Stendhal: The Red and the Black PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Stendhal: The Red and the Black PDF full book. Access full book title Stendhal: The Red and the Black by Stirling Haig. Download full books in PDF and EPUB format.
Author: Stirling Haig
Publisher: Cambridge University Press
ISBN: 9780521349826
Category : Literary Collections
Languages : en
Pages : 122
Get Book Here
Book Description
Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of personal, documentary, and fictional elements in Stendhal's writings.
Author: Stirling Haig
Publisher: Cambridge University Press
ISBN: 9780521349826
Category : Literary Collections
Languages : en
Pages : 122
Get Book Here
Book Description
Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of personal, documentary, and fictional elements in Stendhal's writings.
Author: Simon Keefe
Publisher: Cambridge University Press
ISBN: 1009254375
Category : Music
Languages : en
Pages : 267
Get Book Here
Book Description
Author: Stendhal
Publisher: Calder Publications Limited
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 424
Get Book Here
Book Description
Author: Stendhal
Publisher:
ISBN: 9780714549736
Category :
Languages : en
Pages : 417
Get Book Here
Book Description
Author: Oscar George Sonneck
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 698
Get Book Here
Book Description
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 1139826646
Category : Music
Languages : en
Pages : 324
Get Book Here
Book Description
The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.
Author: Andrew Paton
Publisher: BoD – Books on Demand
ISBN: 3368830562
Category : Fiction
Languages : en
Pages : 346
Get Book Here
Book Description
Reprint of the original, first published in 1874.
Author: Patrick Kavanaugh
Publisher: Zondervan
ISBN: 0310208068
Category : Biography & Autobiography
Languages : en
Pages : 260
Get Book Here
Book Description
This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.
Author: Gärard Genette
Publisher: U of Nebraska Press
ISBN: 0803271107
Category : Literary Criticism
Languages : en
Pages : 249
Get Book Here
Book Description
Over the course of the past forty years, Gärard Genette?s work has profoundly influenced scholars of narratology, poetics, aesthetics, and literary and cultural criticism, and he continues to be one of France?s most influential theorists. The eighteen pieces in Essays in Aesthetics are of international interest because they are concerned either with universal aesthetic problems (the receiver?s relationship to an aesthetic object, abstract art, the role of repetition in aesthetics, genre theory, and the rapport between literature and music) or with specific moments in the work of a well-known writer or artist (such as Stendhal, Proust, Manet, Pissarro, and Canaletto).øEssays in Aesthetics contains a wealth of material related to the appreciation of beauty by one of the subtlest and most original minds working in aesthetics today. Genette knows the fine arts as well as he knows literature and as a result has innovative things to say to readers in that field as well as to philosophers and literary scholars.
Author: Jennifer Rushworth
Publisher: University of Pennsylvania Press
ISBN: 1512825972
Category : Literary Criticism
Languages : en
Pages : 345
Get Book Here
Book Description
In Proust’s Songbook, Jennifer Rushworth analyzes and theorizes the presence and role of songs in Marcel Proust’s novel À la recherche du temps perdu (In Search of Lost Time). Instead of focusing on instrumental music and large-scale forms such as symphonies and opera, as is common in Proust musical studies, Rushworth argues for the centrality of songs and lyrics in Proust’s opus. Her work analyzes the ways in which the author inserted songs at key turning points in his novel and how he drew inspiration from contemporary composers and theorists of song. Rushworth presents detailed readings of five moments of song in À la recherche du temps perdu, highlighting the songs’ significance by paying close attention to their lyrics, music, composers, and histories. Rushworth interprets these episodes through theoretical reflections on song and voice, drawing particularly from the works of Reynaldo Hahn and Roland Barthes. She argues that songs in Proust’s novel are connected and resonate with one another across the different volumes yet also shows how song for Proust is a solo, amateur, and intimate affair. In addition, she points to Proust’s juxtapositions of songs with meditations on the notion of “mauvaise musique” (bad music) to demonstrate the existence of a blurred boundary between songs that are popular and songs that are art. According to Rushworth, a song for Proust has a special relation to repetition and memory due to its typical brevity and that song itself becomes a mode of resistance in À la Recherche—especially on the part of characters in the face of family and familial expectations. She also defines the songs in Proust’s novel as songs of farewell—noting that to sing farewell is a means to resist the very parting that is being expressed—and demonstrates how songs, in formal terms, resist the forward impetus of narrative.
