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Author: Kommitas Vardapet
Publisher: Mosaic Press
ISBN: 1771613599
Category : Music
Languages : en
Pages : 601
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Book Description
Komitas Vardapet is the most significant and iconic figure of Armenia. He is revered by all Armenians. A tragic figure and the genius of Armenian music, he survived the Armenian genocide, yet his story remains at the cultural center of the Armenian people and nation. All Armenians, both in Armenia and in the diaspora, recognize their soul and find their spiritual nature in Komitas. It is often said that the Armenian people continue today to live through him and his musical legacy.Much of the creative legacy of Komitas, music, papers, manuscripts, were destroyed or lost. Today, there is growing world-wide interest in Komitas' music with recordings, his concerts and performances.During his lifetime, Komitas was highly regarded by his musical colleagues everywhere, including in Europe. He traveled extensively to the major musical capitals of Europe, Berlin, Paris, Vienna and more. He also maintained a full and lively correspondence with churchmen, musical colleagues and intellectuals in many countries. His letters give us an opportunity to understand this brilliant musician who possessed remarkable features of charm, modesty, an acutely perceptive mind and an original wit.This new volume of The Letters of Komitas was first published in Armenia in 2014 and now, the English language world will have access to this important and unique volume. In Letters of Komitas, the reader has intimate access to the human side of Komitas. Within that towering musical figure, there is a regular man who jokes with his correspondents, laments the state of Armenian music corrupted by foreign influences, and takes pride in his contribution to Armenian identity. The letters in the book explore Komitas' relationship with the Church and demonstrate how the man now considered a musical genius was once the subject of criticism by some of his contemporaries. There are recordings of Komitas' voice available online that feature him singing some of his compositions. But Letters of Komitas gives readers access to the voice of the everyday human being who lived within that musical giant and provides insights into the psyche and spirit of this unforgettable figure of Armenian history.This book contains 184 letters written by Komitas and 37 letters he received . It is the most complete collection to date, carefully edited. Each letter includes detailed background and notations for the reader
Author: Kommitas Vardapet
Publisher: Mosaic Press
ISBN: 1771613599
Category : Music
Languages : en
Pages : 601
Get Book Here
Book Description
Komitas Vardapet is the most significant and iconic figure of Armenia. He is revered by all Armenians. A tragic figure and the genius of Armenian music, he survived the Armenian genocide, yet his story remains at the cultural center of the Armenian people and nation. All Armenians, both in Armenia and in the diaspora, recognize their soul and find their spiritual nature in Komitas. It is often said that the Armenian people continue today to live through him and his musical legacy.Much of the creative legacy of Komitas, music, papers, manuscripts, were destroyed or lost. Today, there is growing world-wide interest in Komitas' music with recordings, his concerts and performances.During his lifetime, Komitas was highly regarded by his musical colleagues everywhere, including in Europe. He traveled extensively to the major musical capitals of Europe, Berlin, Paris, Vienna and more. He also maintained a full and lively correspondence with churchmen, musical colleagues and intellectuals in many countries. His letters give us an opportunity to understand this brilliant musician who possessed remarkable features of charm, modesty, an acutely perceptive mind and an original wit.This new volume of The Letters of Komitas was first published in Armenia in 2014 and now, the English language world will have access to this important and unique volume. In Letters of Komitas, the reader has intimate access to the human side of Komitas. Within that towering musical figure, there is a regular man who jokes with his correspondents, laments the state of Armenian music corrupted by foreign influences, and takes pride in his contribution to Armenian identity. The letters in the book explore Komitas' relationship with the Church and demonstrate how the man now considered a musical genius was once the subject of criticism by some of his contemporaries. There are recordings of Komitas' voice available online that feature him singing some of his compositions. But Letters of Komitas gives readers access to the voice of the everyday human being who lived within that musical giant and provides insights into the psyche and spirit of this unforgettable figure of Armenian history.This book contains 184 letters written by Komitas and 37 letters he received . It is the most complete collection to date, carefully edited. Each letter includes detailed background and notations for the reader
Author: Komitas
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 264
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Book Description
Author: Anne M. Avakian
Publisher: Univ of California Press
ISBN: 9780520097940
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
00 This bibliography, with annotations, consists of almost 1380 citations derived from libraries in Berkeley, California, notably at the University of California. Most of the articles and books listed are in Armenian, but items in English, French, German, and Russian are also included. This book covers an area of study not heretofore presented in substantial length and will be of interest to folklorists throughout the world. This bibliography, with annotations, consists of almost 1380 citations derived from libraries in Berkeley, California, notably at the University of California. Most of the articles and books listed are in Armenian, but items in English, French, German, and Russian are also included. This book covers an area of study not heretofore presented in substantial length and will be of interest to folklorists throughout the world.
Author: Sylvia Angelique Alajaji
Publisher: Indiana University Press
ISBN: 0253017769
Category : History
Languages : en
Pages : 216
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Book Description
Survivors of the Armenian genocide of 1915 and their descendants have used music to adjust to a life in exile and counter fears of obscurity. In this nuanced and richly detailed study, Sylvia Angelique Alajaji shows how the boundaries of Armenian music and identity have been continually redrawn: from the identification of folk music with an emergent Armenian nationalism under Ottoman rule to the early postgenocide diaspora community of Armenian musicians in New York, a more self-consciously nationalist musical tradition that emerged in Armenian communities in Lebanon, and more recent clashes over music and politics in California. Alajaji offers a critical look at the complex and multilayered forces that shape identity within communities in exile, demonstrating that music is deeply enmeshed in these processes. Multimedia components available online include video and audio recordings to accompany each case study.
Author: Komitas (Vardapet)
Publisher:
ISBN:
Category : Armenian chants
Languages : en
Pages : 72
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Book Description
Author: Komitas Vardapet Komitas
Publisher: Routledge
ISBN: 1136801847
Category : Social Science
Languages : en
Pages : 202
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Book Description
Translated by E. Gulbekian, edited with introduction by N.V. Nersessian. Komitas Vardapet was the giant of Armenian sacred and folk music. Eight of Komitas's principal musicological studies have been selected from his Collected Works published in Yerevan in 1941.
Author: Vrej Nersessian
Publisher: Routledge
ISBN: 1135879419
Category : Social Science
Languages : en
Pages : 225
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Book Description
This book has grown out of the author's research about Iraq and Palestine 1932-41, written in Tel Aviv University.
Author: Zara Pogossian
Publisher: BRILL
ISBN: 9004192107
Category : History
Languages : en
Pages : 488
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Book Description
The “Letter of Love and Concord” is a unique source, which allows us a glimpse into the political and religious aspirations of the Armenian Cilician elite at the end of the twelfth century, alluding to its hopes and expectations from the Crusades and the Church of Rome, as well as its uneasy relationship with the Byzantine Empire. The “Letter” is especially valuable for the wealth of information it contains on the royal ideology nurtured within the highest circles of the ruling Rubenid dynasty. The study provides an analysis of the sources used by its anonymous author, placing them within a historical context. Moreover, this marks the first time that a text based on the study of surviving sixty nine manuscripts along with its English translation has been made available for scholars.
Author: Merih Erol
Publisher: Indiana University Press
ISBN: 0253018420
Category : Music
Languages : en
Pages : 289
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Book Description
A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion
Author:
Publisher:
ISBN:
Category : Armenia
Languages : en
Pages : 136
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Book Description
