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Author: Albrecht Dürer
Publisher:
ISBN:
Category : Wood-engraving, German
Languages : en
Pages : 196
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Book Description
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Wood-engraving, German
Languages : en
Pages : 196
Get Book Here
Book Description
Author: Albrecht Dürer
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Book Description
Portrait (frontispiece) is copied from Dürer's Self-portrait (1500), "reproduced by Messrs Walker and Boutall from a lithograph drawn directly on the stone after the original painting in the Pinakothek at Munich"--Page 14.
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 112
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Book Description
Without Chelidonius' Latin verses, replaced by Bible quotations on pages facing the full-page images.
Author: Albrecht Dürer
Publisher:
ISBN:
Category : Passio Chrisit
Languages : en
Pages : 196
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Book Description
Author: Albrecht Drer
Publisher: Courier Corporation
ISBN: 0486228517
Category : Art
Languages : en
Pages : 255
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Book Description
All of Dürer's works in three mediums are reproduced in this edition. Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.
Author: David Price
Publisher: University of Michigan Press
ISBN: 9780472113439
Category : Art, Renaissance
Languages : en
Pages : 376
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Book Description
This lavishly illustrated book provides a fresh and challenging new perspective on the life and Work of Dürer
Author: Jeffrey F. Hamburger
Publisher: Giles
ISBN: 9781911282860
Category : Antiques & Collectibles
Languages : en
Pages : 216
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Book Description
A highly-illustrated history and survey of centers of book production and use within the Holy Roman Empire over the course of seven hundred years.
Author: Albrecht Dürer
Publisher:
ISBN:
Category :
Languages : en
Pages : 186
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Book Description
Author: Albrecht Dürer
Publisher: Legare Street Press
ISBN: 9781018093420
Category :
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Mitchell B. Merback
Publisher: MIT Press
ISBN: 1935408771
Category : Art
Languages : en
Pages : 361
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Book Description
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of mutually contradictory theories, a historiographic ruin that confirms the mood of its object. In Perfection's Therapy, Mitchell Merback reopens the case file and argues for a hidden intentionality in Melencolia's opacity, its structural “chaos,” and its resistance to allegorical closure. That intentionality, he argues, points toward a fascinating possibility never before considered: that Dürer's masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly resituates Dürer's image within the long history of the therapeutic artifact. Placing Dürer's therapeutic project in dialogue with that of humanism's founder, Francesco Petrarch, Merback also unearths Dürer's ambition to act as a physician of the soul. Celebrated as the "Apelles of the black line" in his own day, and ever since as Germany's first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a venture of spiritual-ethical therapy, a work designed to exercise the mind, restore the body's equilibrium, and help in getting on with the undertaking of perfection.
