Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Handel's Operas
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Handel's Operas, 1704-1726
Author: Winton Dean
Publisher: Boydell Press
ISBN: 9781843835257
Category : Biography & Autobiography
Languages : en
Pages : 771
Book Description
The first volume of this monumental study of Handel's operatic works, covering the first seventeen operas.
Publisher: Boydell Press
ISBN: 9781843835257
Category : Biography & Autobiography
Languages : en
Pages : 771
Book Description
The first volume of this monumental study of Handel's operatic works, covering the first seventeen operas.
The Librettos of Handel's Operas: Giulio Cesare ; Tamerlano ; Rodelinda ; Scipione
Author: George Frideric Handel
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 412
Book Description
Handel's Israelite Oratorio Libretti
Author: Deborah W. Rooke
Publisher: Oxford University Press (UK)
ISBN: 0199279284
Category : Music
Languages : en
Pages : 279
Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Publisher: Oxford University Press (UK)
ISBN: 0199279284
Category : Music
Languages : en
Pages : 279
Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
A Poetics of Handel's Operas
Author: Nathan Link
Publisher: Oxford University Press
ISBN: 0197651348
Category : Opera
Languages : en
Pages : 393
Book Description
"A Poetics of Handel's Operas investigates the rich representational fabric of Handel's stories, drawing upon musicology, narratology, drama, and film in offering a study with appeal to scholars, producers and performers, opera afficionados, and anyone fascinated by storytelling. In most storytelling genres, we often distinguish between the story, on the one hand, and the way that story is represented, on the other, without a second thought. We know that a character in a film hears neither her own voice-over nor the ambient music that accompanies it, and that she does not really build a house from the ground up in the three minutes spanned by the cinematic montage that depict its construction. In opera, however, many commentators to this day characterize the medium as "unrealistic," since we know, for example, that people in the real world do not sing to each other, nor does orchestral music accompany their utterances. This said, the vocal and orchestral music, while not literally present in the world of the story surely have a great deal to tell us about the opera's story and its characters, and if we distinguish the performance we see and hear on the stage and in the orchestra pit from the story represented, we enable ourselves to construct stories that are no less coherent than those conveyed by other media. By avoiding conflation of the story and its representation, we enable ourselves to engage more meaningfully with the significance of these and many other unique aspects of operatic storytelling"--
Publisher: Oxford University Press
ISBN: 0197651348
Category : Opera
Languages : en
Pages : 393
Book Description
"A Poetics of Handel's Operas investigates the rich representational fabric of Handel's stories, drawing upon musicology, narratology, drama, and film in offering a study with appeal to scholars, producers and performers, opera afficionados, and anyone fascinated by storytelling. In most storytelling genres, we often distinguish between the story, on the one hand, and the way that story is represented, on the other, without a second thought. We know that a character in a film hears neither her own voice-over nor the ambient music that accompanies it, and that she does not really build a house from the ground up in the three minutes spanned by the cinematic montage that depict its construction. In opera, however, many commentators to this day characterize the medium as "unrealistic," since we know, for example, that people in the real world do not sing to each other, nor does orchestral music accompany their utterances. This said, the vocal and orchestral music, while not literally present in the world of the story surely have a great deal to tell us about the opera's story and its characters, and if we distinguish the performance we see and hear on the stage and in the orchestra pit from the story represented, we enable ourselves to construct stories that are no less coherent than those conveyed by other media. By avoiding conflation of the story and its representation, we enable ourselves to engage more meaningfully with the significance of these and many other unique aspects of operatic storytelling"--
Music and the Exotic from the Renaissance to Mozart
Author: Ralph P. Locke
Publisher: Cambridge University Press
ISBN: 1316298205
Category : Music
Languages : en
Pages : 473
Book Description
During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Publisher: Cambridge University Press
ISBN: 1316298205
Category : Music
Languages : en
Pages : 473
Book Description
During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Essays on Handel and Italian Opera
Author: Reinhard Strohm
Publisher: Cambridge University Press
ISBN: 9780521088350
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition.
Publisher: Cambridge University Press
ISBN: 9780521088350
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Reinhard Strohm examines the relationship between Handel's great operas and the earlier European Baroque tradition.
The Librettos of Handel's Operas: Radamisto ; Muzio Scevola ; Floridante ; Ottone ; Flavio
Author: George Frideric Handel
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 456
Book Description
Understanding Music
Author: N. Alan Clark
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Publisher:
ISBN: 9781940771335
Category : Education
Languages : en
Pages : 316
Book Description
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Dramma Per Musica
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.