The Makers of English Poetry PDF Download
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Author: William James Dawson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 416
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Book Description
Author: William James Dawson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 416
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Book Description
Author: Derek Attridge
Publisher: Routledge
ISBN: 1317869516
Category : Language Arts & Disciplines
Languages : en
Pages : 410
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Book Description
Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.
Author: W J Dawson
Publisher:
ISBN: 9788189293550
Category :
Languages : en
Pages : 262
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Book Description
Author: William J. Dawson
Publisher:
ISBN: 9780841424470
Category :
Languages : en
Pages :
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Book Description
Author: William James Dawson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 392
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Book Description
Author: Michael O'Neill
Publisher: Cambridge University Press
ISBN: 0521883067
Category : Literary Criticism
Languages : en
Pages : 1117
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Book Description
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Author: William James Dawson
Publisher:
ISBN: 9780665992087
Category : Authors, English
Languages : en
Pages : 404
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: William James Dawson
Publisher: Palala Press
ISBN: 9781354995297
Category :
Languages : en
Pages : 392
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Eleni Ponirakis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501514415
Category : History
Languages : en
Pages : 216
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Book Description
Cognitive approaches to early medieval texts have tended to focus on the mind in isolation. By examining the interplay between mental and physical acts deployed in Old English poetry and prose, this study identifies new patterns and offers new perspectives. In these texts, the performance of right or wrong action is not linked to natural inclination dictated by birth; it is the fruit of right or wrong thinking. The mind consciously directed and controlled is open to external influences, both human and diabolical. This struggle to produce right thought and action reflects an emerging democratization of heroism that crosses societal and gender boundaries, becoming intertwined with socio-political, soteriological, and cultural meaning. In a study of influential prose texts, including the Alfredian translations and the sermons of Ælfric, alongside close readings of three poems from different genres – The Seafarer, The Battle of Maldon, and Juliana –, Ponirakis demonstrates how early medieval authors create patterns of interaction between the mental and the physical. These provide hidden keys to meaning which, once found, unlock new readings of much studied texts. In addition, these patterns of balance, distribution, and opposition, reveal a startling similarity of approach across genre and form, taking the discussion of the early medieval conception of the mind, soul, and emotion, not to mention conventional generic divisions, onto new ground.
