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Author:
Publisher: BRILL
ISBN: 1848880138
Category : Social Science
Languages : en
Pages : 231
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Book Description
This eBook records the proceedings of the 3rd Annual 'Fear, Horror, and Terror' conference, which was held at Mansfield College, Oxford in September 2009. A group of academics from disparate subject areas, including literature, film studies, religious studies, social psychology, and psychoanalysis, came together to discuss fear, horror, and terror.
Author:
Publisher: BRILL
ISBN: 1848880138
Category : Social Science
Languages : en
Pages : 231
Get Book Here
Book Description
This eBook records the proceedings of the 3rd Annual 'Fear, Horror, and Terror' conference, which was held at Mansfield College, Oxford in September 2009. A group of academics from disparate subject areas, including literature, film studies, religious studies, social psychology, and psychoanalysis, came together to discuss fear, horror, and terror.
Author: Jack Townsend
Publisher: Jack Townsend
ISBN:
Category : Fiction
Languages : en
Pages : 345
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Book Description
Nightshift clerk and high-functioning insomniac Jack is back to work, trying his best to keep out of trouble. But when his chain-smoking coworker discovers a mysterious radio signal revealing the guarded secrets of their town, Jack will learn that an annoying new dayshift manager is far from the worst of his problems. In this second installment of the Gas Station saga, Jack finds himself entangled in his most harrowing adventure yet. With the newest crew of coworkers along for the ride and the resident psychopath out for his blood, our hero(?) must navigate the drama of small-town murder conspiracies, vigilante justice, and demonic summoning rituals...whether he wants to or not.
Author: Aviva Briefel
Publisher: University of Texas Press
ISBN: 0292742428
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.
Author: Devendra P. Varma
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN: 9780810820777
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Author: Jac Jemc
Publisher: Macmillan + ORM
ISBN: 0374720428
Category : Fiction
Languages : en
Pages : 164
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Book Description
"Combines the otherworldliness of Jeff VanderMeer’s “Annihilation,” the menacing irony of Shirley Jackson and the cold feminist fury of Margaret Atwood" --The New York Times Book Review Named a Fall Read by The Boston Globe and the Chicago Tribune The mundane becomes sinister in a disquieting story collection from the author of The Grip of It In Jac Jemc’s dislocating second story collection, False Bingo, we watch as sinister forces—some supernatural, some of this earth, some real and some not—work their ways into the mundanity of everyday life. In “Strange Loop,” an outcast attempting to escape an unnamed mistake spends his days taxiderming animals, while in “Delivery,” a family watches as their dementia-addled, basement-dwelling father succumbs to an online shopping addiction. “Don’t Let’s” finds a woman, recently freed from an abusive relationship, living in an isolated vacation home in the South that might be haunted by breath-stealing ghosts. Fueled by paranoia and visceral suspense, and crafted with masterful restraint, these seventeen stories explore what happens when our fears cross over into the real, if only for a fleeting moment. Identities are stolen, alternate universes are revealed, and innocence is lost as the consequences of minor, seemingly harmless decisions erupt to sabotage a false sense of stability. “This is not a morality tale about the goodness of one character triumphing over the bad of another,” the sadistic narrator of “Pastoral” announces. Rather, False Bingo is a collection of realist fables exploring how conflicting moralities can coexist: the good, the bad, the indecipherable.
Author: Matt Glasby
Publisher: Quarto Publishing Group USA
ISBN: 0711251797
Category : Art
Languages : en
Pages : 179
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Book Description
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Author: Pedro Querido
Publisher: BRILL
ISBN: 900439799X
Category : Social Science
Languages : en
Pages : 141
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Book Description
This volume brings together essays that examine a vast gamut of different contemporary cultural manifestations of fear, anxiety, horror, and terror. Topics range from the feminine sublime in American novels to the monstrous double in horror fiction, (in)security at music festivals, the uncanny in graphic novels, epic heroes' Being-towards-death and authenticity, atrocity and history in Central European art, the theme of old age in absurdist literature, and iterations of the "home invasion" subgenre in post-9/11 popular culture. This diversity of insights and methodologies ensures a kaleidoscopic look at a cluster of phenomena and experiences that often manage to both be immediately and universally recognizable and defy straightforward categorization or even description. Contributors are Emily-Rose Carr, Ghada Saad Hassan, Woodrow Hood, María Ibáñez-Rodríguez, Nicole M. Jowsey, Marta Moore, Pedro Querido and Ana Romão.
Author: H. P. Lovecraft
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 34
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Book Description
"The lurking fear" by H. P. Lovecraft. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Mj Sydney
Publisher:
ISBN: 9781645629504
Category :
Languages : en
Pages : 636
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Book Description
Phobias are defined as an irrational and extreme fear to something. It could be anything as long as it causes an intense and debilitating fear. What happens when these irrational fears/phobias become reality? When the irrational becomes rational and there's a reason to be scared? Find out in The Pulp Horror Book of Phobias. We've created an A to Z phobia list and elevated each one to a new level of fear. These stories come to life in ways that will make you want to sleep with the light on, double check the locks on your door, and think twice before dismissing your fear as irrational.
Author: Jac Jemc
Publisher: FSG Originals
ISBN: 0374716072
Category : Fiction
Languages : en
Pages : 241
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Book Description
Finalist for the Chicago Review of Books Fiction Award, Dan Chaon's Best of 2017 pick in Publishers Weekly, one of Vol. 1 Brooklyn's Best Books of 2017, a BOMB Magazine "Looking Back on 2017: Literature" Pick, and one of Vulture's 10 Best Thriller Books of 2017. Jac Jemc's The Grip of It is a chilling literary horror novel about a young couple haunted by their newly purchased home Touring their prospective suburban home, Julie and James are stopped by a noise. Deep and vibrating, like throat singing. Ancient, husky, and rasping, but underwater. “That’s just the house settling,” the real estate agent assures them with a smile. He is wrong. The move—prompted by James’s penchant for gambling and his general inability to keep his impulses in check—is quick and seamless; both Julie and James are happy to start afresh. But this house, which sits between a lake and a forest, has its own plans for the unsuspecting couple. As Julie and James try to establish a sense of normalcy, the home and its surrounding terrain become the locus of increasingly strange happenings. The framework— claustrophobic, riddled with hidden rooms within rooms—becomes unrecognizable, decaying before their eyes. Stains are animated on the wall—contracting, expanding—and map themselves onto Julie’s body in the form of painful, grisly bruises. Like the house that torments the troubled married couple living within its walls, The Grip of It oozes with palpable terror and skin-prickling dread. Its architect, Jac Jemc, meticulously traces Julie and James’s unsettling journey through the depths of their new home as they fight to free themselves from its crushing grip.
