The Man who Adores the Negro PDF Download
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Author: Patrick B. Mullen
Publisher: University of Illinois Press
ISBN: 0252074866
Category : African Americans
Languages : en
Pages : 226
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Book Description
The challenges of interracial fieldwork
Author: Patrick B. Mullen
Publisher: University of Illinois Press
ISBN: 0252074866
Category : African Americans
Languages : en
Pages : 226
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Book Description
The challenges of interracial fieldwork
Author: Patrick B. Mullen
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 232
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Book Description
Ann Hui directs this Hong Kong drama starring Andy Lau and Deannie Yip about an elderly housekeeper and the employer who comes to look after her. Ah Tao (Yip) has served movie producer Roger (Lau)'s family for generations. When Ah Tao has a stroke Roger, who is now the only member of his family left in Hong Kong, helps her achieve her wish of leaving her job and finding a place in a nursing home. Roger continues to look out for her and their relationship grows even stronger.
Author: Frantz Fanon
Publisher:
ISBN: 9780745399546
Category : Black race
Languages : en
Pages : 0
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Book Description
Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.
Author: Michael Vannoy Adams
Publisher: Routledge
ISBN: 1317725328
Category : Psychology
Languages : en
Pages : 298
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Book Description
The Multicultural Imagination is a challenging inquiry into the complex interrelationship between our ideas about race and color and the unconscious. Michael Vannoy Adams takes a fresh look at the contributions of psychoanalysis to a question which affects every individual who tries to establish an effective personal identity in the context of their received 'racial' identity. Adams argues that 'race' is just as important as sex or any other content of the unconcscious, drawing on clinical case materal from contemporary patients for whom 'race' or color is a vitally significant social and political concern that impacts on them personally. He does not assume that racism or 'colorism' will simply vanish if we psychoanalyse them, but shows how a non-defensive ego and a self-image that is receptive to other-images can move us towards a more productive discourse of cultural differences. Wide-ranging in its references and scope, this is a book that provokes the reader - analyst or not - to confront personally those unconscious attitudes which stand in the way of authentic multicultural relationships.
Author: Shaun Best
Publisher: SAGE
ISBN: 9780761942979
Category : Social Science
Languages : en
Pages : 344
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Book Description
Introduction Placing Myself in the Social Divisions Class Division Disability and Mental Illness Race, Racism and Ethnic Diversity Gender and Sexuality State Sponsored Social Divisions Conclusions.
Author: Daurius Figueira
Publisher: AHTLE FIGUEIRA
ISBN: 9769624500
Category : Philosophy
Languages : en
Pages : 200
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Book Description
Frantz Fanon (1925-1961) in the 1950s unleashed his discourse of the black/white complex and the Negro thereby commencing his contribution to the international movement for liberation from colonial oppression and racism through a specific process of decolonisation. In the 21st century the intensifying wave of racist assaults on non-white peoples in the North Atlantic has once again raised the issue of racism, white people and the North Atlantic State. This book focuses on WE the non-whites in our complicity with North Atlantic white supremacy through a deconstruction of Fanon's discourse which presents a 21st century analysis of the 21st century non-white reality of our self-hate, self-immolation and racism against non-whites as ourselves and the beneficiary of this self-hate: white North Atlantic hegemony.
Author: Susan Davis
Publisher: University of Illinois Press
ISBN: 0252051459
Category : Biography & Autobiography
Languages : en
Pages : 485
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Book Description
Collector of sexual folklore. Cataloger of erotica. Tireless social critic. Gershon Legman's singular, disreputable resume made him a counter-cultural touchstone during his forty-year exile in France. Despite his obscurity today, Legman’s prescient work and passion for the prurient laid the groundwork for our contemporary study of the forbidden.Susan G. Davis follows the life and times of the figure driven to share what he found in civilization's secret libraries. Self-taught and fiercely unaffiliated, Legman collected the risqué on street corners and in theaters and dug it out of little-known archives. If the sexual humor he uncovered often used laughter to disguise hostility and fear, he still believed it indispensable to the human experience. Davis reveals Legman in all his prickly, provocative complexity as an outrageous nonconformist thundering at a wrong-headed world while reveling in conflict, violating laws and boundaries with equal abandon, and pursuing love and improbable adventures. Through it all, he maintained a kaleidoscopic network of friends, fellow intellectuals, celebrity admirers, and like-minded obsessives.
Author: Colin Grant
Publisher: Oxford University Press
ISBN: 0195393090
Category : Biography & Autobiography
Languages : en
Pages : 559
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Book Description
Marcus Mosiah Garvey was once the most famous black man on earth. A brilliant orator who electrified his audiences, he inspired thousands to join his "Back to Africa" movement, aiming to create an independent homeland through Pan-African emigration--yet he was barred from the continent by colonial powers. This self-educated, poetry-writing aesthete was a shrewd promoter whose use of pageantry fired the imagination of his followers. At the pinnacle of his fame in the early 1920s, Garvey's Universal Negro Improvement Association boasted millions of members in more than forty countries, and he was an influential champion of the Harlem Renaissance. J. Edgar Hoover was so alarmed by Garvey that he labored for years to prosecute him, finally using dubious charges for which Garvey served several years in an Atlanta prison. This biography restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century.--From publisher description.
Author: T Storm Heter
Publisher: Rowman & Littlefield
ISBN: 1538162636
Category : Philosophy
Languages : en
Pages : 207
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Book Description
A central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. This book argues that whiteness is not only a visual orientation; it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze. Through case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of ‘white listening’, drawing from black journalism, the autobiographies of Creole musicians, and the lyrics and sonic content of early jazz music emerging from New Orleans. Studying white listening orientations on the plantation, in vaudeville minstrel shows, and in cabarets, the book portrays six types of bad faith white listeners, including the white minstrel listener, the white savior listener, white hipster listener, and the white colorblind listener. Connecting critical race studies, music studies, philosophy of race and existentialism, this book is for students to learn how to critique the phenomenology of whiteness and practice decolonial listening.
Author: Cynthia Davis
Publisher: Scarecrow Press
ISBN: 0810891530
Category : Reference
Languages : en
Pages : 294
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Book Description
Zora Neale Hurston (1891-1960), the most prominent of the Harlem Renaissance women writers, was unique because her social and professional connections were not limited to literature but encompassed theatre, dance, film, anthropology, folklore, music, politics, high society, academia, and artistic bohemia. Hurston published four novels, three books of nonfiction, and dozens of short stories, plays, and essays. In addition, she won a long list of fellowships and prizes, including a Guggenheim and a Rosenwald. Yet by the 1950s, Hurston, like most of her Harlem Renaissance peers, had faded into oblivion. An essay by Alice Walker in the 1970s, however, spurred the revival of Hurston’s literary reputation, and her works, including her 1937 novel Their Eyes Were Watching God, have enjoyed an enduring popularity. Zora Neale Hurston: An Annotated Bibliography of Works and Criticism consists of reviews of critical interpretations of Hurston’s work. In addition to publication information, each selection is carefully crafted to capture the author’s thesis in a short, pithy, analytical framework. Also included are original essays by eminent Hurston scholars that contextualize the bibliographic entries. Meticulously researched but accessible, these essays focus on gaps in Hurston criticism and outline new directions for Hurston scholarship in the twenty-first century. Comprehensive and up-to-date, this volume contains analytical summaries of the most important critical writings on Zora Neale Hurston from the 1970s to the present. In addition, entries from difficult-to-locate sources, such as small academic presses or international journals, can be found here. Although intended as a bibliographic resource for graduate and undergraduate students, this volume is also aimed toward general readers interested in women’s literature, African American literature, American history, and popular culture. The book will also appeal to scholars and teachers studying twentieth-century American literature, as well as those specializing in anthropology, modernism, and African American studies, with a special focus on the women of the Harlem Renaissance.
