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Author: Carolyn Kitch
Publisher: Univ of North Carolina Press
ISBN: 0807898953
Category : Social Science
Languages : en
Pages : 267
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Book Description
From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.
Author: Carolyn Kitch
Publisher: Univ of North Carolina Press
ISBN: 0807898953
Category : Social Science
Languages : en
Pages : 267
Get Book Here
Book Description
From the Gibson Girl to the flapper, from the vamp to the New Woman, Carolyn Kitch traces mass media images of women to their historical roots on magazine covers, unveiling the origins of gender stereotypes in early-twentieth-century American culture. Kitch examines the years from 1895 to 1930 as a time when the first wave of feminism intersected with the rise of new technologies and media for the reproduction and dissemination of visual images. Access to suffrage, higher education, the professions, and contraception broadened women's opportunities, but the images found on magazine covers emphasized the role of women as consumers: suffrage was reduced to spending, sexuality to sexiness, and a collective women's movement to individual choices of personal style. In the 1920s, Kitch argues, the political prominence of the New Woman dissipated, but her visual image pervaded print media. With seventy-five photographs of cover art by the era's most popular illustrators, The Girl on the Magazine Cover shows how these images created a visual vocabulary for understanding femininity and masculinity, as well as class status. Through this iconic process, magazines helped set cultural norms for women, for men, and for what it meant to be an American, Kitch contends.
Author: Maria Reidelbach
Publisher: M J F Books
ISBN: 9781567311273
Category : Art
Languages : en
Pages : 208
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Book Description
An illustrated history of the most influential and unique humor magazine in post-war America.
Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 0
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Book Description
Author: Eric Jon Bulson
Publisher: Columbia University Press
ISBN: 0231542321
Category : Literary Criticism
Languages : en
Pages : 490
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Book Description
Little magazines made modernism. These unconventional, noncommercial publications may have brought writers such as James Joyce, T. S. Eliot, Ezra Pound, Marianne Moore, Mina Loy, and Wallace Stevens to the world but, as Eric Bulson shows in Little Magazine, World Form, their reach and importance extended far beyond Europe and the United States. By investigating the global and transnational itineraries of the little-magazine form, Bulson uncovers a worldwide network that influenced the development of literature and criticism in Africa, the West Indies, the Pacific Rim, and South America. In addition to identifying how these circulations and exchanges worked, Bulson also addresses equally formative moments of disconnection and immobility. British and American writers who fled to Europe to escape Anglo-American provincialism, refugees from fascism, wandering surrealists, and displaced communists all contributed to the proliferation of print. Yet the little magazine was equally crucial to literary production and consumption in the postcolonial world, where it helped connect newly independent African nations. Bulson concludes with reflections on the digitization of these defunct little magazines and what it means for our ongoing desire to understand modernism's global dimensions in the past and its digital afterlife.
Author: Robert Matheu
Publisher: Harper Collins
ISBN: 0061374563
Category : Art
Languages : en
Pages : 276
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Book Description
A retrospective of twenty years of rock-and-roll history as recorded by the popular genre magazine features iconoclastic photographs, articles, and graphic artist illustrations.
Author: Michel Frizot
Publisher:
ISBN:
Category : French periodicals
Languages : en
Pages : 328
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Book Description
The best pages from the sensational photo magazine published in France in the 1920s and 1930s.
Author: John Holmstrom
Publisher: It Books
ISBN: 9780061958359
Category : Social Science
Languages : en
Pages : 372
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Book Description
Launched in 1976, Punk magazine announced an exploding youth movement, a new direction in American counterculture. Punk was to magazines what the stage at CBGB was to music: the gritty, live-wired, throbbing center of the punk universe. Despite its low-rent origins, the mag was an overnight success in the underground music scene, selling out every print run across the US and UK. Every musician who appeared on the cover of Punk became an icon of the era. But Punk not only championed music, it became a launching pad for writers, artists, cartoonists, and graphic designers. And the wacky, sardonic, slapstick vibe of the magazine resonated with an international army of music fanatics who were ready to burn their bell bottoms and stage-dive into the punk universe. The Best of Punk Magazine collects the best of these pages into the ultimate, must-have anthology: Interviews with the Ramones, Sex Pistols, John Cale and Brian Eno Photos by Roberta Bayley David Godlis, and Bob Gruen Cartoons by R. Crumb, Bobby London, and John Holmstrom The articles that formed the groundwork for Please Kill Me, the legendary oral history of punk by Legs McNeil and Gillian McCain Two "graphic novels"—The Legend of Nick Detroit and Mutant Monster Beach Party—told through photographs featuring Debbie Harry, Joey Ramone, Richard Hell, Andy Warhol, Peter Wolf, and David Johansen The Best of Punk Magazine is a must-have for people who love punk rock music, comics, fanzines, Blondie, the Ramones, Lou Reed, the Velvet Underground, the Sex Pistols, and the legendary CBGB scene.
Author: Leonard Koren
Publisher:
ISBN: 9780981484624
Category : Design
Languages : en
Pages : 0
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Book Description
WET was one of the seminal avant-garde magazines of the 1970s. Matt Groening and others got their start here.
Author: Robert Draper
Publisher: Harper Perennial
ISBN:
Category : Music
Languages : en
Pages : 536
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Book Description
The colorful, illustrated history of Rolling Stone magazine and its equally controversial founder and editor, Jann Wenner. Draper's history is an intelligent and witty behind-the-scenes look at this cultural icon and its course from its hippie beginnings to a high-profile magazine. 16 pages of photographs.
Author: Jared Gardner
Publisher: University of Illinois Press
ISBN: 025209381X
Category : Language Arts & Disciplines
Languages : en
Pages : 227
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Book Description
Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Jared Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. The Rise and Fall of Early American Magazine Culture reexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.
