Author: Serge Iourienen
Publisher: Lulu.com
ISBN: 0557034906
Category : Fiction
Languages : en
Pages : 469
Book Description
SERGE IOURIENEN. MARKSMAN. A NOVEL. C'est un grand livre.- Le Figaro (Paris)A gripping account of what life on the border really means. - The New York Times Book ReviewDostoyevsky-ridden and Hemingway-haunted, the novel seems suspended between two cultures, two literatures... A strong writer. - Publishers WeeklyThe narrative is undoubtedly about love- Novoye Russkoe Slovo (New York)Dense, puissant, profondément lyrique...- Le Devoir, CanadaFlaunts a fascination with Western-style decadence and the excesses of the Male Writer as in Hemingway, Miller, Kerouac and Ian Fleming- New Statesman (London)Kirill, the narrator, is a KGB agent... It is always a surprising narrative... The Marksman is engrossing... The translation... by Rodger and Angela Keys sparkles... - Yorkshire Post (UK)Versions of irony... Clever and sophisticated- The Guardian (London)
The Marksman (English-UK)
World War II at Sea [2 volumes]
Author: Spencer C. Tucker
Publisher: Bloomsbury Publishing USA
ISBN: 159884458X
Category : History
Languages : en
Pages : 970
Book Description
The war at sea was a key aspect of World War II, one that is too-often under-studied. This comprehensive encyclopedia shares current understandings of the struggle to control the seas during that conflict—and it opens our eyes to the reasons sea power continues to be of critical importance today. Scholarly treatment of World War II is constantly changing as new materials inform new interpretations. At the same time, current military operations lead to reevaluation of the tactics and technologies of the past. Marshalling the latest information and insights into this epic conflict, World War II at Sea: An Encyclopedia will enable students and other interested readers to explore specific naval engagements, while also charting the transformation of naval history through innovations in ordnance. In treating the naval aspects of World War II, this two-volume ready reference enhances the understanding of a part of the war that is often overshadowed by the fighting on land and in the air. The encyclopedia focuses on the events, individuals, organizations, and ideas that shaped the world's navies during World War II, as well as the resultant battles that changed naval history. It also covers the numerous innovations that occurred during the conflict and shows how strategies evolved and were executed.
Publisher: Bloomsbury Publishing USA
ISBN: 159884458X
Category : History
Languages : en
Pages : 970
Book Description
The war at sea was a key aspect of World War II, one that is too-often under-studied. This comprehensive encyclopedia shares current understandings of the struggle to control the seas during that conflict—and it opens our eyes to the reasons sea power continues to be of critical importance today. Scholarly treatment of World War II is constantly changing as new materials inform new interpretations. At the same time, current military operations lead to reevaluation of the tactics and technologies of the past. Marshalling the latest information and insights into this epic conflict, World War II at Sea: An Encyclopedia will enable students and other interested readers to explore specific naval engagements, while also charting the transformation of naval history through innovations in ordnance. In treating the naval aspects of World War II, this two-volume ready reference enhances the understanding of a part of the war that is often overshadowed by the fighting on land and in the air. The encyclopedia focuses on the events, individuals, organizations, and ideas that shaped the world's navies during World War II, as well as the resultant battles that changed naval history. It also covers the numerous innovations that occurred during the conflict and shows how strategies evolved and were executed.
Private Collecting, Exhibitions, and the Shaping of Art History in London
Author: Stacey J. Pierson
Publisher: Taylor & Francis
ISBN: 1315311925
Category : Art
Languages : en
Pages : 239
Book Description
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
Publisher: Taylor & Francis
ISBN: 1315311925
Category : Art
Languages : en
Pages : 239
Book Description
This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.
A Dictionary of Catch Phrases, American and British, from the Sixteenth Century to the Present Day
Author: Eric Partridge
Publisher: Rowman & Littlefield
ISBN: 0812885368
Category : Americanisms
Languages : en
Pages : 410
Book Description
Publisher: Rowman & Littlefield
ISBN: 0812885368
Category : Americanisms
Languages : en
Pages : 410
Book Description
Forest and Stream
Author:
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Birds
Languages : en
Pages : 528
Book Description
British Art for Australia, 1860-1953
Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
The Illustrated London News
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 584
Book Description
English Patents of Inventions, Specifications
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
Book Description
British Cinema of the 1950s
Author: Sue Harper
Publisher: OUP Oxford
ISBN: 0191541648
Category : Performing Arts
Languages : en
Pages : 436
Book Description
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
Publisher: OUP Oxford
ISBN: 0191541648
Category : Performing Arts
Languages : en
Pages : 436
Book Description
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
British Documents on Foreign Affairs
Author: Antony Best
Publisher:
ISBN: 9781556557682
Category :
Languages : en
Pages : 612
Book Description
Publisher:
ISBN: 9781556557682
Category :
Languages : en
Pages : 612
Book Description