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Author: Sandie Byrne
Publisher: Oxford University Press
ISBN: 0198184301
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
AbbreviationsForeword, Lord GowrieIntroduction: Tony Harrison's Public Poetry, Sandie Byrne1. The Best Poet of 1961, Desmond Graham2. Tony Harrison the Playwright, Richard Eyre3. v. by Tony Harrison, or Production No. 73095, LWT Arts, Melvyn Bragg4. On Not Being Milton, Marvell, or Gray, Sandie Byrne5. Open to Experience: Structure and Exploration in Tony Harrison's Poetry, Jem Poster6. Culture and Debate, Christopher Butler7. Book Ends: Harrison's Public and Private Poetry, N.S. Thompson8. Tony Harrison and the Guardian, Alan Rusbridger9. Doomsongs: Tony Harrison and War, Rick Rylance10. The.
Author: Sandie Byrne
Publisher: Oxford University Press
ISBN: 0198184301
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
AbbreviationsForeword, Lord GowrieIntroduction: Tony Harrison's Public Poetry, Sandie Byrne1. The Best Poet of 1961, Desmond Graham2. Tony Harrison the Playwright, Richard Eyre3. v. by Tony Harrison, or Production No. 73095, LWT Arts, Melvyn Bragg4. On Not Being Milton, Marvell, or Gray, Sandie Byrne5. Open to Experience: Structure and Exploration in Tony Harrison's Poetry, Jem Poster6. Culture and Debate, Christopher Butler7. Book Ends: Harrison's Public and Private Poetry, N.S. Thompson8. Tony Harrison and the Guardian, Alan Rusbridger9. Doomsongs: Tony Harrison and War, Rick Rylance10. The.
Author: Antony Rowland
Publisher: Liverpool University Press
ISBN: 1781387907
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
This book argues that Tony Harrison’s poetry is barbaric. It revisits one of the most misquoted passages of twentieth-century philosophy: Theodor Adorno’s apparent dismissal of post-Holocaust poetry as ‘impossible’ or ‘barbaric’. His statement is reinterpreted as opening up the possibility that the awkward and embarrassing poetics of writers such as Harrison might be re-evaluated as committed responses to the worst horrors of twentieth-century history. Most of the existing critical work on Harrison focuses on his representation of class, which occludes his interest in other aspects of historiography. The poet’s predilection for establishing links between the atrocities perpetrated by the Nazis, the bombing of Hiroshima and Nagasaki, and the prospect of global annihilation is examined as a commitment to oppose the dangers of linguistic silence. Hence Harrison’s work can be read fruitfully within the growing field of Holocaust Studies: his texts enter into arguments about the ethics of representing traumatic incidents that still haunt the contemporary. Harrison’s status as a ‘non-victim’ author of the events is stressed throughout. His writing of the Holocaust, allied bombings and atom bomb is mediated by his reception of the events through newsreels as a child, and his adoption and subversion, as an adult poet, of traditional poetic forms such as the elegy and sonnet. This book also discusses the ways in which Holocaust literature engages with a number of concepts challenged or altered by the historical events, such as love, mourning, memory, humanism, culture and barbarism, articulacy and silence.
Author: Sandie Byrne
Publisher: Oxford University Press
ISBN: 0192605259
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Tony Harrison and the Classics comprises fifteen chapters examining the lasting importance of Tony Harrison's classical education, the extent of the influence of Greek and Roman texts on his subjects, themes, and styles, his contribution to knowledge and understanding of classical literature, his popularization of classical works, and his innovative treatment of classical drama in plays which have been performed globally. Harrison's work fosters debates about the role and perception of the classics and adaptations of classical literature in relation to education, 'high' and 'popular' culture, accessibility, and reception. A unifying theme of the collection is the way in which Harrison finds in classical literature fruitful matter for the articulation and dramatization of his longstanding preoccupations: language, class, access to art, and the causes and effects of war. Through his adaptations and translations, Harrison uses classical drama to stage interventions in modern politics, but neither idealizes nor romanticizes the ancient world, depicting inequality, bigotry, greed, and brutality.
Author: Edith Hall
Publisher: Bloomsbury Publishing
ISBN: 1474299350
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
This is the first book-length study of the classicism of Tony Harrison, one of the most important contemporary poets in England and the world. It argues that his unique and politically radical classicism is inextricable from his core notion that poetry should be a public property in which communal problems are shared and crystallised, and that the poet has a responsibility to speak in a public voice about collective and political concerns. Enriched by Edith Hall's longstanding friendship with Harrison and involvement with his most recent drama, inspired by Euripides' Iphigenia in Tauris, it also asserts that his greatest innovations in both form and style have been direct results of his intense engagements with individual works of ancient literature and his belief that the ancient Greek poetic imagination was inherently radical. Tony Harrison's large body of work, for which he has won several major and international prizes, and which features on the UK National Curriculum, ranges widely across long and short poems, plays, translations and film poems. Having studied Classics at Grammar School and University and having translated ancient poets from Aeschylus to Martial and Palladas, Harrison has been immersed in the myths, history, literary forms and authorial voices of Mediterranean antiquity for his entire working life and his classical interests are reflected in every poetic genre he has essayed, from epigrams and sonnets to original stage plays, translations of Greek drama and Racine, to his experimental and harrowing film poems, where he has pioneered the welding of tightly cut video materials to tightly phrased verse forms. This volume explores the full breadth of his oeuvre, offering an insightful new perspective on a writer who has played an important part in shaping our contemporary literary landscape.
Author: Joe Kelleher
Publisher:
ISBN: 0746307896
Category : Literary Criticism
Languages : en
Pages : 97
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Book Description
Tony Harrison is one of the most popular and respected poets and verse writers for the stage working in Britain today. In his lucid critical study Joe Kelleher brings Harrison's diverse output together under coherent themes, from his early published verse The Loiners (1970), to his accomplished translation and adaptation of The Oresteia (1981), through to his recent work for stage and television including The Shadow of Hiroshima (1995). He pays particular critical and theoretical attention to the issues of autobiography, translation, testimony and remembrance, and to poetry's obligation to face up - publicly - to the 'worst things' of twentieth-century history. Joe Kelleher's book considers Harrison's work as that of a dramatic poet, in the widest sense, staging personal utterance upon the landscape of public concerns.
Author: Tony Harrison
Publisher: Faber & Faber
ISBN: 0571325041
Category : Literary Collections
Languages : en
Pages : 416
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Book Description
In this richly varied selection of Tony Harrison's provocative prose of the last fifty years, the great poet of page, stage and screen presents a lifetime's thinking about art and politics, creativity and mortality. In so doing, he takes us on an extraordinary journey through languages and across continents and millennia, from his Nigerian Lysistrata to the British Raj of his version of Racine's Phèdre, to post-Communist Europe for the film Prometheus to a one-off performance of The Kaisers of Carnuntum at the Roman amphitheatre in Austria on the Danube, to the peace camp at Greenham Common, and from a Leeds street bonfire celebrating the defeat of Japan by the new atomic bomb to wines made from the vines on volcanoes.A collection of work filled with passion and humour that educates as it dazzles.'More than Yeats, Eliot or Auden, more than anyone writing in English this century, and perhaps the two before that as well, Harrison has demonstrated that verse drama remains a living artistic possibility.' Observer
Author: Phil Caplan
Publisher: The History Press
ISBN: 0750983868
Category : History
Languages : en
Pages : 123
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Book Description
The Leeds Rhinos Miscellany - a book like no other, packed with facts, stats, trivia, stories and legends. If you want to know the record crowd for a home game, the record appearance holder or longest-serving player, look no further; this is the book you've been waiting for.From record try-scorers to record defeats - it's all here. Full of humour, quotes, anecdotes and more.
Author: Gary Day
Publisher: Springer
ISBN: 1349255661
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
This collection looks at the developments in British poetry from the Movement until the present. The introduction not only provides a context for these changes but also argues that poetry criticism has been debilitated by the quest for political respectability, a trend which can only be reversed by reconsidering the idea of tradition. The essays themselves focus on general themes or individual authors. Written in a clear and informed manner, they provoke the reader into a fresh awareness of the nature of poetry and its relation to society.
Author: William Fogarty
Publisher: Springer Nature
ISBN: 3031078896
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book’s overarching claim is that “local tongues” in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.
Author: James Acheson
Publisher: SUNY Press
ISBN: 9780791427682
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
This collection of original essays focuses on new and continuing movements in British Poetry. It offers a wide ranging look at feminist, working class, and other poets of diverse cultural backgrounds.
