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Author: Jerry L. Thompson
Publisher: Thames & Hudson
ISBN: 9780500542101
Category : Biography & Autobiography
Languages : en
Pages : 127
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Book Description
Describes the last four years of the influential photographer's life, and shows examples of his work
Author: Jerry L. Thompson
Publisher: Thames & Hudson
ISBN: 9780500542101
Category : Biography & Autobiography
Languages : en
Pages : 127
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Book Description
Describes the last four years of the influential photographer's life, and shows examples of his work
Author: Svetlana Alpers
Publisher: Princeton University Press
ISBN: 0691222614
Category : Art
Languages : en
Pages : 416
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Book Description
A magisterial study of celebrated photographer Walker Evans Walker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle. Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style. A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time.
Author: Walker Evans
Publisher:
ISBN: 9780870702686
Category : Photography
Languages : en
Pages : 208
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Book Description
The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions presented here, two large divisions have been made. The photographs are arranged to be seen in their given sequence. In the first part, which might be labeled "People by Photography," we have an aspect of America for which it would be difficult to claim too much. The physiognomy of a nation is laid on your table. In the second part are pictures which refer to the continuous fact of an indigenous American expression, whatever its source, whatever form it has taken, whether in sculpture, paint, or architecture: that native accent we find again in Kentucky mountain and cowboy ballads and in contemporary swing-music. --from the jacket of the 1938 edition~More than any other artist, Walker Evans invented the image of essential America that we have long since accepted as fact. His work, presented in stark and prototypical form in American Photographs, has made its impact not only on photography but also on modern literature, film, and the traditional visual arts. First published in 1938 by The Museum of Modern Art, American Photographs has often been out of print. This edition uses duotone plates made for the 1988 edition from original prints, and makes Evans' landmark book available again. The design and typography have been recreated as precisely as possible.
Author: John T. Hill
Publisher: National Geographic Books
ISBN: 3791382233
Category : Photography
Languages : en
Pages : 0
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Book Description
This resplendent volume is the most comprehensive study of Walker Evans’s work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether it’s his iconic contributions to James Agee’s depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evans’s accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evans’s remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evans’s longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evans’s work. In addition to offering a broad perspective on Evans’s work, the book also clarifies the photographer’s "anti-art" philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evans’s uniquely hungry eye.
Author: Walker Evans
Publisher: Yale University Press
ISBN: 9780300106176
Category : Photography
Languages : en
Pages : 220
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Book Description
Between 1936 and 1941 Walker Evans and James Agee collaborated on one of the most provocative books in American literature, Let Us Now Praise Famous Men (1941). While at work on this book, the two also conceived another less well-known but equally important book project entitled Many Are Called. This three-year photographic study of subway passengers made with a hidden camera was first published in 1966, with an introduction written by Agee in 1940. Long out of print, Many Are Called is now being reissued with a new foreword and afterword and with exquisitely reproduced images from newly prepared digital scans. Many Are Called came to fruition at a slow pace. In 1938, Walker Evans began surreptitiously photographing people on the New York City subway. With his camera hidden in his coat—the lens peeking through a buttonhole—he captured the faces of riders hurtling through the dark tunnels, wrapped in their own private thoughts. By 1940-41, Evans had made over six hundred photographs and had begun to edit the series. The book remained unpublished until 1966 when The Museum of Modern Art mounted an exhibition of Evans’s subway portraits. This beautiful new edition—published in the centenary year of the NYC subway—is an essential book for all admirers of Evans’s unparalleled photographs, Agee’s elegant prose, and the great City of New York.
Author: James Agee
Publisher: Melville House
ISBN: 1612192130
Category : History
Languages : en
Pages : 223
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Book Description
A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”
Author: Museum of Modern Art (New York, N.Y.)
Publisher: Bulfinch Press
ISBN: 9780821226230
Category : Photography
Languages : en
Pages : 216
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Book Description
Features new duotone reproductions of one hundred landmark photographs from the collection of The Museum of Modern Art that chronicle the historical evolution of the photographic arts in works by Adams, Weston, Stieglitz, Steichen, and other notable photographers. Reprint. 10,000 first printing.
Author: Jeff Rosenheim
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 416
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Book Description
Sketchbook volume one of a two volume set documents the best of the optical illusions discovered and sketched in our CAD system. It is also attempts to define common visual attributes and categorize optical illusions by those features. The goal is give the reader new tools to help them better identify and classify optical illusions. These illusions are used by engineers, academics and artists to graphically depict their ideas and the world around them on flat surfaces.
Author: Walker Evans
Publisher: Scalo Publishers
ISBN:
Category : Photography
Languages : en
Pages : 256
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Book Description
From his earliest boyhood snapshots to the seldom-seen color Polaroids made in the year before his death, "Unclassified" is published on the occasion of Walker Evans' first retrospective exhibition in three decades. Selections were drawn from the Archive at The Metropolitan Museum of Art and will travel to the San Francisco Museum of Modern Art and the Houston Museum of fine Arts. 200 photos.
Author: David Campany
Publisher: Blackbirch Press, Incorporated
ISBN: 9781938922947
Category : Photography
Languages : en
Pages : 163
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Book Description
"Walker Evans (1903-1975) is one of the most important photographers of the twentieth century and has influenced contemporary art beyond his medium until today. In 1938 the Museum of Modern Art in New York dedicated its first ever solo photography exhibition to Evans's work, and he has shaped America's image of itself particularly through his photographs of the Great Depression. The publication Walker Evans: Labor Anonymous is the first in-depth investigation into a series of the same name, which Evans published in Fortune magazine in 1946. On a Saturday afternoon in Detroit, Evans positioned himself with his Rolleiflex camera on the sidewalk and photographed pedestrians, mostly laborers, in his characteristically clear and unadorned way - an aesthetic he described as the "documentary style". As in his earlier series, e.g. in the famous Subway Portraits from the New York underground, his subjects were often unaware they were being photographed, but some of the pedestrians also looked straight into the camera. Representing much more than a simple typology, this photographic series does not offer a preconceived image of humankind or class, but - as foreshadowed in its ambiguous title - encourages critical reflection on such concepts. This publication anchors the series in Evans's oeuvre and presents a selection of more than fifty photographs from the series along with contact sheets, drafts for an unpublished text, notes, and letters from the Walker Evans Archive at the Metropolitan Museum of Art, New York"--
