a haunting portrait.
How Can I Keep from Singing?
Author: David King Dunaway
Publisher: Villard
ISBN: 0307495973
Category : Biography & Autobiography
Languages : en
Pages : 560
Book Description
How Can I Keep from Singing? is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called “America’s Tuning Fork.” In the only biography on Seeger, David Dunaway parts the curtains on his life. Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, “We all owe our careers to him.” But Seeger’s considerable musical achievements were overshadowed by political controversy when he became perhaps the most blacklisted performer in American history. He was investigated for sedition, harassed by the FBI and the CIA, picketed, and literally stoned by conservative groups. Still, he sang. Today, Seeger remains an icon of conscience and culture, and his classic antiwar songs, sung by Bruce Springsteen and millions of others, live again in the movement against foreign wars. His life holds lessons for surviving repressive times and for turning to music to change the world. “This biography is a beauty. It captures not only the life of the bard but the world of which he sings.” –Studs Terkel “A fine and meticulous biography . . . Dunaway has taken [Seeger’s] materials and woven them into a detailed, interesting, and well-written narrative of a most fascinating life.” –American Music “An extraordinary tale of an extraordinary man [that] will intrigue not only his legions of followers but everyone interested in one man’s battles and victories.” –Chicago Sun-Times
Publisher: Villard
ISBN: 0307495973
Category : Biography & Autobiography
Languages : en
Pages : 560
Book Description
How Can I Keep from Singing? is the compelling story of how the son of a respectable Puritan family became a consummate performer and American rebel. Updated with new research and interviews, unpublished photographs, and thoughtful comments from Pete Seeger himself, this is an inside history of the man Carl Sandburg called “America’s Tuning Fork.” In the only biography on Seeger, David Dunaway parts the curtains on his life. Who is this rail-thin, eighty-eight-year-old with the five-string banjo, whose performances have touched millions of people for more than seven decades? Bob Dylan called him a saint. Joan Baez said, “We all owe our careers to him.” But Seeger’s considerable musical achievements were overshadowed by political controversy when he became perhaps the most blacklisted performer in American history. He was investigated for sedition, harassed by the FBI and the CIA, picketed, and literally stoned by conservative groups. Still, he sang. Today, Seeger remains an icon of conscience and culture, and his classic antiwar songs, sung by Bruce Springsteen and millions of others, live again in the movement against foreign wars. His life holds lessons for surviving repressive times and for turning to music to change the world. “This biography is a beauty. It captures not only the life of the bard but the world of which he sings.” –Studs Terkel “A fine and meticulous biography . . . Dunaway has taken [Seeger’s] materials and woven them into a detailed, interesting, and well-written narrative of a most fascinating life.” –American Music “An extraordinary tale of an extraordinary man [that] will intrigue not only his legions of followers but everyone interested in one man’s battles and victories.” –Chicago Sun-Times