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Author: George Augustus H.F. Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 802
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Book Description
Author: George Augustus H.F. Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 802
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Book Description
Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 9780521835466
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
This book takes a new look at the evolution of popular literature in Britain in the Romantic and Victorian periods. Making use of a wide range of archival and primary sources, he argues that radical politics played a decisive role in the transformation of popular literature. By charting the key moments in the history of 'cheap' literature, the book casts new light on the many neglected popular genres and texts: the 'pig's meat' anthology, the female-authored didactic tale, and Chartist fiction.
Author: George Augustus Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 746
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Book Description
Author: George Augustus Sala
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 496
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Book Description
This Elibron Classics title is a reprint of the original edition published by Cassell and Company, Limited in London, Paris & Melbourne, 1895.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Book Description
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1046
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Book Description
Includes its Report, 1896-19 .
Author: Lynda Nead
Publisher: Yale University Press
ISBN: 9780300107708
Category : History
Languages : en
Pages : 270
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Book Description
Lynda Nead charts the relationship between London's formation into a modern organised city in the 1860s and the emergence of new types of production and consumption of visual culture.
Author: Jim Davis
Publisher: University of Iowa Press
ISBN: 1587294028
Category : Performing Arts
Languages : en
Pages : 317
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Book Description
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.
Author: Lydia Wevers
Publisher: Auckland University Press
ISBN: 9781869402716
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
This pioneering examination of travel writing about New Zealand in the colonial period discusses a wide range of writing that helped place New Zealand on the literary map, while providing an oblique history of the young nation in the 19th century. Exploring early newspaper accounts; the journals of missionaries, traders, and adventurers; and the guidebooks and specialized descriptions of fishing, and hunting, which promoted New Zealand as a sporting paradise, Wevers finds that writing about New Zealand was an essential tool in the colonization process.
Author: Mary L. Shannon
Publisher: Routledge
ISBN: 1317151151
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.
