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Author:
Publisher:
ISBN: 9780764343841
Category : Divination
Languages : en
Pages : 0
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Book Description
Providing rare insight into old spirituality, customs, and language, The Mãori Oracle includes a set of 58 oracle cards honoring the New Zealand Mãori tradition of seeking guidance and advice from our ancestors and loved ones who reside beyond the veil. It uses many of the teaching stories and portents that are still used by Mãori from tribes all over New Zealand. Although the symbols are Mãori, they are pathways for the language of spirit - a language that is universal. This beautiful oracle deck and guidebook offers anyone, from any culture, an opportunity to reconnect to one's own heritage and ancestors. It has been created to act as a pathway for messages from the other side, providing a sense of divine guidance from one's own family and a strengthening in the knowledge that we are not alone.Includes cards and book.
Author:
Publisher:
ISBN: 9780764343841
Category : Divination
Languages : en
Pages : 0
Get Book Here
Book Description
Providing rare insight into old spirituality, customs, and language, The Mãori Oracle includes a set of 58 oracle cards honoring the New Zealand Mãori tradition of seeking guidance and advice from our ancestors and loved ones who reside beyond the veil. It uses many of the teaching stories and portents that are still used by Mãori from tribes all over New Zealand. Although the symbols are Mãori, they are pathways for the language of spirit - a language that is universal. This beautiful oracle deck and guidebook offers anyone, from any culture, an opportunity to reconnect to one's own heritage and ancestors. It has been created to act as a pathway for messages from the other side, providing a sense of divine guidance from one's own family and a strengthening in the knowledge that we are not alone.Includes cards and book.
Author: Frederick Edward Maning
Publisher:
ISBN:
Category : Maori (New Zealand people)
Languages : en
Pages : 270
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Book Description
![Old New Zealand: Being Incidents of Native Customs and Character in the Old Times. By a Pakeha Maori [i.e. F. E. Maning]. PDF](https://books.google.com/books/content/images/frontcover/RNbsApFtW_kC?fife=w80-h100)
Author: New Zealand
Publisher:
ISBN:
Category :
Languages : en
Pages : 234
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Book Description
Author: Frederick Edward Maning
Publisher:
ISBN:
Category : Maori (New Zealand people)
Languages : en
Pages : 312
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Book Description
Author: Frederick Edward Maning
Publisher: Cambridge University Press
ISBN: 1108039812
Category : History
Languages : en
Pages : 255
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Book Description
Published in 1863, this vivid account documents the traditional Maori way of life that was vanishing due to European influences.
Author: A Pakeha Maori
Publisher: BoD – Books on Demand
ISBN: 3752414502
Category : Fiction
Languages : en
Pages : 114
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Book Description
Reproduction of the original: Old New Zealand by A Pakeha Maori
Author: F.E. Maning
Publisher: A&C Black
ISBN: 0718501969
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
In Old New Zealand (1863), F.E. Maning recalls living alongside Maori in "the good old times before Governors were invented, and law, and justice, and all that." His account of the early contact period is widely acknowledged to be a masterpiece of some sort, but the extent to which it is fiction, autobiography, ethnography, history, or satire remains a matter for debate. This is the first scholarly edition of Maning's writings. It includes a revealing selection of Maning's unpublished letters, and Alex Calder contributes an introduction and notes that illuminate the works' historical, ethnographic, and literary contexts, showing how settler colonialism is an incomplete and contested process, the problems of which are enacted in Maning's writings, and repeated in the history of their reception.>
Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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Book Description
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Author: Andrew Lang
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 252
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Book Description
In his book 'Cock Lane and Common-Sense', Andrew Lang explores the uneasy relationship between anthropology, folklore, and psychical research when it comes to abnormal experiences like ghosts, fire-walking, and crystal-gazing. While anthropology and folklore are willing to accept these phenomena as part of tradition and belief, they often reject modern first-hand accounts. Meanwhile, psychical research focuses on contemporary experiences but neglects the historical and traditional evidence. Lang argues that both fields should work together and consider all forms of evidence to fully understand these phenomena. As such, he attempts to do so in this book, which he concludes by calling for more scientific experimentation in exploring the origins of these beliefs.
Author: Robert Ward
Publisher:
ISBN:
Category : Māori (New Zealand people)
Languages : en
Pages : 502
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Book Description
