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Author: Todd Gannon
Publisher:
ISBN: 9781580931052
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
The exhibition "Light Construction," held at New York's Museum of Modern Art in 1995, maintains a lasting influence on contemporary architecture. Architects represented in the show, such as Steven Holl and Toyo Ito, continue to win prestigious commissions. Others, such as Herzog and de Meuron and Frank Gehry, have risen to celebrity status with the completion of competition-winning designs for the Tate Museum, Bankside, in London and the Guggenheim Museum in Bilbao. These works share a taste for glass, perforated metal, and other transparent materials. In bringing together the work of these diverse architects, "Light Construction" raised crucial questions about the role of materials, the nature of architectural effects, and the legacy of modernism. The second volume of the Source Books in Architecture series, The Light Construction Reader is an ambitious collection of thirty-eight essays that explores the themes and issues surrounding this important exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky's widely influential essay "Transparency: Literal and Phenomenal" is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
Author: Todd Gannon
Publisher:
ISBN: 9781580931052
Category : Architecture, Modern
Languages : en
Pages : 0
Get Book
Book Description
The exhibition "Light Construction," held at New York's Museum of Modern Art in 1995, maintains a lasting influence on contemporary architecture. Architects represented in the show, such as Steven Holl and Toyo Ito, continue to win prestigious commissions. Others, such as Herzog and de Meuron and Frank Gehry, have risen to celebrity status with the completion of competition-winning designs for the Tate Museum, Bankside, in London and the Guggenheim Museum in Bilbao. These works share a taste for glass, perforated metal, and other transparent materials. In bringing together the work of these diverse architects, "Light Construction" raised crucial questions about the role of materials, the nature of architectural effects, and the legacy of modernism. The second volume of the Source Books in Architecture series, The Light Construction Reader is an ambitious collection of thirty-eight essays that explores the themes and issues surrounding this important exhibition. Included here are essays by exhibition curator Terence Riley as well as noted architects and critics such as Peter Eisenman, Anthony Vidler, Greg Lynn, and Robin Evans. The complete transcripts of the Light Construction Symposium, held at Columbia University in conjunction with the exhibition, are also included. Colin Rowe and Robert Slutzky's widely influential essay "Transparency: Literal and Phenomenal" is presented here for the first time together with its lesser-known sequel of 1971. Also represented are Italo Calvino, Jacques Derrida, Jean Starobinski, and many others.
Author: Terence Riley
Publisher: The Museum of Modern Art
ISBN: 9780870701290
Category : Architecture
Languages : en
Pages : 172
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Book Description
Transparency and luminescence have reemerged in the vocabulary of architecture, and light and "lightness" have become key concepts for a significant number of contemporary architects, as well as artists who create installations. Recent work by these designers recalls the use of transparent materials in early modern structures, but they have introduced new ideas and technical solutions. In doing so, they have redefined the relationship between the observer and the structure by interposing elements that both veil and illuminate. In this architecture of lightness, buildings become intangible, structures shed their weight and facades become unstable, dissolving into an often luminous evanescence. The 33 projects illustrated in this book exemplify this emerging sensibility, which is examined in a penetrating essay by Terence Riley, chief curator of the department of architecture and design at The Museum of Modern Art, that places the new work in a broad historic and cultural perspective. More than 30 architects are represented in this international selection, and it includes a broad range of building types, scales and technologies, from the small Leisure Studio created by a group of young Finnish architects to Renzo Piano's enormous Kansai International Airport in Japan. Also shown are the Goetz Collection in Munich by Herzog & de Meuron, the Fondation Cartier in Paris by Jean Nouvel, the ITM Building in Matsuyama, Japan, by Toyo Ito, and a set design by Tod Williams and Billie Tsien. Each project includes a description by Terence Riley or Anne Dixon.
Author: Ron Russell
Publisher: John Wiley & Sons
ISBN: 1394202555
Category : Technology & Engineering
Languages : en
Pages : 244
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Book Description
Updated guidance for accurately interpreting graphic and written construction documents, including commercial ones Print and Specifications Reading for Construction is an easy-to-understand yet comprehensive manual on how to interpret construction documents, including the often quite complicated construction specifications for commercial building projects, covering both the graphic and written sets and demonstrating how they relate to each other. Complete sets of construction documents for three actual building projects are available on the book companion website. Practice questions and exercises are included throughout the text to aid in seamless reader comprehension and information retention. Written by a highly qualified author with more than three decades of experience in the field, Print and Specifications Reading for Construction includes information on: Basics of construction plan reading and relevant terminology, including architectural, structural, mechanical, electrical, plumbing, and civil drawings and specifications Use of schematics in today's construction environment, and updates on soils and structural members Terminology and practical applications of BIM and sustainability, and clearly illustrated descriptions of various structural members Real construction problems in large-scale residential and commercial projects via included sample sets Covering both print reading and key construction specifications, Print and Specifications Reading for Construction is an easy-to-understand, accessible, and completely comprehensive guide on the subject for students in construction management and construction technology programs.
Author: Scott Murray
Publisher: Routledge
ISBN: 113623568X
Category : Architecture
Languages : en
Pages : 202
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Book Description
Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau’s glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright’s wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor’s use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.
Author: Horst Ruthrof
Publisher: Routledge
ISBN: 1134852061
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
In this book, first published in 1981, the author argues that narrative is an interaction between "the presented world and the presentational process" and attempts to define narrative from the perspective of reading. The Reader’s Construction of Narrative includes chapters on narrative language, translating narrative and discusses what happens when we read a narrative text. This book will be of particular interest to students of literary theory.
Author: Giuliana Bruno
Publisher: University of Chicago Press
ISBN: 022611483X
Category : Art
Languages : en
Pages : 312
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Book Description
What is the place of materiality—the expression or condition of physical substance—in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in virtual forms? In Surface, cultural critic and theorist Giuliana Bruno deftly explores these questions, seeking to understand materiality in the contemporary world. Arguing that materiality is not a question of the materials themselves but rather the substance of material relations, Bruno investigates the space of those relations, examining how they appear on the surface of different media—on film and video screens, in gallery installations, or on the skins of buildings and people. The object of visual studies, she contends, goes well beyond the image and engages the surface as a place of contact between people and art objects. As Bruno threads through these surface encounters, she unveils the fabrics of the visual—the textural qualities of works of art, whether manifested on canvas, wall, or screen. Illuminating the modern surface condition, she notes how façades are becoming virtual screens and the art of projection is reinvented on gallery walls. She traverses the light spaces of artists Robert Irwin, James Turrell, Tacita Dean, and Anthony McCall; touches on the textured surfaces of Isaac Julien’s and Wong Kar-wai’s filmic screens; and travels across the surface materiality in the architectural practices of Diller Scofidio + Renfro and Herzog & de Meuron to the art of Doris Salcedo and Rachel Whiteread, where the surface tension of media becomes concrete. In performing these critical operations on the surface, she articulates it as a site in which different forms of mediation, memory, and transformation can take place. Surveying object relations across art, architecture, fashion, design, film, and new media, Surface is a magisterial account of contemporary visual culture.
Author: Ronald C. Smith
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 756
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Book Description
Author: Todd Gannon
Publisher: Princeton Architectural Press
ISBN: 9781568984261
Category : Architecture
Languages : en
Pages : 164
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Book Description
This volume takes an in-depth look at the Rotterdam bridge that brought UN Studio, the Dutch firm of Ben van Berkel and Caroline Bos, into the architectural spotlight.
Author: Nina Danino
Publisher: Wallflower Press
ISBN: 9781903364475
Category : Art
Languages : en
Pages : 298
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Book Description
A collection of writings and visual works from the UK magazine Undercut, together with newly-commissioned articles by leading critics in the field.
