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Author: Daniel Ingram-Brown
Publisher: Lulu.com
ISBN: 1291874550
Category : Fiction
Languages : en
Pages : 66
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Book Description
It's 5th July 2014 and the world's biggest cycling race is about to depart from Leeds. 22 teams, 198 riders, 2,000 journalists and 4 million people are converging on this Yorkshire city. Among them are Gizmo the dog, with his owner; a woman carrying a tin full of memories; a refugee with a rose in their pocket; a student; a grandad and grandson; and X. For each of them, 5th July will turn out to be a life changing day. Created by community groups from across the city, The Leeds Story Cycle is what you get when you put a group of young people, asylum seekers, students, retired church folk, writers and recovering addicts in the same room and ask them to tell a story about their home town. Working with the groups, this unique collection of stories has been written by author, Chris Nickson; lyricist, Testament; poet and playwright, Rommi Smith; author, Daniel Ingram-Brown, poet, Jane Steele; playwright, Lorna Poustie; and theatre practitioners, Simon Brewis and Lynsey Jones.
Author: Daniel Ingram-Brown
Publisher: Lulu.com
ISBN: 1291874550
Category : Fiction
Languages : en
Pages : 66
Get Book Here
Book Description
It's 5th July 2014 and the world's biggest cycling race is about to depart from Leeds. 22 teams, 198 riders, 2,000 journalists and 4 million people are converging on this Yorkshire city. Among them are Gizmo the dog, with his owner; a woman carrying a tin full of memories; a refugee with a rose in their pocket; a student; a grandad and grandson; and X. For each of them, 5th July will turn out to be a life changing day. Created by community groups from across the city, The Leeds Story Cycle is what you get when you put a group of young people, asylum seekers, students, retired church folk, writers and recovering addicts in the same room and ask them to tell a story about their home town. Working with the groups, this unique collection of stories has been written by author, Chris Nickson; lyricist, Testament; poet and playwright, Rommi Smith; author, Daniel Ingram-Brown, poet, Jane Steele; playwright, Lorna Poustie; and theatre practitioners, Simon Brewis and Lynsey Jones.
Author: Susan Mann
Publisher: Greenwood
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
This guide is an excellent beginning for the study of a little-recognized genre and will be needed by all academic libraries. Choice During the 1970s many distinguished writers began experimenting with the short story cycle, a literary form that achieved prominence in the early decades of the century through such works as James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio. Despite the growing interest of both writers and readers, no theoretical work has been done on this genre in the past ten years. The Short Story Cycle provides a wide-ranging survey of the subject, offering detailed analyses of nine classic short story cycles and an annotated listing of over 120 others, many by contemporary authors. In addition, the introduction includes a history of the genre and its related forms as well as a discussion of conventions associated with the cycle. Short story cycles by Joyce, Anderson, Hemingway, Steinbeck, Faulkner, Welty, O'Connor, and Updike are described in individual chapters. These works illustrate the genre's diversity and vitality, ranging from cycles that are explicitly related through chronology, plot, and character to collections that reveal subtler, implicit unities. The author looks at the ways different writers use repeated or developed characters, themes, myth, imagery, setting, point of view, and plot or chronology to create the sense of a larger whole. Chapter bibliographies supply information on relevant critical writings as well as biographical and autobiographical materials. The volume concludes with an annotated listing of important twentieth-century short-story cycles by American, British, European, Canadian, Australian, Polish, Soviet, and Latin American writers.
Author: Kevin J. Harty
Publisher: Routledge
ISBN: 1317947428
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
First published in 1993. Part of a series on medieval casebooks, this volume six looks at the Chester Mystery Cycle Play manuscripts and comparisons of the York and Chester Cycle. Theologically a product of the Middle Ages, historically a product of the Renaissance, what we today call the Chester Mystery Cycle is a series of twenty-four plays dramatizing the events of salvation history from Creation until Doomsday. One of four surviving English mystery cycles, the Chester Cycle, which originally included a twenty-fifth play of the Assumption surpressed sometime in the mid-sixteenth century, was, until more modern times, last performed in 1575.
Author: Charles Villiers Stanford
Publisher: A-R Editions, Inc.
ISBN: 1987200268
Category : Music
Languages : en
Pages : 257
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Book Description
Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
Author: Farhat Iftekharrudin
Publisher: Bloomsbury Publishing USA
ISBN: 0313052468
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Short stories are usually defined in terms of characteristics of modernism, in which the story begins in the middle, develops according to a truncated plot, and ends with an epiphany. This approach tends to ignore postmodernism, a movement often characterized by a negation of objective reality where plots are seemingly abandoned, surfaces are extraordinary, and symbols turn inward on themselves. This book examines postmodern forms and characteristic themes by analyzing a group of short stories that make use of postmodern narrative strategies, including nonfictional fiction, gender profiling, and death as an image. The volume begins with a discussion of the blurred lines between fiction and nonfiction in the short story and imaginative personal essay. It then looks at the role of women in works by such authors as Sandra Cisneros, Leslie Marmon Silko, Joyce Carol Oates, and Lorrie Moore. This is followed by a section of chapters on postmodern masculinity and short fiction. The next section focuses on death as an image and theme in works by Richard Ford, Richard Brautigan, and James Joyce. The final set of chapters considers postmodern short fiction from South Africa and Canada.
Author: Amanda Ann Klein
Publisher: University of Texas Press
ISBN: 0292742754
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
A series of movies that share images, characters, settings, plots, or themes, film cycles have been an industrial strategy since the beginning of cinema. While some have viewed them as "subgenres," mini-genres, or nascent film genres, Amanda Ann Klein argues that film cycles are an entity in their own right and a subject worthy of their own study. She posits that film cycles retain the marks of their historical, economic, and generic contexts and therefore can reveal much about the state of contemporary politics, prevalent social ideologies, aesthetic trends, popular desires, and anxieties. American Film Cycles presents a series of case studies of successful film cycles, including the melodramatic gangster films of the 1920s, the 1930s Dead End Kids cycle, the 1950s juvenile delinquent teenpic cycle, and the 1990s ghetto action cycle. Klein situates these films in several historical trajectories—the Progressive movement of the 1910s and 1920s, the beginnings of America's involvement in World War II, the "birth" of the teenager in the 1950s, and the drug and gangbanger crises of the early 1990s. She shows how filmmakers, audiences, film reviewers, advertisements, and cultural discourses interact with and have an impact on the film texts. Her findings illustrate the utility of the film cycle in broadening our understanding of established film genres, articulating and building upon beliefs about contemporary social problems, shaping and disseminating deviant subcultures, and exploiting and reflecting upon racial and political upheaval.
Author: Farhat Iftekharrudin
Publisher: Bloomsbury Publishing USA
ISBN: 0313058091
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Postmodernism, as a mode of the contemporary short story, has been clearly established and recognized by short story theorists. But postmodern theory, as pervasive as it has become among academics in the last half century, has scarcely been applied to the short story genre in particular. Many contemporary scholars, nonetheless, are currently making use of certain postmodern thematic approaches to help them determine meanings of particular short stories. T Short story theory began with Edgar Allan Poe's review of Twice-Told Tales, a collection of stories by his contemporary, Nathaniel Hawthorne. But theoretical discussions of the short story languished until modernism and the new criticism provided impetus for further development. Surprisingly, though, the next large critical movement, postmodernism, failed to address the short story as a genre. But while there is little postmodern theory concerning the short story, contemporary scholars have used certain postmodern critical approaches to help determine meaning. This book demonstrates the effect of postmodern theory on the study of the short story genre. The expert contributors to this volume examine such topics as genre and form, the role of the reader, cultural and ethnic diversity, and feminist perspectives on the short story. In doing so, they apply postmodern theoretical approaches to international short stories, be they in the traditional mode, the modern mode, or the postmodern mode. The volume looks at fiction by Edith Wharton, Henry James, Katherine Mansfield, and other authors, and at Iranian short fiction, the postcolonial short story, the fantastic in short fiction, and other subjects.
Author: Jessica Dell
Publisher: Routledge
ISBN: 1317038673
Category : Performing Arts
Languages : en
Pages : 263
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Book Description
The Chester Cycle in Context, 1555-1575 considers the implications of recent archival research which has profoundly changed our view of the continuation of performances of Chester's civic biblical play cycle into the reign of Elizabeth I. Scholars now view the decline and ultimate abandonment of civic religious drama as the result of a complex network of local pressures, heavily dependent upon individual civic and ecclesiastical authorities, rather than a result of a nation-wide policy of suppression, as had previously been assumed.
Author: Paul Delaney
Publisher: Edinburgh University Press
ISBN: 1474442234
Category : Literary Criticism
Languages : en
Pages : 563
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Book Description
Provides a clear introduction to the key terms and frameworks in cognitive poetics and stylistics
Author: Leslie Petty
Publisher: University of Georgia Press
ISBN: 0820342890
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
As the nineteenth century progressed into the twentieth, novels about politically active women became increasingly common. This work examines how the fiction written about the women's rights and related movements contributed to the creation and continued vitality of those movements. It looks at novels as paradigms of feminist activism.
