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Author: Deirdre O'Grady
Publisher: Routledge
ISBN: 0429774362
Category : History
Languages : en
Pages : 213
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Book Description
First published in 1991. At once poet, dramatist, adaptor and translator, the operatic librettist in turn expresses and mocks social convention. Deirdre O'Grady's study of the Italian operatic librettist identifies opera as a mirror of literary climates, popular taste and political aspirations. The Last Troubadours traces the history of the Italian libretto from its courtly origin in the 16th century, through the crisis of the aristocracy and the 19th-century struggle for national unity, to the birth of social realism. Fundamental elements of Italian opera - heroic valour, cunning servants, revolutionary ardour and romantic tenderness - are considered in their historical and cultural context. Also discussed are famous lyrical and musical collaborations - of Da Ponte and Mozart, Solera and Verdi, Romani and Bellini, and Boito and Verdi.
Author: Deirdre O'Grady
Publisher: Routledge
ISBN: 0429774362
Category : History
Languages : en
Pages : 213
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Book Description
First published in 1991. At once poet, dramatist, adaptor and translator, the operatic librettist in turn expresses and mocks social convention. Deirdre O'Grady's study of the Italian operatic librettist identifies opera as a mirror of literary climates, popular taste and political aspirations. The Last Troubadours traces the history of the Italian libretto from its courtly origin in the 16th century, through the crisis of the aristocracy and the 19th-century struggle for national unity, to the birth of social realism. Fundamental elements of Italian opera - heroic valour, cunning servants, revolutionary ardour and romantic tenderness - are considered in their historical and cultural context. Also discussed are famous lyrical and musical collaborations - of Da Ponte and Mozart, Solera and Verdi, Romani and Bellini, and Boito and Verdi.
Author: Deirdre O'Grady
Publisher: Taylor & Francis
ISBN: 9780415054591
Category : Librettists
Languages : da
Pages : 236
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Book Description
Om operaens rolle som udtryk for og i opposition med den gældende sociale konvention.
Author: O. O. Henry
Publisher:
ISBN: 9781521257371
Category :
Languages : en
Pages : 24
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Book Description
Sam Galloway was the Last of the Troubadours. Of course you know about the troubadours. The encyclop�dia says they flourished between the eleventh and the thirteenth centuries. What they flourished doesn't seem clear--you may be pretty sure it wasn't a sword: maybe it was a fiddlebow, or a forkful of spaghetti, or a lady's scarf. Anyhow, Sam Galloway was one of 'em.
Author: Samuel N. Rosenberg
Publisher: Routledge
ISBN: 1134819218
Category : Literary Criticism
Languages : en
Pages : 566
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Book Description
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Gregory B. Lee
Publisher: Duke University Press
ISBN: 9780822316718
Category : History
Languages : en
Pages : 300
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Book Description
Whether examining the globalized consumption of satellite-broadcast pop music or the heroic efforts of little-known poets on the margins of the Chinese diaspora, he finds a questioning and contesting of both the Orientalist construction of a mythic monolithic China invented by the West and the Chinese obsession with ideas of authenticity and purity of nationhood.
Author: Bruce Horovitz
Publisher: University Press of Florida
ISBN: 0813063493
Category : Biography & Autobiography
Languages : en
Pages : 212
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Book Description
Florida Book Awards, Bronze Medal for Florida Nonfiction Florida Historical Society Charlton Tebeau Award Beloved raconteur, environmentalist, and down-home philosopher, Gamble Rogers (1937–1991) ushered in a renaissance of folk music to a place and time that desperately needed it. In this book, Bruce Horovitz tells the story of how Rogers infused Florida's rapidly commercializing landscape with a refreshing dose of homegrown authenticity and how his distinctive music and personality touched the nation. As a college student, motivated by personal advice from William Faulkner to stay true to himself, Rogers broke away from his family's prestigious architecture business. Rogers was a skilled guitar player and storyteller who soon began performing extensively on the national folk music circuit alongside Pete Seeger, Doc Watson, and Jimmy Buffett. He discovered a special knack for public radio, appearing frequently as a guest commentator on NPR’s All Things Considered. Rogers was known across the country for his intricate fingerpicking guitar style and rapid-fire stage act. Audiences welcomed his humorous homespun tales set in the fictitious Oklawaha County, which was based on places from his own upbringing and populated by a cast of unforgettable characters. His stories evoked rural life in Florida, celebrated the state's natural resources, and called attention to life's many small ironies. As Florida was experiencing colossal growth embodied by the new Kennedy Space Center and Disney World, Rogers's folksy style cheered and reassured listeners in the state who worried that their traditional livelihoods and locales were disappearing. Horovitz shows that even beyond his genius as a performing artist, Rogers was loved for his compassion, integrity, connection with people, and courage. Rogers displayed these widely admired traits for the last time when—on a camping trip to the beach—he tried to save a drowning stranger despite back problems that made it almost impossible for him to swim. This heroic effort led to his untimely death. The life of Gamble Rogers is a window into an important creative subculture that continues to flourish today as contemporary folk artists take on roles similar to the one Rogers established for himself. A modern-day troubadour, Rogers delighted in entertaining audiences with what was familiar and real—by championing the ordinary people of his home community who were closest to his heart.
Author: F. R. P. Akehurst
Publisher: Univ of California Press
ISBN: 0520913000
Category : Literary Criticism
Languages : en
Pages : 515
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Book Description
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning
Author: Sarah Kay
Publisher: Cambridge University Press
ISBN: 0521372380
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
The songs of the troubadour poets of the south of France were a pervasive influence in the development of the European lyric (and indeed other genres) from the twelfth century to the Renaissance and beyond. Much troubadour poetry is on the topic of love, and is composed from a first-person position. This book is a full-length study of this first-person subject position in its relation to language and society. Using theoretical approaches where appropriate, Sarah Kay discusses to what extent this first person is a 'self' or 'character', and how far it is self-determining. Dr Kay draws on a wide range of troubadour texts, and provides close readings of many of them, as well as translating all medieval quotations into English in order to make the discussion accessible to the non-specialist. Her book will be of interest both to scholars of medieval literature, and to anybody investigating subjectivity in lyric poetry.
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811212236
Category : Biography & Autobiography
Languages : en
Pages : 174
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Book Description
Rummaging through his papers in 1958, Ezra Pound came across a cache of notebooks dating back to the summer of 1912, when as a young man he had walked the troubadour landscape of southern France. Pound had been fascinated with the poetry of medieval Provence since his college days. His experiments with the complex lyric forms of Arnaut Daniel, Bertran de Born, and others were included in his earliest books of poems; his scholarly pursuits in the field found their way into The Spirit of Romance (1910); and the troubadour mystique was to become a resonant motif of the Cantos. In the course of transcribing and emending the text of "Walking Tour 1912", editor Richard Sieburth retraced Pound's footsteps along the roads to the troubadour castles. "What this peripatetic editing process...revealed", he writes, "was a remarkably readable account of a journey in search of the vanished voices of Provence that at the same time chronicled Pound's gradual discovery of himself as a modernist poet...".
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 1316582620
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
