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Author: Judy Batalion
Publisher: Parlor Press LLC
ISBN: 1602352453
Category : Humor
Languages : en
Pages : 250
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Book Description
With contributions by leading scholars, writers and comedians in the USA, the UK and Canada, The Laughing Stalk: Live Comedy and Its Audiences focuses on the dynamics of audience behavior. Performers, writers, historians, producers, and theorists explore the practice and reception of live comedy performance, including cultural and historical variations in comedy audience conduct, the reception of “low” versus “high” comedy, and the differences between televised and live jokes. Contributors reflect on the subjectivity of audience members and the spread of affect, as well as the two-way relationship between joker and listener. They investigate race, sexuality and gender in humor, and contemplate the comedy club as a distinct spatial and emotional environment. The Laughing Stalk: Live Comedy and Its Audiences includes excerpts and scripts from Michael Frayne’s Audience and Andrea Fraser’s Inaugural Speech. Judy Batalion interviews noted comic writers, performers, and theater designers, including Iain Mackintosh, Shazia Mirza, Julia Chamberlain, Scott Jacobson, and Andrea Fraser. Sarah Boyes contributes a short photographic essay on comedy clubbers. Essay contributors include Alice Rayner, Matthew Daube, Lesley Harbidge, Gavin Butt, Diana Solomon, Rebecca Krefting, Kevin McCarron, Nile Seguin, Elizabeth Klaver, Frances Gray, AL Kennedy, Kélina Gotman, and Samuel Godin. The comedy duo of Sable & Batalion share their conclusions about audience responses to hip-hop theater.
Author: Judy Batalion
Publisher: Parlor Press LLC
ISBN: 1602352453
Category : Humor
Languages : en
Pages : 250
Get Book Here
Book Description
With contributions by leading scholars, writers and comedians in the USA, the UK and Canada, The Laughing Stalk: Live Comedy and Its Audiences focuses on the dynamics of audience behavior. Performers, writers, historians, producers, and theorists explore the practice and reception of live comedy performance, including cultural and historical variations in comedy audience conduct, the reception of “low” versus “high” comedy, and the differences between televised and live jokes. Contributors reflect on the subjectivity of audience members and the spread of affect, as well as the two-way relationship between joker and listener. They investigate race, sexuality and gender in humor, and contemplate the comedy club as a distinct spatial and emotional environment. The Laughing Stalk: Live Comedy and Its Audiences includes excerpts and scripts from Michael Frayne’s Audience and Andrea Fraser’s Inaugural Speech. Judy Batalion interviews noted comic writers, performers, and theater designers, including Iain Mackintosh, Shazia Mirza, Julia Chamberlain, Scott Jacobson, and Andrea Fraser. Sarah Boyes contributes a short photographic essay on comedy clubbers. Essay contributors include Alice Rayner, Matthew Daube, Lesley Harbidge, Gavin Butt, Diana Solomon, Rebecca Krefting, Kevin McCarron, Nile Seguin, Elizabeth Klaver, Frances Gray, AL Kennedy, Kélina Gotman, and Samuel Godin. The comedy duo of Sable & Batalion share their conclusions about audience responses to hip-hop theater.
Author: Judith Batalion
Publisher:
ISBN: 9781602352438
Category : Performance
Languages : en
Pages : 0
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Book Description
With contributions by leading scholars, writers and comedians in the USA, the UK and Canada, THE LAUGHING STALK: LIVE COMEDY AND ITS AUDIENCES focuses on the dynamics of audience behavior. Performers, writers, historians, producers, and theorists explore the practice and reception of live comedy performance, including cultural and historical variations in comedy audience conduct, the reception of "low" versus "high" comedy, and the differences between televised and live jokes. Contributors reflect on the subjectivity of audience members and the spread of affect, as well as the two-way relationship between joker and listener. They investigate race, sexuality and gender in humor, and contemplate the comedy club as a distinct spatial and emotional environment. THE LAUGHING STALK: LIVE COMEDY AND ITS AUDIENCES includes excerpts and scripts from Michael Frayne's AUDIENCE and Andrea Fraser's INAUGURAL SPEECH. Judy Batalion interviews noted comic writers, performers, and theater designers, including Iain Mackintosh, Shazia Mirza, Julia Chamberlain, Scott Jacobson, and Andrea Fraser. Sarah Boyes contributes a short photographic essay on comedy clubbers. Essay contributors include Alice Rayner, Matthew Daube, Lesley Harbidge, Gavin Butt, Diana Solomon, Rebecca Krefting, Kevin McCarron, Nile Seguin, Elizabeth Klaver, Frances Gray, AL Kennedy, Kelina Gotman, and Samuel Godin. The comedy duo of Sable & Batalion share their conclusions about audience responses to hip-hop theater. JUDY BATALION is a writer, performer, and independent scholar. She has written and performed stand-up, sketches, improv, one-woman shows, short films, and comedy theater in her native Canada, throughout the UK (where she spent a decade), and in the US. Her academic work has appeared in publications including Contemporary Theatre Review, and her journalism and personal essays have been published in newspapers, magazines and blogs, including the Washington Post, the Jerusalem Post, Salon, the Forward and Nerve. She has a BA from Harvard in the History of Science, and a PhD from the Courtauld Institute of Art, University of London, in Art History. She currently resides in New York City. AESTHETIC CRITICAL INQUIRY, SERIES EDITOR ANDREA FEESER"
Author: Piers Anthony
Publisher: Macmillan
ISBN: 9780765343093
Category : Fiction
Languages : en
Pages : 370
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Book Description
The 27th adventure in the magical land of Xanth is now in paperback for the first time. When a Plain Jane called Cube whispers a wish to be beautiful, she finds herself on a search for the mysterious Cube Route.
Author: Morgan Milton
Publisher: Lulu.com
ISBN: 1105413101
Category : Juvenile Fiction
Languages : en
Pages : 406
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Book Description
Dakota is back again with her story continuing on with her returning to her life as a vampire after spending the summer in Ireland adjusting. The Rowens are there for her when her own family has shunned her. Koda settles in for her senior year of high school as she is faced with challenges and hardships that no teenage girl should ever have to face. But, her biggest challenge is looming in the near future as Brice warns her about a vision that could ruin her. What will Koda do when she comes face to face with the one thing that Brice can't save her from'...
Author: Tanasi Patrick Mulawu
Publisher: AuthorHouse
ISBN: 1504996291
Category : Humor
Languages : en
Pages : 75
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Book Description
Book-o-laughter, adventures, excitement and ridiculousness. Unknown Observer Lafabo (laughable), a multi-talented and multi-professional, was the son of Mr. and Mrs. Lafuta (laughter). He lived in Kunkhaniland, a land where Chi-chenglish, a mixture of Chichewa and English, is mostly spoken. Memories of each year are worth to remember. Lafabo Adventures is a book based on the life and inspiration of the author (Biography) and friends. It goes back to the early seventies through the eighties, nineties and then the new millennium. A lot of different activities happened in this democratic land. Lafabo as a boy, passed through many troubles. He grew up as any other boy. As an adult he had a wide experience in life. Worries and problems were part of life. The way he found the solutions were the adventures worth reading. Have fun all fun seekers and wishing you all the best.
Author: Trent Sigler
Publisher: Xlibris Corporation
ISBN: 1450090389
Category : Poetry
Languages : en
Pages : 149
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Book Description
Author: Oscar Edmund Wenström
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 898
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Book Description
Author: Rebecca Krefting
Publisher: JHU Press
ISBN: 1421414317
Category : Humor
Languages : en
Pages : 360
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Book Description
A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline.
Author: Dustin Goltz
Publisher: Routledge
ISBN: 1351723758
Category : Social Science
Languages : en
Pages : 391
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Book Description
Comic Performativities: Identity, Internet Outrage, and the Aesthetics of Communication studies patterns of criticism and public debate in the relationship between humour, identity, and offense. In an increasingly reductive and politically charged debate, right-wing pundits argue leftist politics has compromised a free and open discussion, while scholars take right-wing critics to task for reifying systems of oppression under the guise of reason and respect. In response, Goltz scrutinises twenty-first century "comedic controversies," the notion of "political correctness," and the so-called "outrage machine" of social media. How should we appropriately determine whether a joke is "sexist," "racist," or "offensive"? Informed by communication, performance, and critical identity theory, Goltz examines infamous controversies involving performers like Sarah Silverman, Amy Schumer, and Seth MacFarlane, and the social media backlash that redefined these events. He investigates the ironic interplay between spoken word, identity, physicality and, as a result, the contrasting meanings potentially construed. Consequently, the book encourages a greater appreciation of the aesthetics involved in comedic performance that help signpost interpretation and emphasizes the role of the audience as self-reflexive and self-aware. This book highlights the significant parallels between the nature of performance art and comedic performance in order to elevate analysis of, and discussion around, contemporary comedy. In doing so, it is an important critical contribution to the field of performance studies and cultural criticism, as well as communication studies, at both the undergraduate and postgraduate level.
Author: Kathy A. Perkins
Publisher: Routledge
ISBN: 1351751433
Category : Drama
Languages : en
Pages : 566
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Book Description
The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
