Author: Ali Mirsepassi
Publisher: Edinburgh University Press
ISBN: 1399511432
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
In this first-hand account of the Iranian Revolution, Mirsepassi deftly weaves together his memories of provincial life and radical activism in 1960s and 1970s Iran with insights gleaned in his subsequent career as a sociologist of Iran.
The Loneliest Revolution
Author: Ali Mirsepassi
Publisher: Edinburgh University Press
ISBN: 1399511432
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
In this first-hand account of the Iranian Revolution, Mirsepassi deftly weaves together his memories of provincial life and radical activism in 1960s and 1970s Iran with insights gleaned in his subsequent career as a sociologist of Iran.
Publisher: Edinburgh University Press
ISBN: 1399511432
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
In this first-hand account of the Iranian Revolution, Mirsepassi deftly weaves together his memories of provincial life and radical activism in 1960s and 1970s Iran with insights gleaned in his subsequent career as a sociologist of Iran.
Revolution's Toll
Author: Audrey Glenn
Publisher: Daughters of Columbia Books
ISBN:
Category : Fiction
Languages : en
Pages : 287
Book Description
A widow who may be ready to love again. A rakish duke who may not be reformed. Can they ever hope for a happy ending? Edward Beaufort, the Duke of Wessex, has traveled across an ocean in the midst of a war to find his little brother and heir. Having lost his own wife and son, Edward knows he must mend the breach between David and their family—especially if David is to one day assume the dukedom. Instead of welcoming him joyously, however, his brother wants nothing to do with Edward. Widowed by the redcoats four years before, Helen Carter’s primary concern is providing for her children. Fortunately, her brother-in-law David has taken her family into his home and sees to their every material need. When David’s brother appears and his pitiable attempts to reconcile with David fall short, Helen agrees to help the poor duke in his lost cause. A notorious rake ill at ease around children, Edward is nothing Helen would want, were she ever to remarry. But their platonic camaraderie grows into something deeper. If he ever hopes to win back his brother and to earn Helen’s love, Edward must prove he’s no longer a man who could only break hearts.
Publisher: Daughters of Columbia Books
ISBN:
Category : Fiction
Languages : en
Pages : 287
Book Description
A widow who may be ready to love again. A rakish duke who may not be reformed. Can they ever hope for a happy ending? Edward Beaufort, the Duke of Wessex, has traveled across an ocean in the midst of a war to find his little brother and heir. Having lost his own wife and son, Edward knows he must mend the breach between David and their family—especially if David is to one day assume the dukedom. Instead of welcoming him joyously, however, his brother wants nothing to do with Edward. Widowed by the redcoats four years before, Helen Carter’s primary concern is providing for her children. Fortunately, her brother-in-law David has taken her family into his home and sees to their every material need. When David’s brother appears and his pitiable attempts to reconcile with David fall short, Helen agrees to help the poor duke in his lost cause. A notorious rake ill at ease around children, Edward is nothing Helen would want, were she ever to remarry. But their platonic camaraderie grows into something deeper. If he ever hopes to win back his brother and to earn Helen’s love, Edward must prove he’s no longer a man who could only break hearts.
Counterrevolution
Author: James H. Meisel
Publisher: Routledge
ISBN: 1351525573
Category : Political Science
Languages : en
Pages : 312
Book Description
The flow and counter flow of revolution and counterrevolution have become the norm of the twentieth century. In this fascinating and well-rounded volume, the author illuminates the revolutionary process as it has developed from antiquity to the present day, from the vantage points of political science, history, and sociology. Meisel's work is presented in the form of twelve absorbing episodes in the history of Western civilization. His remarkable for the detail with which he approaches a subject often difficult to define and even more difficult to explain. He suggests a new and highly useful perspective of history by viewing it as a process of revolution and counterrevolution and their transitional stages. As it is the nature of revolutions to fall short of their objectives and to enjoy only a brief heyday that becomes the stereotype accepted by posterity, the author emphasizes their antithetical closing phases--whose lessons posterity tends to forget. Meisel's belief is that second-echelon figures teach us more about the natural process of revolution than the atypical "men of destiny," and he illustrates his account with many portrayals of comparative unknowns who lived through all the stages of revolution and counterrevolution. But revolutions can also be aborted or be preceded by counterrevolutions, as Meisel demonstrates by enlightening analyses of Mussolini's coup d'utat, the origins of the Spanish Civil War, and General de Gaulle's defeat of a potential army insurrection in behalf of French Algeria. In this profound and wide-ranging work, Meisel achieves an admirable balance between theory, action, and biography. The result is a unique survey of revolutionary history, in which a sophisticated thinker provides on almost every page a deepening understanding of the problems of revolution for the scholar and student of political processes, political theory, and comparative politics. The reader with a lively interest in the modus operandi of history will also find this book compelling reading.
Publisher: Routledge
ISBN: 1351525573
Category : Political Science
Languages : en
Pages : 312
Book Description
The flow and counter flow of revolution and counterrevolution have become the norm of the twentieth century. In this fascinating and well-rounded volume, the author illuminates the revolutionary process as it has developed from antiquity to the present day, from the vantage points of political science, history, and sociology. Meisel's work is presented in the form of twelve absorbing episodes in the history of Western civilization. His remarkable for the detail with which he approaches a subject often difficult to define and even more difficult to explain. He suggests a new and highly useful perspective of history by viewing it as a process of revolution and counterrevolution and their transitional stages. As it is the nature of revolutions to fall short of their objectives and to enjoy only a brief heyday that becomes the stereotype accepted by posterity, the author emphasizes their antithetical closing phases--whose lessons posterity tends to forget. Meisel's belief is that second-echelon figures teach us more about the natural process of revolution than the atypical "men of destiny," and he illustrates his account with many portrayals of comparative unknowns who lived through all the stages of revolution and counterrevolution. But revolutions can also be aborted or be preceded by counterrevolutions, as Meisel demonstrates by enlightening analyses of Mussolini's coup d'utat, the origins of the Spanish Civil War, and General de Gaulle's defeat of a potential army insurrection in behalf of French Algeria. In this profound and wide-ranging work, Meisel achieves an admirable balance between theory, action, and biography. The result is a unique survey of revolutionary history, in which a sophisticated thinker provides on almost every page a deepening understanding of the problems of revolution for the scholar and student of political processes, political theory, and comparative politics. The reader with a lively interest in the modus operandi of history will also find this book compelling reading.
A Memoir of My Former Self
Author: Hilary Mantel
Publisher: Henry Holt and Company
ISBN: 1250342236
Category : Biography & Autobiography
Languages : en
Pages : 393
Book Description
THE FINAL BOOK FROM ONE OF OUR GREATEST WRITERS In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades. Her subjects are wide-ranging, sharply observed, and beautifully rendered. She discusses nationalism and her own sense of belonging; our dream life popping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels—revolutionary France, psychics, Tudor England; and other novelists, from Jane Austen to V.S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health that she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is her legendary essay “Royal Bodies,” on our endless fascination with the current royal family. From her unusual childhood to her all-consuming interest in Thomas Cromwell that grew into the Wolf Hall trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel’s life in her own luminous words, through “messages from people I used to be.” Filled with her singular wit and wisdom, it is essential reading from one of our greatest writers.
Publisher: Henry Holt and Company
ISBN: 1250342236
Category : Biography & Autobiography
Languages : en
Pages : 393
Book Description
THE FINAL BOOK FROM ONE OF OUR GREATEST WRITERS In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades. Her subjects are wide-ranging, sharply observed, and beautifully rendered. She discusses nationalism and her own sense of belonging; our dream life popping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels—revolutionary France, psychics, Tudor England; and other novelists, from Jane Austen to V.S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health that she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is her legendary essay “Royal Bodies,” on our endless fascination with the current royal family. From her unusual childhood to her all-consuming interest in Thomas Cromwell that grew into the Wolf Hall trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel’s life in her own luminous words, through “messages from people I used to be.” Filled with her singular wit and wisdom, it is essential reading from one of our greatest writers.
Journey from the Land of No
Author: Roya Hakakian
Publisher: Crown
ISBN: 9780609810309
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
An emotional, evocative coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find her own voice in prerevolutionary Iran “An immensely moving, extraordinarily eloquent, and passionate memoir.”—Harold Bloom Roya Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Roya describes her discovery of a swastika—“a plus sign gone awry, a dark reptile with four hungry claws”—painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and re-creates a time and place dominated by religious fanaticism, violence, and fear with an open heart.
Publisher: Crown
ISBN: 9780609810309
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
An emotional, evocative coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find her own voice in prerevolutionary Iran “An immensely moving, extraordinarily eloquent, and passionate memoir.”—Harold Bloom Roya Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Roya describes her discovery of a swastika—“a plus sign gone awry, a dark reptile with four hungry claws”—painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing. Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and re-creates a time and place dominated by religious fanaticism, violence, and fear with an open heart.
Democratic Enlightenment
Author: Jonathan Israel
Publisher: Oxford University Press
ISBN: 0199668094
Category : History
Languages : en
Pages : 1083
Book Description
Jonathan Israel's radical new account of the late Enlightenment highlights forgotten currents and figures. Running counter to mainstream thinking, he demonstrates how a group of philosophe-revolutionnaires provided the intellectual powerhouse of the French Revolution, and how their ideas connect with modern Western democracy.
Publisher: Oxford University Press
ISBN: 0199668094
Category : History
Languages : en
Pages : 1083
Book Description
Jonathan Israel's radical new account of the late Enlightenment highlights forgotten currents and figures. Running counter to mainstream thinking, he demonstrates how a group of philosophe-revolutionnaires provided the intellectual powerhouse of the French Revolution, and how their ideas connect with modern Western democracy.
The Loneliest Band in France
Author: Dylan Fisher
Publisher:
ISBN: 9781680032123
Category : Fiction
Languages : en
Pages : 70
Book Description
Mistaking an ad to join the titular The Loneliest Band in France for one to sell his blood, Migara de Silva, the novella's narrator -- a Sri Lankan student, new to Montpellier -- finds himself, instead, under the sway of the band, drinking heavily and being recruited to play a battle-of-the-bands-esque concert (that night) at the local Café Bovary with its four members: Noël, Guy, Lucien, and Michel. Not only is there prize money attached to the concert, the bandmates also see this as an opportunity to debut a new song, one, they claim, that can hurt -- even kill -- its listeners.
Publisher:
ISBN: 9781680032123
Category : Fiction
Languages : en
Pages : 70
Book Description
Mistaking an ad to join the titular The Loneliest Band in France for one to sell his blood, Migara de Silva, the novella's narrator -- a Sri Lankan student, new to Montpellier -- finds himself, instead, under the sway of the band, drinking heavily and being recruited to play a battle-of-the-bands-esque concert (that night) at the local Café Bovary with its four members: Noël, Guy, Lucien, and Michel. Not only is there prize money attached to the concert, the bandmates also see this as an opportunity to debut a new song, one, they claim, that can hurt -- even kill -- its listeners.
Wall Street and the Bolshevik Revolution
Author: Antony Cyril Sutton
Publisher: CLAIRVIEW BOOKS
ISBN: 1905570619
Category : Business & Economics
Languages : en
Pages : 234
Book Description
Why did the 1917 American Red Cross Mission to Russia include more financiers than medical doctors? Rather than caring for the victims of war and revolution, its members seemed more intent on negotiating contracts with the Kerensky government, and subsequently the Bolshevik regime. In a courageous investigation, Antony Sutton establishes tangible historical links between US capitalists and Russian communists. Drawing on State Department files, personal papers of key Wall Street figures, biographies and conventional histories, Sutton reveals: The role of Morgan banking executives in funnelling illegal Bolshevik gold into the US; the co-option of the American Red Cross by powerful Wall Street forces; the intervention by Wall Street sources to free the Marxist revolutionary Leon Trotsky, whose aim was to topple the Russian government; the deals made by major corporations to capture the huge Russian market a decade and a half before the US recognized the Soviet regime; the secret sponsoring of Communism by leading businessmen, who publicly championed free enterprise. Wall Street and the Bolshevik Revolution traces the foundations of Western funding of the Soviet Union. Dispassionately, and with overwhelming documentation, the author details a crucial phase in the establishment of Communist Russia. This classic study - first published in 1974 and part of a key trilogy - is reproduced here in its original form. (The other volumes in the series include Wall Street and the Rise of Hitler and a study of Franklin D. Roosevelt’s 1933 Presidential election in the United States.)
Publisher: CLAIRVIEW BOOKS
ISBN: 1905570619
Category : Business & Economics
Languages : en
Pages : 234
Book Description
Why did the 1917 American Red Cross Mission to Russia include more financiers than medical doctors? Rather than caring for the victims of war and revolution, its members seemed more intent on negotiating contracts with the Kerensky government, and subsequently the Bolshevik regime. In a courageous investigation, Antony Sutton establishes tangible historical links between US capitalists and Russian communists. Drawing on State Department files, personal papers of key Wall Street figures, biographies and conventional histories, Sutton reveals: The role of Morgan banking executives in funnelling illegal Bolshevik gold into the US; the co-option of the American Red Cross by powerful Wall Street forces; the intervention by Wall Street sources to free the Marxist revolutionary Leon Trotsky, whose aim was to topple the Russian government; the deals made by major corporations to capture the huge Russian market a decade and a half before the US recognized the Soviet regime; the secret sponsoring of Communism by leading businessmen, who publicly championed free enterprise. Wall Street and the Bolshevik Revolution traces the foundations of Western funding of the Soviet Union. Dispassionately, and with overwhelming documentation, the author details a crucial phase in the establishment of Communist Russia. This classic study - first published in 1974 and part of a key trilogy - is reproduced here in its original form. (The other volumes in the series include Wall Street and the Rise of Hitler and a study of Franklin D. Roosevelt’s 1933 Presidential election in the United States.)
The Persian Revival
Author: Talinn Grigor
Publisher: Penn State Press
ISBN: 0271089687
Category : Architecture
Languages : en
Pages : 437
Book Description
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
Publisher: Penn State Press
ISBN: 0271089687
Category : Architecture
Languages : en
Pages : 437
Book Description
One of the most heated scholarly controversies of the early twentieth century, the Orient-or-Rome debate turned on whether art historians should trace the origin of all Western—and especially Gothic—architecture to Roman ingenuity or to the Indo-Germanic Geist. Focusing on the discourses around this debate, Talinn Grigor considers the Persian Revival movement in light of imperial strategies of power and identity in British India and in Qajar-Pahlavi Iran. The Persian Revival examines Europe’s discovery of ancient Iran, first in literature and then in art history. Tracing Western visual discourse about ancient Iran from 1699 on, Grigor parses the invention and use of a revivalist architectural style from the Afsharid and Zand successors to the Safavid throne and the rise of the Parsi industrialists as cosmopolitan subjects of British India. Drawing on a wide range of Persian revival narratives bound to architectural history, Grigor foregrounds the complexities and magnitude of artistic appropriations of Western art history in order to grapple with colonial ambivalence and imperial aspirations. She argues that while Western imperialism was instrumental in shaping high art as mercantile-bourgeois ethos, it was also a project that destabilized the hegemony of a Eurocentric historiography of taste. An important reconsideration of the Persian Revival, this book will be of vital interest to art and architectural historians and intellectual historians, particularly those working in the areas of international modernism, Iranian studies, and historiography.
Persia Reframed
Author: Fereshteh Daftari
Publisher:
ISBN: 9781788316620
Category : Art, Iranian
Languages : en
Pages : 267
Book Description
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic--hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism--a range of different styles and ideas--can thrive. This art historical exploration offers new insights into Iranian art, from the late 19th century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment. She takes both a specific and a panoramic view of Iranian art to expose new themes like the subversive appropriation of traditional art, whilst also tackling more perennial issues like gender. With experience as an international curator, Daftari analyses the way Iranian artists have been represented outside the country and discusses the different routes by which modern Iranian art has been introduced to a Western audience, explaining the process by which Iranian art has developed and how it navigates between the individual and the political.
Publisher:
ISBN: 9781788316620
Category : Art, Iranian
Languages : en
Pages : 267
Book Description
The modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic--hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism--a range of different styles and ideas--can thrive. This art historical exploration offers new insights into Iranian art, from the late 19th century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment. She takes both a specific and a panoramic view of Iranian art to expose new themes like the subversive appropriation of traditional art, whilst also tackling more perennial issues like gender. With experience as an international curator, Daftari analyses the way Iranian artists have been represented outside the country and discusses the different routes by which modern Iranian art has been introduced to a Western audience, explaining the process by which Iranian art has developed and how it navigates between the individual and the political.