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Author: Herbert Coleman
Publisher: Scarecrow Press
ISBN: 1461706920
Category : Performing Arts
Languages : en
Pages : 411
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Book Description
As a script supervisor, second unit director, producer, and director, Herbert Coleman's film career spanned seven decades. Active in Hollywood from 1926 through 1988, he enjoyed a lengthy and illustrious career, highlighted by an impressive string of commercial and critical successes with one of the greats of cinema, Alfred Hitchcock. In this memoir, Coleman describes working on such classics as The Big Clock, Carrie, Five Graves to Cairo, For Whom the Bell Tolls, and Roman Holiday. Coleman also provides vivid portraits of the many celebrated stars he worked with, including Gary Cooper, Bing Crosby, Cary Grant, Audrey Hepburn, Grace Kelly, Alan Ladd, Ray Milland, Shirley MacLaine, Steve McQueen, and Jimmy Stewart, as well as some of the greatest directors of the era, including Cecil B. DeMille, Erich von Stroheim, Billy Wilder, and William Wyler. Above all, Coleman discusses for the first time his long working relationship with Hitchcock during the director's most creatively fertile period. Coleman provides fresh insights into the making of some of Hitchcock's most celebrated films including Rear Window, To Catch a Thief, The Trouble with Harry, Vertigo, and North By Northwest. He also discusses his work on Alfred Hitchcock Presents, the director's long running television series. Not only an historical record of several important and dynamic periods in Hollywood, this memoir offers intimate insight about Hitchcock and other legendary filmmaking notables. Featuring many stories that would have been lost were it not for this book, The Man Who Knew Hitchcock: A Hollywood Memoir is sure to be of interest to film students, film buffs, and in particular to anyone fascinated by the master of suspense. Illustrated with photos. Published in hardcover as The Hollywood I Knew: A Memoir, 1916-1988 (0-8108-4120-7)
Author: Herbert Coleman
Publisher: Scarecrow Press
ISBN: 1461706920
Category : Performing Arts
Languages : en
Pages : 411
Get Book Here
Book Description
As a script supervisor, second unit director, producer, and director, Herbert Coleman's film career spanned seven decades. Active in Hollywood from 1926 through 1988, he enjoyed a lengthy and illustrious career, highlighted by an impressive string of commercial and critical successes with one of the greats of cinema, Alfred Hitchcock. In this memoir, Coleman describes working on such classics as The Big Clock, Carrie, Five Graves to Cairo, For Whom the Bell Tolls, and Roman Holiday. Coleman also provides vivid portraits of the many celebrated stars he worked with, including Gary Cooper, Bing Crosby, Cary Grant, Audrey Hepburn, Grace Kelly, Alan Ladd, Ray Milland, Shirley MacLaine, Steve McQueen, and Jimmy Stewart, as well as some of the greatest directors of the era, including Cecil B. DeMille, Erich von Stroheim, Billy Wilder, and William Wyler. Above all, Coleman discusses for the first time his long working relationship with Hitchcock during the director's most creatively fertile period. Coleman provides fresh insights into the making of some of Hitchcock's most celebrated films including Rear Window, To Catch a Thief, The Trouble with Harry, Vertigo, and North By Northwest. He also discusses his work on Alfred Hitchcock Presents, the director's long running television series. Not only an historical record of several important and dynamic periods in Hollywood, this memoir offers intimate insight about Hitchcock and other legendary filmmaking notables. Featuring many stories that would have been lost were it not for this book, The Man Who Knew Hitchcock: A Hollywood Memoir is sure to be of interest to film students, film buffs, and in particular to anyone fascinated by the master of suspense. Illustrated with photos. Published in hardcover as The Hollywood I Knew: A Memoir, 1916-1988 (0-8108-4120-7)
Author: Michael Wood
Publisher:
ISBN: 9781477801345
Category : Motion pictures
Languages : en
Pages : 0
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Book Description
Widely regarded as the greatest filmmaker of the twentieth century, Alfred Hitchcock had a gift for creating suspense and a shrewd knowledge of human psychology. His film career, spanning more than half a century, is studded with classics from The 39 Steps to Psycho, North by Northwest to Vertigo (which in 2012 unseated Citizen Kane as the best movie of all time according to Sight and Sound). A master of intricate storytelling, Hitchcock was one of the first directors whose films belonged to both popular culture and high art. By the end of his life, he had gone from being the overweight son of a greengrocer in a London suburb to Hollywood's reigning director, whose cameo roles in his own films were one of their most anticipated features, and whose profile was recognized by millions (thanks to the television show Alfred Hitchcock Presents). Michael Wood describes this journey with the wit and erudition that are the trademarks of his work, showcasing his singular ability to detect hidden patterns within apparently disparate forms. Whether he is writing about Henry James or Hollywood in the 1920s, he is alert to the fundamental truth lurking behind the stated meaning. In Hitchcock, Wood has found his ideal subject--an artist for whom explicit statement was anathema, who made conventional plot a hiding place rather than a source of revelation.
Author: Susan M. Griffin
Publisher: OUP USA
ISBN: 0199764425
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.
Author: Charlotte Chandler
Publisher: Simon and Schuster
ISBN: 1847397093
Category : Biography & Autobiography
Languages : en
Pages : 433
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Book Description
IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Author: Steven DeRosa
Publisher:
ISBN: 9780571199907
Category : Performing Arts
Languages : en
Pages : 334
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Book Description
An entertaining, in-depth look at the films, including Rear Window, made by Alfred Hitchcock with screenwriter John Michael Hayes. In spring 1953, the great director Alfred Hitchcock decided to take a chance and work with a young writer, John Michael Hayes. The decision turned out to be a pivotal one, for the four films that Hitchcock made with Hayes over the next several years -- Rear Window, To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much -- represented an extraordinarily successful change of style. Each of the movies was distinguished by a combination of glamorous stars, sophisticated dialogue, and inventive plots -- James Stewart and Grace Kelly trading barbs in the tensely plotted Rear Window, Cary Grant and Grace Kelly engaging in witty repartee in To Catch a Thief -- and resulted in some of Hitchcock's most distinctive and intimate work, based in large part on Hayes's exceptional scripts. Exploring for the first time the details of this collaboration, Steven DeRosa follows Hitchcock and Hayes through each film from initial discussions to completed picture and presents an analysis of each screenplay. He also reveals the personal story -- filled with inspiration and humor, jealousy and frustration -- of the initial synergy between the two very different men before their relationship fell apart. Writing with Hitchcock not only provides new insight into four films from a master but also sheds light on the process through which classic motion pictures are created.
Author: Tania Modleski
Publisher: Routledge
ISBN: 1135199868
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.
Author: Dan Auiler
Publisher: Dan Auiler
ISBN:
Category : Art
Languages : en
Pages : 263
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Book Description
25th Anniversary Edition Special edition of the the bestselling Vertigo: The Making of a Hitchcock Classic. The new e-text has images, a new preface and additional commentary on Vertigo's selection as the Best Film Ever Made by the BFI's Sight and Sound.
Author: Jack Sullivan
Publisher: Yale University Press
ISBN: 0300134665
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
"A wonderfully coherent, comprehensive, groundbreaking, and thoroughly engaging study” of how the director of Psycho and The Birds used music in his films (Sidney Gottlieb, editor of Hitchcock on Hitchcock). Alfred Hitchcock employed more musical styles and techniques than any film director in history, from Marlene Dietrich singing Cole Porter in Stage Fright to the revolutionary electronic soundtrack of The Birds. Many of his films—including Notorious, Rear Window, Vertigo, North by Northwest, and Psycho—are landmarks in the history of film music. Now author and musicologist Jack Sullivan presents the first in-depth study of the role music plays in Hitchcock’s films. Based on extensive interviews with composers, writers, and actors, as well as archival research, Sullivan discusses how Hitchcock used music to influence his cinematic atmospheres, characterizations, and even storylines. Sullivan examines the director’s relationships with various composers, especially Bernard Herrmann, and tells the stories behind some of their now-iconic musical choices. Covering the entire director’s career, from the early British works up to Family Plot, this engaging work will change the way we watch—and listen—to Hitchcock’s movies.
Author: Peter Conrad
Publisher:
ISBN: 9780571210602
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
Alfred Hitchcock relished his power to frighten us and believed the shocks he administered improved our psychological health. But he could never satisfactorily explain our curiosity to see forbidden things or the perverse desire to experience anxiety and dread that made his work so popular. In The Hitchcock Murders, Peter Conrad, one of Hitchcock's eager victims, undertakes the task on the master's behalf. At the age of thirteen, Conrad snuck into his first screening of Psycho, and he's been wary of showers and fruit cellars ever since. Thanks to Hitchcock, he's also suspicious of staircases, seagulls, and crop-dusting planes. Now he sets out to analyze the nature of Hitchcock's appeal to both himself and the millions of moviegoers for whom Hitchcock is cinema's foremost auteur. Examining Hitchcock's use of religion, morality, conscience, culpability, and literary symbols, Conrad unveils a chilling Nietzschean universe-one in which there is no God and no moral standard, where humans are petty and disposable and the neutral hand of fate can take a life in the blink of an eye. A timid, respectable man with the imagination of a psychopath, a chubby jester whose practical jokes took merciless advantage of human insecurities, Hitchcock is revealed here as the man who knew too much-about all of us.
Author: Tania Modleski
Publisher: Routledge
ISBN: 1317417291
Category : Performing Arts
Languages : en
Pages : 220
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Book Description
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.
