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Author: Kumāraprasāda Mukhopādhyāẏa
Publisher: Penguin Books India
ISBN: 9780143061991
Category : Music
Languages : en
Pages : 366
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Book Description
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
Author: Kumāraprasāda Mukhopādhyāẏa
Publisher: Penguin Books India
ISBN: 9780143061991
Category : Music
Languages : en
Pages : 366
Get Book Here
Book Description
Author's anecdotes and impression on the life and musical genius of musicians of Hindustani music style.
Author: Kumar Prasad Mukherji
Publisher: Penguin Random House India Private Limited
ISBN: 9387625192
Category : Literary Collections
Languages : en
Pages : 402
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Book Description
‘Kudrat teri rang-birangee! Oh many-splendoured Creation!’ So went the bhajan Ustad Abdul Karim Khan sang before the saint Tajuddin Baba. The holy man, entranced by the song, clapped his hands and danced. Kumar Prasad Mukherji’s elegy to a vanishing age of musical giants comprises many such shared experiences between performer and audience, between recital and applause. It is his salute to a world receding into the shadows of history, peopled by ustads, pandits, the rich and the famous, the sacred and the profane. He traces the origins of their schools, from folk traditions to the courts of ancient emperors to the sound of the ankle -bells of dancing girls. He points to the time when notation crept into classical music, horrifying old masters accustomed to an art form that celebrated spontaneity and improvisation, but resulting in the preservation of ragas that would otherwise have been lost to time. While Mukherji’s beloved ‘Khansahebs’, ‘Panditjis’ and ‘Buwas’ may have been inspired by the divine, his recounting from legends and from personal memory shows us those greats as intensely human creatures. They are driven by appetites not always noble and their intrigues and jealousies are universal. Humour, too, abounds in these pages, as do characters who will remain forever etched in the mind of the reader.
Author: Max Katz
Publisher: Wesleyan University Press
ISBN: 081957760X
Category : Music
Languages : en
Pages : 221
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Book Description
In the middle of the nineteenth century a new family of hereditary musicians emerged in the royal court of Lucknow and subsequently rose to the heights of renown throughout North India. Today this musical lineage, or ghar n, lives on in the music and memories of only a small handful of descendants and players of the family instrument, the sarod. Drawing on six years of ethnographic and archival research, and fifteen years of musical apprenticeship, Max Katz explores the oral history and written record of the Lucknow ghar n ,tracing its displacement, loss of prestige, and erasure from the collective memory. In doing so he illuminates a hidden history of ideological and social struggle in North Indian music culture, intervenes in ongoing debates over the anti-Muslim agenda of Hindustani music's reform movement, and reanimates a lost vision in which Muslim scholar-artists defined the music of the nation. An interdisciplinary, postmodern counter-history, Lineage of Loss offers a new and unsettling narrative of Hindustani music's encounter with modernity.
Author: Zoe C. Sherinian
Publisher: Oxford University Press
ISBN: 0197566235
Category : Education
Languages : en
Pages : 545
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Book Description
This book offers an inclusive lens through which to study the music and dance of South Asia, its diasporas, and the people who produce and use these cultural expressions. Each chapter's central argument ties into a participatory exercise that provides active ways to understand and engage with cultural meaning.
Author: Matthew Rahaim
Publisher: Wesleyan University Press
ISBN: 0819579408
Category : Music
Languages : en
Pages : 288
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Book Description
Ways of Voice explores techniques of voice production in North India, from Bollywood to raga music to ghazal to devotional hymns and Sufi song. The voices in play here are not merely given, but achieved. Singers consciously train themselves to cultivate characteristic vocal gaits, sonorities, and poetic attunements; they adopt postures of the vocal apparatus; they build habits of listening, temporality, and social relations. The action in Ways of Voice revolves around several dozen North Indian popular, devotional, classical, and folk singers engaged in projects of vocal striving. Like most singers, they are strategically working on changing, refining, and making their own voices. The book thus highlights the ways in which singers not only "have" voice, but actively acquire, cultivate and contest particular vocal dispositions for particular kinds of listeners. In framing a "Hindustani vocal ecumene" that encompasses a diverse range of classical, popular, and spiritual-devotional musical styles and practices, it offers an expansive look at ways of voice that extend far beyond commonsense boundaries of genre and place. A rich archive of audio and video examples are provided on the online companion site, which can be found at https://www.weslpress.org/readers-companions/.
Author: Vikram Sampath
Publisher: Taylor & Francis
ISBN: 1000590747
Category : Music
Languages : en
Pages : 229
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Book Description
In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.
Author: Tejaswi Niranjana
Publisher: Oxford University Press
ISBN: 0190990201
Category : Music
Languages : en
Pages : 363
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Book Description
With the onset of modernity in twentieth-century India, new social arrangements gave rise to new forms of music-making. The musicians were no longer performing exclusively in the princely courts or in the private homes of the wealthy. Not only did the act of listening to and appreciating music change, it became an important feature of public life, thus influencing how modernity shaped itself. This volume attempts to study the connections between music and the creation of new ideas of publicness during the early twentieth century. How was music labelled as folk or classical? How did music come to play such a catalytic role in forming identities of nationhood, politics, or ethnicity? And how did twentieth-century technologies of sound reproduction and commercial marketing contribute to changing notions of cultural distinction? Exploring these interdisciplinary questions across multiple languages, regions, and musical genres, the essays provide fresh perspectives on the history of musicians and migration in colonial India, the formation of modern spaces of performance, and the articulation of national as well as nationalist traditions.
Author: Reinhard Strohm
Publisher: Routledge
ISBN: 1351672746
Category : Music
Languages : en
Pages : 536
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Book Description
The idea of a global history of music may be traced back to the Enlightenment, and today, the question of a conceptual framework for a history of music that pays due attention to global relationships in music is often raised. But how might a historical interpretation of those relationships proceed? How should it position, or justify, itself? What would 'Western music' look like in an account of music history that aspires to be truly global? The studies presented in this volume aim to promote post-European historical thinking. They are based on the idea that a global history of music cannot be one single, hegemonic history. They rather explore the paradigms and terminologies that might describe a history of many different voices. The chapters address historical practices and interpretations of music in different parts of the world, from Japan to Argentina and from Mexico to India. Many of these narratives are about relations between these cultures and the Western tradition; several also consider socio-political and historical circumstances that have affected music in the various regions. The book addresses aspects that Western musical historiography has tended to neglect even when looking at its own culture: performance, dance, nostalgia, topicality, enlightenment, the relationships between traditional, classical, and pop musics, and the regards croisés between European, Asian, or Latin American interpretations of each other’s musical traditions. These studies have been derived from the Balzan Musicology Project Towards a Global History of Music (2013–2016), which was funded by the International Balzan Foundation through the award of the Balzan Prize in Musicology to the editor, and designed by music historians and ethnomusicologists together. A global history of music may never be written in its entirety, but will rather be realised through interaction, practice, and discussion, in all parts of the world.
Author: Dr R Aruna Sri
Publisher: Notion Press
ISBN: 1946129941
Category : Health & Fitness
Languages : en
Pages : 176
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Book Description
Wish to touch the realms where Science meets Spirituality? Travelling through the world of mystic sounds, mantras and ragas, one can evolve towards higher planes of consciousness. Appreciating the relation between swaras, ragas, emotions and chakras will help one explore new territories of music therapy. A Call to “GOD” introduces Swara SamYoga and guides you to experience oneness with the Supreme through music therapy. An extract of veteran playback singer Vani Jairam’s exclusive foreword No monumental task gets done on this planet without divine intervention. In Dr. Aruna’s case, this great spiritual guidance came in the form of Puttaparthi Baba’s divine blessings right from the beginning. She has gone deep into the subject explaining things correctly and convincingly, at the same time alerting readers about half-baked and self-proclaimed pundits on the subject. Again I quote, “The 3Cs of life are commitment, contribution and competition. Let our lifetime decisions be made based on commitment and contribution. Let’s compete to achieve excellence not better than others but be better selves than yesterday.” The reasons she has explained as to why this therapy may not be that effective in the case of musicians can very well be understood. Whenever I am unable to sleep, I try listening to some good music which is so soothing but instead of enjoying the music, a musician’s mind always wanders thinking of the prayogas performed by the musician. It has happened to me so many times. I am sure Dr. Aruna’s untiring efforts in bringing out such a rewarding, analytical, informative book will prove to be a real treasure benefitting one and all, not only musicians, scholars, doctors and patients. Vani Jairam 11th, Jul 2016
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1442264632
Category : Music
Languages : en
Pages : 403
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Book Description
Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.
