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Author: Alan Rich
Publisher: Forbes
ISBN:
Category : History
Languages : en
Pages : 136
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Book Description
American History: People and Events Vol. I, Until 1877 offers students a unique way to learn about the history of the United States. This 15-chapter book covers historical events involving people such as William Byrd II, the Colonial Virginians, John Woolman, and Sarah Hale. J. David Hoeveler takes a step away from the traditional coverage that history books offer by transporting students into the lives of some of America's most famous individuals and describing how their presence has shaped American history.
Author: Alan Rich
Publisher: Forbes
ISBN:
Category : History
Languages : en
Pages : 136
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Book Description
American History: People and Events Vol. I, Until 1877 offers students a unique way to learn about the history of the United States. This 15-chapter book covers historical events involving people such as William Byrd II, the Colonial Virginians, John Woolman, and Sarah Hale. J. David Hoeveler takes a step away from the traditional coverage that history books offer by transporting students into the lives of some of America's most famous individuals and describing how their presence has shaped American history.
Author: Joseph W. Polisi
Publisher: Yale University Press
ISBN: 0300249969
Category : Centers for the performing arts
Languages : en
Pages : 332
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Book Description
A comprehensive history of the creation and growth of Lincoln Center, exploring the interconnections between politicians, financiers, and performing artists In this comprehensive history of Lincoln Center for the Performing Arts, longtime Juilliard president Joseph Polisi guides us through the complex convergence of the worlds of politics, finance, and the performing arts throughout the years of the Center's history, including the roles played by Robert Moses, John D. Rockefeller 3rd, Leonard Bernstein, William Schuman, Elia Kazan, Joseph Papp, Alice Tully, Beverly Sills, and many others. Polisi's book explores the social and political environment during the Center's history, reflecting the growth and evolution of the performing arts in America from its post-World War II roots to the present day of global interaction. The history of the birth and growth of this unique institution is a story of determination, economic acumen, political machinations, artistic innovations, and above all the strong belief that the arts are at the center of the fabric of American society and that they should be supported and embraced by all citizens.
Author: Reynold Levy
Publisher: PublicAffairs
ISBN: 1610393627
Category : Biography & Autobiography
Languages : en
Pages : 318
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Book Description
When Reynold Levy became the new president of Lincoln Center in 2002, New York Magazine described the situation he walked in to as "a community in deep distress, riven by conflict." Ideas for the redevelopment of Lincoln Center's artistic facilities and public spaces required spending more than 1.2 billion, but there was no clear pathway for how to raise that kind of unprecedented sum. The individual resident organizations that were the key constituents of Lincoln Center -- the Metropolitan Opera, the New York City Opera, the New York Philharmonic, the Juilliard School, and eight others -- could not agree on a common capital plan or fundraising course of action. Instead, intramural rivalries and disputes filled the vacuum. Besides, some of those organizations had daunting problems of their own. Levy tells the inside story of the demise of the New York City Opera, the Metropolitan Opera's need to use as collateral its iconic Chagall tapestries in the face of mounting operating losses, and the New York Philharmonic's dalliance with Carnegie Hall. Yet despite these and other challenges, Levy and the extraordinary civic leaders at his side were able to shape a consensus for the physical modernization of the sixteen-acre campus and raise the money necessary to maintain Lincoln Center as the country's most vibrant performing arts destination. By the time he left, Lincoln Center had prepared itself fully for the next generation of artists and audiences. They Told Me Not to Take That Job is more than a memoir of life at the heart of one of the world's most prominent cultural institutions. It is also a case study of leadership and management in action. How Levy and his colleagues triumphantly steered Lincoln Center -- through perhaps the most tumultuous decade of its history to a startling transformation -- is fully captured in his riveting account.
Author: Stephen Stamas
Publisher: Trade Paper Press
ISBN:
Category : History
Languages : en
Pages : 268
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Book Description
"But much remained to be done before Lincoln Center could fulfill Rockfeller's dream. In defining its purposes beyond that of real estate manager, Lincoln Center had to overcome serious financial woes and the perception by outsiders that it lacked a true sense of community. Lincoln Center: A Promise Realized, 1979-2006 is the story of how Lincoln Center, the umbrella organization for its resident artistic companies, evolved to serve and support its "family" in their own remarkable artistic achievements while at the same time it broadened its own offerings, drawing new audiences to the campus and enlivening its public spaces."
Author: Robert A. Caro
Publisher: Knopf
ISBN: 0394480767
Category : Biography & Autobiography
Languages : en
Pages : 1338
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Book Description
PULITZER PRIZE WINNER • A modern American classic, this huge and galvanizing biography of Robert Moses reveals not only the saga of one man’s incredible accumulation of power but the story of his shaping (and mis-shaping) of twentieth-century New York. One of the Modern Library’s hundred greatest books of the twentieth century, Robert Caro's monumental book makes public what few outsiders knew: that Robert Moses was the single most powerful man of his time in the City and in the State of New York. And in telling the Moses story, Caro both opens up to an unprecedented degree the way in which politics really happens—the way things really get done in America's City Halls and Statehouses—and brings to light a bonanza of vital information about such national figures as Alfred E. Smith and Franklin D. Roosevelt (and the genesis of their blood feud), about Fiorello La Guardia, John V. Lindsay and Nelson Rockefeller. But The Power Broker is first and foremost a brilliant multidimensional portrait of a man—an extraordinary man who, denied power within the normal framework of the democratic process, stepped outside that framework to grasp power sufficient to shape a great city and to hold sway over the very texture of millions of lives. We see how Moses began: the handsome, intellectual young heir to the world of Our Crowd, an idealist. How, rebuffed by the entrenched political establishment, he fought for the power to accomplish his ideals. How he first created a miraculous flowering of parks and parkways, playlands and beaches—and then ultimately brought down on the city the smog-choked aridity of our urban landscape, the endless miles of (never sufficient) highway, the hopeless sprawl of Long Island, the massive failures of public housing, and countless other barriers to humane living. How, inevitably, the accumulation of power became an end in itself. Moses built an empire and lived like an emperor. He was held in fear—his dossiers could disgorge the dark secret of anyone who opposed him. He was, he claimed, above politics, above deals; and through decade after decade, the newspapers and the public believed. Meanwhile, he was developing his public authorities into a fourth branch of government known as "Triborough"—a government whose records were closed to the public, whose policies and plans were decided not by voters or elected officials but solely by Moses—an immense economic force directing pressure on labor unions, on banks, on all the city's political and economic institutions, and on the press, and on the Church. He doled out millions of dollars' worth of legal fees, insurance commissions, lucrative contracts on the basis of who could best pay him back in the only coin he coveted: power. He dominated the politics and politicians of his time—without ever having been elected to any office. He was, in essence, above our democratic system. Robert Moses held power in the state for 44 years, through the governorships of Smith, Roosevelt, Lehman, Dewey, Harriman and Rockefeller, and in the city for 34 years, through the mayoralties of La Guardia, O'Dwyer, Impellitteri, Wagner and Lindsay, He personally conceived and carried through public works costing 27 billion dollars—he was undoubtedly America's greatest builder. This is how he built and dominated New York—before, finally, he was stripped of his reputation (by the press) and his power (by Nelson Rockefeller). But his work, and his will, had been done.
Author: Diller Scofidio + Renfro
Publisher: Damiani Limited
ISBN: 9788862082440
Category : Architecture
Languages : en
Pages : 0
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Book Description
The redesign of Lincoln Center is one of the most challenging and innovative civic projects in recent urban history. Over the past eight years Diller Scofi dio + Renfro, in close collaboration with Lincoln Center's leadership, has transformed the fi fty year old Modernist citadel into a porous and democratic campus. This visually rich document is the first comprehensive book to feature the extensive redevelopment in its entirety. Through a combination of photographs, drawings, renderings, archival records and texts, the book describes the innovative strategies that have dissolved the public/private divide and effectively turned the campus inside-out, extending the spectacle of the performance halls into the Center's mute public spaces and surrounding streets. Conceived as a cross between an art book, a scholarly record, and an architectural diary this publication demonstrates how the recent redesign both respects and challenges preconceived notions about Lincoln Center and its ongoing role as a cultural hub in an ever-changing city. This unorthodox publication is comprised entirely of gatefolds; a series of inside-out centerfolds where the exterior pages of each spread feature glossy, large-format, full-bleed photographs highlighting different parts of the campus. Inside the gatefolds, tucked behind these lush photos, is a series of "back stories" that reveal the surprising evolution and unexpected afterlife of the same spaces.
Author: Thomas Bogar
Publisher: Regnery Publishing
ISBN: 1621570835
Category : History
Languages : en
Pages : 402
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Book Description
April 14, 1865. A famous actor pulls a trigger in the presidential balcony, leaps to the stage and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford’s Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, “Burn the place down!” This is the untold story of Lincoln’s assassination: the forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night, and what each of them witnessed in the chaos-streaked hours before John Wilkes Booth was discovered to be the culprit. In Backstage at the Lincoln Assassination, historian Thomas A. Bogar delves into previously unpublished sources to tell the story of Lincoln’s assassination from behind the curtain, and the tale is shocking. Police rounded up and arrested dozens of innocent people, wasting time that allowed the real culprit to get further away. Some closely connected to John Wilkes Booth were not even questioned, while innocent witnesses were relentlessly pursued. Booth was more connected with the production than you might have known—learn how he knew each member of the cast and crew, which was a hotbed of secessionist resentment. Backstage at the Lincoln Assassination also tells the story of what happened to each of these witnesses to history, after the investigation was over—how each one lived their lives after seeing one of America’s greatest presidents shot dead without warning. Backstage at the Lincoln Assassination is an exquisitely detailed look at this famous event from an entirely new angle. It is must reading for anyone fascinated with the saga of Lincoln’s life and the Civil War era.
Author: Douglas Carter Beane
Publisher: Dramatists Play Service, Inc.
ISBN: 0822230771
Category : Drama
Languages : en
Pages : 69
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Book Description
THE STORY: In the 1930s, burlesque impresarios welcomed the hilarious comics and musical parodies of vaudeville to their decidedly lowbrow niche. A headliner called "the nance"—usually played by a straight man—was a stereotypically camp homosexual and master of comic double entendre. THE NANCE recreates the naughty, raucous world of burlesque's heyday and tells the backstage story of Chauncey Miles and his fellow performers. At a time when it was easy to play gay and dangerous to be gay, Chauncey's uproarious antics on the stage stand out in marked contrast to his offstage life.
Author: William Finn
Publisher: Samuel French, Inc.
ISBN: 0573627134
Category : Brain
Languages : en
Pages : 84
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Book Description
By the Tony-award winning authors of Falsettos, here is an energetic, sardonic, often comical musical about a composer during a medical emergency. Gordon collapses into his lunch and awakes in the hospital surrounded by his maritime-enthusiast lover, his mother, a co-worker, the doctor and the nurses. Reluctantly, he had been composing a song for a children's television show that features a frog - Mr. Bungee - and the spector of this large green character and the unfinished work haunts him throughout his medical ordeal. What was thought to be a tumor turns out to be something more operable and Gordon recovers, grateful for a chance to compose the songs he yearns to produce.
Author: Julia L. Foulkes
Publisher: University of Chicago Press
ISBN: 022630194X
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
The making of the classic musical: “A fascinating read focusing equally on the show and the world into which it was born.”—Choice From its 1957 Broadway debut to multiple revivals, from the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone—an updating of Shakespeare vividly realized in a rapidly changing postwar New York. A lifelong fan of the show, Julia Foulkes became interested in its history when she made an unexpected discovery: scenes for the iconic film version were shot on the demolition site destined to become part of the Lincoln Center redevelopment area—a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York’s postwar aspirations. Making unprecedented use of director and choreographer Jerome Robbins’s revelatory papers, she shows the crucial role played by the political commitments of Robbins and his collaborators Leonard Bernstein and Arthur Laurents. Their determination to evoke life in New York as it was actually lived helped give West Side Story its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city. Beautifully written and full of surprises for even the most dedicated West Side Story fan, A Place for Us is a revelatory new exploration of an American classic.
