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Author: James H. Mapleson
Publisher: BoD – Books on Demand
ISBN: 3752439440
Category : Fiction
Languages : en
Pages : 177
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Reproduction of the original: The Mapleson Memoirs, vol I by James H. Mapleson
Author: James H. Mapleson
Publisher: BoD – Books on Demand
ISBN: 3752439440
Category : Fiction
Languages : en
Pages : 177
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Book Description
Reproduction of the original: The Mapleson Memoirs, vol I by James H. Mapleson
Author: Edward Jewitt Wheeler
Publisher:
ISBN:
Category :
Languages : en
Pages : 578
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 580
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Author:
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ISBN:
Category : Bibliography
Languages : en
Pages : 746
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Author: Paul Rodmell
Publisher: Routledge
ISBN: 1000281523
Category : History
Languages : en
Pages : 235
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Book Description
French Music in Britain 1830–1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of ‘grand opera’ and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as: * Where and to whom was French music performed in Britain in the nineteenth century? * How was this music received, especially by journal and newspaper critics and other arbiters of taste? * What characteristics and qualities did British audiences associate with French music? * Was the presence and reception of French music in any way influenced by Franco-British political relations, or other aspects of cultural transfer and exchange? * Were British composers influenced by their French contemporaries to any extent and, if so, in what ways? Placed within the wider social and cultural context of Britain’s most ambiguous and beguiling international relationship, this volume demonstrates how French music became an increasingly significant part of the British musician’s repertory and influenced many composers. This is an important resource for musicologists specialising in Nineteenth-Century Music, Music History and European Music. It is also relevant for scholars and researchers of French Studies and Cultural Studies.
Author: Cecil Forsyth
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 388
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Author: The Times, London. Book club
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1060
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Author: Paul Rodmell
Publisher: Routledge
ISBN: 1317085442
Category : Music
Languages : en
Pages : 427
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While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained largely elusive. Paul Rodmell argues that there were far more opportunities for composers, performers and audiences than one might expect, an assertion demonstrated by the fact that over one hundred serious operas by British composers were premiered between 1875 and 1918. Rodmell examines the nature of operatic culture in the British Isles during this period, looking at the way in which opera was produced and 'consumed' by companies and audiences, the repertory performed, social attitudes to opera, the dominance of London's West End and the activities of touring companies in the provinces, and the position of British composers within this realm of activity. In doing so, he uncovers the undoubted challenges faced by opera in Britain in this period, and delves further into why it was especially difficult to make a breakthrough in this particular genre when other fields of compositional endeavour were enjoying a period of sustained growth. Whilst contemporaneous composers and commentators and later advocates of British music may have felt that the country's operatic life did not measure up to their aspirations or ambitions, there was still a great deal of activity and, even if this was not necessarily that which was always desired, it had a significant and lasting impact on musical culture in Britain.
Author:
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ISBN:
Category : American literature
Languages : en
Pages : 2230
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 742
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