Author: Thierry Gervais
Publisher: Routledge
ISBN: 100021155X
Category : Photography
Languages : en
Pages : 245
Book Description
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
The Making of Visual News
Author: Thierry Gervais
Publisher: Routledge
ISBN: 100021155X
Category : Photography
Languages : en
Pages : 245
Book Description
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
Publisher: Routledge
ISBN: 100021155X
Category : Photography
Languages : en
Pages : 245
Book Description
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
Making News
Author: Gaye Tuchman
Publisher: Free Press
ISBN: 9780029329603
Category : Social Science
Languages : en
Pages : 0
Book Description
From Simon & Schuster, Making News is Gaye Tuchman's exploration into the study in the construction of reality. The Professor of Sociology at Queens College and City University of New York, Tuchman's latest work is one to cherish. As described by Todd Gitlin of Contemporary Sociology, Making News is "simply the most comprehensive book on the social construction of news by an American sociologist to date."
Publisher: Free Press
ISBN: 9780029329603
Category : Social Science
Languages : en
Pages : 0
Book Description
From Simon & Schuster, Making News is Gaye Tuchman's exploration into the study in the construction of reality. The Professor of Sociology at Queens College and City University of New York, Tuchman's latest work is one to cherish. As described by Todd Gitlin of Contemporary Sociology, Making News is "simply the most comprehensive book on the social construction of news by an American sociologist to date."
Getting the Picture
Author: Jason Hill
Publisher: Bloomsbury Publishing
ISBN: 147252649X
Category : Photography
Languages : en
Pages : 321
Book Description
The first volume to answer definitively and for the first time the question: what is a news picture and how does it work?
Publisher: Bloomsbury Publishing
ISBN: 147252649X
Category : Photography
Languages : en
Pages : 321
Book Description
The first volume to answer definitively and for the first time the question: what is a news picture and how does it work?
That's the Way It Is
Author: Charles L. Ponce de Leon
Publisher: University of Chicago Press
ISBN: 022642152X
Category : History
Languages : en
Pages : 331
Book Description
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
Publisher: University of Chicago Press
ISBN: 022642152X
Category : History
Languages : en
Pages : 331
Book Description
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
The Book of Veles
Author: JONAS. BENDIKSEN
Publisher: Gost Books
ISBN: 9781910401613
Category :
Languages : en
Pages :
Book Description
Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called 'the Book of Veles' -- a cryptic collection of 40 'ancient' wooden boards discovered in Russia in 1919, written in a proto-Slavic language. It was claimed to be a history of the Slavic people and the god Veles himself--the pre-Christian Slavic god of mischief, chaos and deception
Publisher: Gost Books
ISBN: 9781910401613
Category :
Languages : en
Pages :
Book Description
Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called 'the Book of Veles' -- a cryptic collection of 40 'ancient' wooden boards discovered in Russia in 1919, written in a proto-Slavic language. It was claimed to be a history of the Slavic people and the god Veles himself--the pre-Christian Slavic god of mischief, chaos and deception
Image Bite Politics
Author: Maria Elizabeth Grabe
Publisher: Oxford University Press
ISBN: 0195372077
Category : Performing Arts
Languages : en
Pages : 333
Book Description
'Image Bite Politics' systematically assesses the visual presentation of presidential candidates in network news coverage of elections and connects these visual images with shifts in public opinion. The authors highlight the remarkably potent influence of television images when it comes to evaluating leaders.
Publisher: Oxford University Press
ISBN: 0195372077
Category : Performing Arts
Languages : en
Pages : 333
Book Description
'Image Bite Politics' systematically assesses the visual presentation of presidential candidates in network news coverage of elections and connects these visual images with shifts in public opinion. The authors highlight the remarkably potent influence of television images when it comes to evaluating leaders.
A New History of War Reporting
Author: Kevin Williams
Publisher: Routledge
ISBN: 1136479627
Category : Social Science
Languages : en
Pages : 184
Book Description
This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated. The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.
Publisher: Routledge
ISBN: 1136479627
Category : Social Science
Languages : en
Pages : 184
Book Description
This book takes a fresh look at the history of war reporting to understand how new technology, new ways of waging war and new media conditions are changing the role and work of today’s war correspondent. Focussing on the mechanics of war reporting and the logistical and institutional pressures on correspondents, the book further examines the role of war propaganda, accreditation and news management in shaping the evolution of the specialism. Previously neglected conflicts and correspondents are reclaimed and wars considered as key moments in the history of war reporting such as the Crimean War (1854-56) and the Great War (1914-18) are re-evaluated. The use of objectivity as the yardstick by which to assess the performance of war correspondents is questioned. The emphasis is instead placed on war as a messy business which confronts reporters and photographers with conditions that challenge the norms of professional practice. References to the ‘demise of the war correspondent’ have accompanied the growth of the specialism since the days of William Howard Russell, the so-called father of war reporting. This highlights the fragile nature of this sub-genre of journalism and emphasises that continuity as much as change characterises the work of the war correspondent. A thematically organised, historically rich introduction, this book is ideal for students of journalism, media and communication.
The Photographic News
Author: William Crookes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 904
Book Description
Star Wars: Return of the Jedi: A Visual Archive
Author: Kelly Knox
Publisher: Simon and Schuster
ISBN:
Category : Performing Arts
Languages : en
Pages : 354
Book Description
Celebrate Return of the Jedi with this deluxe volume that presents incredible photography and concept art, complemented by anecdotes about the film’s production. Drawing connections from the film to contemporary Star Wars storytelling, this book also offers a fresh perspective on its indelible influence. Featuring a wealth of inserts such as booklets and foldout pages, this book is a fascinating tribute to the epic conclusion of the original Star Wars trilogy. Return of the Jedi didn’t just conclude the original Star Wars trilogy—its themes, structure, and emotional core paved the way for some of the most compelling elements of modern Star Wars storytelling. Filled with photography and concept art, this book celebrates all things Return of the Jedi, while also examining its ties to modern Star Wars stories such as The Mandalorian, The Book of Boba Fett, The Clone Wars, and beyond. Covering essential aspects of Return of the Jedi, this book further examines the film’s legacy by showcasing the movie’s merchandise, novels, comics, and spinoffs. REDISCOVER THE THRILLS OF RETURN OF THE JEDI: This deluxe coffee table book presents the story of Return of the Jedi in a fun and exciting format, with plenty of facts about the production of the film. From the enduring eccentricities of Jabba the Hutt’s palace, to the climactic showdown between Luke Skywalker and Darth Vader, this book explores fan-favorite moments from the beloved movie. A BOUNTY OF SPECIAL ITEMS AND INTERACTIVE FEATURES: Gatefolds, booklets, and other interactive features add a new level of insight to this celebration of the iconic film. CELEBRATE THE LEGACY OF AN EPIC CONCLUSION: Going beyond the production of Return of the Jedi, this book explores forty years of merchandise, books, comics, and spinoffs, including Caravan of Courage: An Ewok Adventure, Ewoks: The Battle for Endor, and the animated Ewoks television show. AN IDEAL GIFT FOR ALL FANS: Return of the Jedi has timeless appeal among movie-goers and aficionados, making this book the perfect gift for the Star Wars fan in your life. COMPLETE YOUR COLLECTION: This book joins Insight Editions’ library of exciting Star Wars titles, including Star Wars: The High Republic: Chronicles of the Jedi, Star Wars: The Lightsaber Collection, and Star Wars: The Secrets of the Wookiees
Publisher: Simon and Schuster
ISBN:
Category : Performing Arts
Languages : en
Pages : 354
Book Description
Celebrate Return of the Jedi with this deluxe volume that presents incredible photography and concept art, complemented by anecdotes about the film’s production. Drawing connections from the film to contemporary Star Wars storytelling, this book also offers a fresh perspective on its indelible influence. Featuring a wealth of inserts such as booklets and foldout pages, this book is a fascinating tribute to the epic conclusion of the original Star Wars trilogy. Return of the Jedi didn’t just conclude the original Star Wars trilogy—its themes, structure, and emotional core paved the way for some of the most compelling elements of modern Star Wars storytelling. Filled with photography and concept art, this book celebrates all things Return of the Jedi, while also examining its ties to modern Star Wars stories such as The Mandalorian, The Book of Boba Fett, The Clone Wars, and beyond. Covering essential aspects of Return of the Jedi, this book further examines the film’s legacy by showcasing the movie’s merchandise, novels, comics, and spinoffs. REDISCOVER THE THRILLS OF RETURN OF THE JEDI: This deluxe coffee table book presents the story of Return of the Jedi in a fun and exciting format, with plenty of facts about the production of the film. From the enduring eccentricities of Jabba the Hutt’s palace, to the climactic showdown between Luke Skywalker and Darth Vader, this book explores fan-favorite moments from the beloved movie. A BOUNTY OF SPECIAL ITEMS AND INTERACTIVE FEATURES: Gatefolds, booklets, and other interactive features add a new level of insight to this celebration of the iconic film. CELEBRATE THE LEGACY OF AN EPIC CONCLUSION: Going beyond the production of Return of the Jedi, this book explores forty years of merchandise, books, comics, and spinoffs, including Caravan of Courage: An Ewok Adventure, Ewoks: The Battle for Endor, and the animated Ewoks television show. AN IDEAL GIFT FOR ALL FANS: Return of the Jedi has timeless appeal among movie-goers and aficionados, making this book the perfect gift for the Star Wars fan in your life. COMPLETE YOUR COLLECTION: This book joins Insight Editions’ library of exciting Star Wars titles, including Star Wars: The High Republic: Chronicles of the Jedi, Star Wars: The Lightsaber Collection, and Star Wars: The Secrets of the Wookiees
Photojournalism and Citizen Journalism
Author: Stuart Allan
Publisher: Taylor & Francis
ISBN: 1351813455
Category : History
Languages : en
Pages : 357
Book Description
This volume brings together leading researchers concerned with ordinary citizens’ contributions to photojournalism, particularly where capturing images of breaking news events is crucial to reportage. It offers an evaluation of how photojournalism is evolving in digital contexts, examining how today’s emergent forms of co-operation, collaboration and connectivity between professional and amateur news photographers promise to improve photojournalism for tomorrow. This book was originally published as two special issues, in Digital Journalism and Journalism Practice.
Publisher: Taylor & Francis
ISBN: 1351813455
Category : History
Languages : en
Pages : 357
Book Description
This volume brings together leading researchers concerned with ordinary citizens’ contributions to photojournalism, particularly where capturing images of breaking news events is crucial to reportage. It offers an evaluation of how photojournalism is evolving in digital contexts, examining how today’s emergent forms of co-operation, collaboration and connectivity between professional and amateur news photographers promise to improve photojournalism for tomorrow. This book was originally published as two special issues, in Digital Journalism and Journalism Practice.