Author: Sam Keery
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 204
Book Description
The Last Romantic Out of Belfast
Author: Sam Keery
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 204
Book Description
The Last Love Song
Author: Tracy Daugherty
Publisher: Macmillan
ISBN: 1250010020
Category : Biography & Autobiography
Languages : en
Pages : 753
Book Description
Biography of the American novelist, Joan Didion (1934).
Publisher: Macmillan
ISBN: 1250010020
Category : Biography & Autobiography
Languages : en
Pages : 753
Book Description
Biography of the American novelist, Joan Didion (1934).
The Last Romantic
Author: Maurice Willson Disher
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 312
Book Description
This biography presents a portrait of the "last romantic" and one of the last of the great English actor-managers. A chance visit to a London theatre while he was apprenticed in his father's shipwright business persuaded Harvey to train as an actor. He joined Irving's Lyceum Theatre in 1882 and stayed for fourteen years. After a period as a freelance actor, he ventured into management in February 1899 with The Only Way, an adaptation of Dickens's A Tale of Two Cities that proved a phenomenal success, registering over 5000 performances over forty years and guaranteeing Harvey's financial security. During his career he managed the Lyceum, the Prince of Wales's, the Court, the Royalty, and the Apollo theaters, and Covent Garden. Although costumed romance and melodrama were the bedrock of Harvey's repertoire, one of his finest performances was in 1912 as the protagonist in Max Reinhardt's London production of Oedipus Rex, and he frequently produced Shakespeare, including Hamlet (1904), Richard III (1910), and The Taming of the Shrew (1913). An early supporter of a scheme for establishment of a national theatre, he was knighted in 1921.
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 312
Book Description
This biography presents a portrait of the "last romantic" and one of the last of the great English actor-managers. A chance visit to a London theatre while he was apprenticed in his father's shipwright business persuaded Harvey to train as an actor. He joined Irving's Lyceum Theatre in 1882 and stayed for fourteen years. After a period as a freelance actor, he ventured into management in February 1899 with The Only Way, an adaptation of Dickens's A Tale of Two Cities that proved a phenomenal success, registering over 5000 performances over forty years and guaranteeing Harvey's financial security. During his career he managed the Lyceum, the Prince of Wales's, the Court, the Royalty, and the Apollo theaters, and Covent Garden. Although costumed romance and melodrama were the bedrock of Harvey's repertoire, one of his finest performances was in 1912 as the protagonist in Max Reinhardt's London production of Oedipus Rex, and he frequently produced Shakespeare, including Hamlet (1904), Richard III (1910), and The Taming of the Shrew (1913). An early supporter of a scheme for establishment of a national theatre, he was knighted in 1921.
The Oxford Handbook of Modern Irish Fiction
Author: Liam Harte
Publisher: Oxford University Press
ISBN: 0191071056
Category : Literary Criticism
Languages : en
Pages : 719
Book Description
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.
Publisher: Oxford University Press
ISBN: 0191071056
Category : Literary Criticism
Languages : en
Pages : 719
Book Description
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.
The Last Bohemian
Author: Lance Pettitt
Publisher: Syracuse University Press
ISBN: 0815655304
Category : Performing Arts
Languages : en
Pages : 360
Book Description
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
Publisher: Syracuse University Press
ISBN: 0815655304
Category : Performing Arts
Languages : en
Pages : 360
Book Description
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
The Living Stream
Author: Edna Longley
Publisher:
ISBN:
Category : History
Languages : en
Pages : 308
Book Description
Edna Longley's essays investigate the links between Irish literature, culture and politics. By questioning the fixed purposes of both nationalism and unionism, literature has helped to make living streams flow in Ireland. Edna Longley shows in particular where recent Northern Irish writing fits into this process of change.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 308
Book Description
Edna Longley's essays investigate the links between Irish literature, culture and politics. By questioning the fixed purposes of both nationalism and unionism, literature has helped to make living streams flow in Ireland. Edna Longley shows in particular where recent Northern Irish writing fits into this process of change.
The Bibliography of Regional Fiction in Britain and Ireland, 1800–2000
Author: Keith D. M. Snell
Publisher: Routledge
ISBN: 1351894013
Category : Literary Criticism
Languages : en
Pages : 642
Book Description
Pioneering and interdisciplinary in nature, this bibliography constitutes a comprehensive list of regional fiction for every county of Ireland, Scotland, Wales and England over the past two centuries. In addition, other regions of a usually topographical or urban nature have been used, such as Birmingham and the Black Country; London; The Fens; the Brecklands; the Highlands; the Hebrides; or the Welsh border. Each entry lists the author, title, and date of first publication. The geographical coverage is encompassing and complete, from the Channel Islands to the Shetlands. An original introduction discusses such matters as definition, bibliographical method, popular readerships, trends in output, and the scholarly literature on regional fiction.
Publisher: Routledge
ISBN: 1351894013
Category : Literary Criticism
Languages : en
Pages : 642
Book Description
Pioneering and interdisciplinary in nature, this bibliography constitutes a comprehensive list of regional fiction for every county of Ireland, Scotland, Wales and England over the past two centuries. In addition, other regions of a usually topographical or urban nature have been used, such as Birmingham and the Black Country; London; The Fens; the Brecklands; the Highlands; the Hebrides; or the Welsh border. Each entry lists the author, title, and date of first publication. The geographical coverage is encompassing and complete, from the Channel Islands to the Shetlands. An original introduction discusses such matters as definition, bibliographical method, popular readerships, trends in output, and the scholarly literature on regional fiction.
Fortnight
Author:
Publisher:
ISBN:
Category : Northern Ireland
Languages : en
Pages : 498
Book Description
Publisher:
ISBN:
Category : Northern Ireland
Languages : en
Pages : 498
Book Description
Irish Writing in the Twentieth Century
Author: David Pierce
Publisher: Cork University Press
ISBN: 9781859182581
Category : History
Languages : en
Pages : 1398
Book Description
"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.
Publisher: Cork University Press
ISBN: 9781859182581
Category : History
Languages : en
Pages : 1398
Book Description
"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.
The Ghosts of Belfast
Author: Stuart Neville
Publisher: Soho Press
ISBN: 156947706X
Category : Fiction
Languages : en
Pages : 305
Book Description
A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.
Publisher: Soho Press
ISBN: 156947706X
Category : Fiction
Languages : en
Pages : 305
Book Description
A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.