Author: George Augustus Sala
Publisher:
ISBN:
Category :
Languages : en
Pages : 746

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Book Description

Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 9780521835466
Category : Literary Criticism
Languages : en
Pages : 362

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Book Description
This book takes a new look at the evolution of popular literature in Britain in the Romantic and Victorian periods. Making use of a wide range of archival and primary sources, he argues that radical politics played a decisive role in the transformation of popular literature. By charting the key moments in the history of 'cheap' literature, the book casts new light on the many neglected popular genres and texts: the 'pig's meat' anthology, the female-authored didactic tale, and Chartist fiction.

Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712

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Author: Murney Gerlach
Publisher: Springer
ISBN: 0230510191
Category : Political Science
Languages : en
Pages : 331

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Book Description
While there are many works on British liberalism, this is the first to deal substantially with the transatlantic and international content of liberalism. Gerlach considers the transatlantic thought of prominent contemporary figures such as William Gladstone, John Morley, William Harcourt and Andrew Carnegie. A fascinating account that paves the way for the political and social rapprochement of the twentieth century.

Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1046

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Book Description
Includes its Report, 1896-19 .

Author: Jim Davis
Publisher: University of Iowa Press
ISBN: 1587294028
Category : Performing Arts
Languages : en
Pages : 317

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Book Description
This innovative work begins to fill a large gap in theatre studies: the lack of any comprehensive study of nineteenth-century British theatre audiences. In an attempt to bring some order to the enormous amount of available primary material, Jim Davis and Victor Emeljanow focus on London from 1840, immediately prior to the deregulation of that city's theatres, to 1880, when the Metropolitan Board of Works assumed responsibility for their licensing. In a further attempt to manage their material, they concentrate chapter by chapter on seven representative theatres from four areas: the Surrey Theatre and the Royal Victoria to the south, the Whitechapel Pavilion and the Britannia Theatre to the east, Sadler's Wells and the Queen's (later the Prince of Wales's) to the north, and Drury Lane to the west. Davis and Emeljanow thoroughly examine the composition of these theatres' audiences, their behavior, and their attendance patterns by looking at topography, social demography, police reports, playbills, autobiographies and diaries, newspaper accounts, economic and social factors as seen in census returns, maps and transportation data, and the managerial policies of each theatre.

Author: Lydia Wevers
Publisher: Auckland University Press
ISBN: 9781869402716
Category : Language Arts & Disciplines
Languages : en
Pages : 246

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Book Description
This pioneering examination of travel writing about New Zealand in the colonial period discusses a wide range of writing that helped place New Zealand on the literary map, while providing an oblique history of the young nation in the 19th century. Exploring early newspaper accounts; the journals of missionaries, traders, and adventurers; and the guidebooks and specialized descriptions of fishing, and hunting, which promoted New Zealand as a sporting paradise, Wevers finds that writing about New Zealand was an essential tool in the colonization process.

Author: Maria Serena Marchesi
Publisher: Skenè. Texts and Studies
ISBN: 8896419824
Category : Language Arts & Disciplines
Languages : en
Pages : 164

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Book Description
Despite the awakening of critical interest in recent years, Victorian theatre before Wilde and Shaw is still a virtually undiscovered country. The world of Victorian theatres, with their complicated personal interconnections and astonishing feats of professionalism, and Victorian drama itself, often skillfully written and controversial, are worth investigating. Henry Irving, the icon and later the bogeyman of a whole theatrical era, has been the object of several scholarly works and essays, inevitably focusing on his Lyceum years. What was Irving before the Lyceum? Or, in other words, how did Irving become Irving? The present book reconstructs the event that made Irving famous overnight and, as it were, made the Lyceum years possible: the London première of Dion Boucicault’s Hunted Down, or, The Two Lives of Mary Leigh. It investigates the circumstances of the composition of the play and of its first London production, also presenting the first edition of the text of Boucicault’s play in 150 years. The reconstruction presents twenty-first-century readers with a strange world of irascible playwrights, all-powerful stage managers, long-forgotten Pre-Raphaelite beauties and humble theatre folk in which the young Irving moved, a world whose traces remained visible and whose influence remained palpable in the years of Irving’s later fame.

Author: Gail Marshall
Publisher: Taylor & Francis
ISBN: 1040128904
Category : Literary Criticism
Languages : en
Pages : 357

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Book Description
Features three female actors who were significant in their development of new and innovative ways of performing Shakespeare.

Author: Mary L. Shannon
Publisher: Routledge
ISBN: 1317151151
Category : Literary Criticism
Languages : en
Pages : 279

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Book Description
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.