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Author: Carl Friedrich Glasenapp
Publisher:
ISBN: 9781021667946
Category : Biography & Autobiography
Languages : en
Pages : 0
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Author: Carl Friedrich Glasenapp
Publisher:
ISBN: 9781021667946
Category : Biography & Autobiography
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Carl Friedrich Glasenapp
Publisher:
ISBN:
Category :
Languages : en
Pages : 422
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Author: C. F. (Carl Friedrich) Glasenapp
Publisher: Legare Street Press
ISBN: 9781017208771
Category : Music
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Ernest Newman
Publisher: Cambridge University Press
ISBN: 1108007708
Category : Music
Languages : en
Pages : 669
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Book Description
Newman's Life of Wagner, published between 1933 and 1947, the culmination of forty years' research, is a classic biography.
Author: Martin Geck
Publisher: University of Chicago Press
ISBN: 0226924629
Category : Music
Languages : en
Pages : 463
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Book Description
“[An] intriguing exploration of the composer’s life and thought as exemplified by his music. An excellent biography.” —Library Journal Best known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics. A landmark study of one of music’s most important figures “People who would like to know more about Wagner, and people who have loved his music for years . . . will find a great deal in this book to enjoy and to admire.” —Tablet “Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue . . . Suffused with his readings of contemporary productions of the operas, Geck’s musical analyses are succinct and superb” —New York Times “As an editor of Wagner’s Complete Works, Geck brings a deep familiarity with the composer to his task.” —Weekly Standard “A thoroughly approachable yet consistently provocative study.” —Thomas S. Grey, editor of The Cambridge Companion to Wagner
Author: Carl Friedrich Glasenapp
Publisher: Theclassics.Us
ISBN: 9781230346335
Category :
Languages : en
Pages : 188
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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 edition. Excerpt: ... supplemental notes. "Famoses Blait" p. 373).--Ferdinand Praeger's Wagner-book p. 375).--Chorley on Lohengrin and Tannhduser 418).--Marschner and Wagner (p. 425).--Latter-day Impertinence (p. 429).--Davison's God-speed to Wagner (p. 437). Page 36. "famoses Blatt."--Both sides of this "curious sheet" are reproduced in that recent issue of the Musikalisches Wochenblatt mentioned in my text, and the two sides are indeed in curious contrast, as stated in vol. i; for the second presents the rough draft of a tripping vaudeville-chorus, to words such as "Allons, bons compagnons, danseurs et biberons, descendons gaiment la Courtille." Now if we turn to Wagner's Parisian Amusements (P. viii.)--a sprightly article contributed to the second quarterly number of Europa 1841, beginning "Since March the Paris winter is at end "--in its account of the Carnival of that February we find the following: "The weather was raw and forbidding, and everybody preferred to see the Descente de la Courtille at the Theatre des Varices, to joining in the actual fun outside." Gasperini, moreover, has told us Wagner did write music for a vaudeville of this name, and although the bulk of it was rejected after a rehearsal or two, the stage-company declaring it quite unsingable, yet one chorus "Allons a la Courtille" was positively performed. Here, then, we undoubtedly have the embryo of that unique humiliation, and together with it the date of one side at least of the Famoses Blatt, i.e. circa January 1841. What of the first page, the important side, which bears the pencilled superscription--naturally added a quarter of a century later--"Famoses Blatt"? This presents the whole sostenuto Introduction and the first fifteen bars of the Allegro, or "Molto agitato," of the...
Author: Wm Ashton Ellis
Publisher: Forgotten Books
ISBN: 9780332454658
Category : Music
Languages : en
Pages : 468
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Excerpt from Life of Richard Wagner, Vol. 5 It would be agreeable to me to be able to contribute as much toward recommendation of the proposed Quartet performances as I have already succeeded in doing toward instigation of the enterprise itself. If I can attain that end by promising a continuance of my personal advice as to choice and artistic rendering of the masterworks to be performed, I do not hesitate to give the public that pledge herewith, just as the artists themselves have already received it from me at their wish. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Carl Friedrich Glasenapp
Publisher: Nabu Press
ISBN: 9781294134961
Category :
Languages : en
Pages : 478
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author: Ronald Taylor
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 312
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"Ronald Taylor has set out to provide in a single volume a substantial all-round life-and-work to place alongside the many specialist and partial studies of Wagner. He essays to cover all main aspects of Wagner within a coherent biographical framework, basing his account on primary sources such as Wagner's autobiographical writings and letters, the reminiscences of Liszt, Nietzsche and other friends and associates, and the complete diary of Cosima, first published in 1977. The restless existence that Wagner led from his schooldays to the end of his life, his revolutionary activity, his love affairs, his pursuit of luxury and his perpetual debts, his extraordinary self-centredness and manipulation of others, the famous men and women around him, the heaven-sent patronage of the lonely and eccentric arch-romantic King Ludwig II of Bavaria, the building of his personal temple, the Festival Theatre in Bayreuth--this is the stuff of absorbing biography. And there can be scarcely any other composer whose life was so bound up with the events of his time, and so compellingly illustrative of them, as Wagner's. The 1830 Revolution in France and the European revolutions of 1848 and 1849, the heady radical and hedonistic notions of the Young German movement, the philosophy of Schopenhauer, the urge towards German political unification--these played crucial parts in moulding his mind. Ronald Taylor not only discusses Wagner's compositions as works of art, but shows how each of them, from Die Feen to Parsifal, is grounded in its creator's intellectual and spiritual development. He considers, for example, the allegorical significance of The Ring in terms of Wagner's views on society and human relationships, the indelible mark left by the experience of being spurned by the bourgeois taste of 1830s Paris, and demonstrates how a work which contains such nationalistic elements can at the same time be one of the overwhelming achievements in European culture. The elaborate structure of ideas and theories that surrounds Wagner's music is further revealed by succinct accounts of his political, social, and musical thinking at all periods of his career as expressed in his key writings on culture and society, the role of the artist in the community, the musical scene in nineteenth-century Europe, and many other subjects. In a postscript the main lines of the controversies--musical, philosophical and psychological--that have raged over Wagner from his lifetime onwards are shown in a balanced selection of statements by prominent, and diverse, figures such as Nietzsche, Tolstoy, Debussy, Stravinsky, Thomas Mann, George Bernard Shaw, Bruno Walter, Adorno and Boulez." --Jacket.
Author: Martin Gregor-Dellin
Publisher: Houghton Mifflin Harcourt P
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 606
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