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Author: Anthony Delstretto
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
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Book Description
THIS OMNIBUS EDITION INCLUDES THE ENTIRE ACCLAIMED TRILOGY BOOK 1: GOD'S TEETH Love, jealousy, murder, vendetta -- All in the time of cholera. Then the brigands attack! Carlo Como goes out fishing one dawn in 1882 on the wide river near his Italian village of Castrubello. But this morning Carlo hauls in a very different catch, one that will allow him to marry his love, Tonia. But Carlo's unlikely discovery unleashes a chain of fateful events that will define himself and his family for decades to come. Tonia's brother Ettore is determined to advance on his own merits and travels south to carve The King's Road through the mountains of Campania. Ettore soon finds himself fighting an impossible deadline and cut-throat brigands who swears to violently halt the brazen intruder threatening his mountain lair. BOOK 2: FATE'S RESTLESS FEET They expected a quick and glorious colonial conquest. A brutal fight to the finish in cactus labyrinth awaited. In 1911, brothers Gianni and Renzo Como land in Tripoli as Italy declares war on the Ottoman Empire. Renzo risks everything to protect his brother during a treacherous battle fraught with confusion, courage, and cruelty. Despite dire warnings, Angelina Scrivatti undertakes the perilous journey to America to claim a promise of marriage. She discovers the man she loves in the grip of alcoholic despair. They become swept up in a storm of ethnic violence one dark Christmas Eve--with a final chance for personal redemption. BOOK 3: DEATH TO THE WOLF Cruel winter descends on the Kingdom of Italy. The family, divided, faces extinction. Ettore Vacci celebrates his 80th birthday as Italy embraces its disastrous alliance with Nazi Germany. With the Italian 8th Army near Stalingrad, Donato Como's unit faces a massive Soviet offensive and killing temperatures in a battle for survival on Russia's frozen steppes. In Castrubello, Regina Vacci defies the Fascists' persecution of Jews. Ettore Vacci, shocked to see his nephew Pietro Como rise to power within Mussolini's regime, finds he must act, for justice, for Castrubello, for "onore". ✓
Author: Anthony Delstretto
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
Get Book Here
Book Description
THIS OMNIBUS EDITION INCLUDES THE ENTIRE ACCLAIMED TRILOGY BOOK 1: GOD'S TEETH Love, jealousy, murder, vendetta -- All in the time of cholera. Then the brigands attack! Carlo Como goes out fishing one dawn in 1882 on the wide river near his Italian village of Castrubello. But this morning Carlo hauls in a very different catch, one that will allow him to marry his love, Tonia. But Carlo's unlikely discovery unleashes a chain of fateful events that will define himself and his family for decades to come. Tonia's brother Ettore is determined to advance on his own merits and travels south to carve The King's Road through the mountains of Campania. Ettore soon finds himself fighting an impossible deadline and cut-throat brigands who swears to violently halt the brazen intruder threatening his mountain lair. BOOK 2: FATE'S RESTLESS FEET They expected a quick and glorious colonial conquest. A brutal fight to the finish in cactus labyrinth awaited. In 1911, brothers Gianni and Renzo Como land in Tripoli as Italy declares war on the Ottoman Empire. Renzo risks everything to protect his brother during a treacherous battle fraught with confusion, courage, and cruelty. Despite dire warnings, Angelina Scrivatti undertakes the perilous journey to America to claim a promise of marriage. She discovers the man she loves in the grip of alcoholic despair. They become swept up in a storm of ethnic violence one dark Christmas Eve--with a final chance for personal redemption. BOOK 3: DEATH TO THE WOLF Cruel winter descends on the Kingdom of Italy. The family, divided, faces extinction. Ettore Vacci celebrates his 80th birthday as Italy embraces its disastrous alliance with Nazi Germany. With the Italian 8th Army near Stalingrad, Donato Como's unit faces a massive Soviet offensive and killing temperatures in a battle for survival on Russia's frozen steppes. In Castrubello, Regina Vacci defies the Fascists' persecution of Jews. Ettore Vacci, shocked to see his nephew Pietro Como rise to power within Mussolini's regime, finds he must act, for justice, for Castrubello, for "onore". ✓
Author: Elena Ferrante
Publisher: Europa Editions
ISBN: 1609452232
Category : Fiction
Languages : en
Pages : 420
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Book Description
Part of the bestselling saga about childhood friends following different paths by “one of the great novelists of our time” (The New York Times). In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal). “One of modern fiction’s richest portraits of a friendship.” —NPR
Author: Elena Ferrante
Publisher: Text Publishing
ISBN: 1922253278
Category : Fiction
Languages : en
Pages : 473
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Book Description
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
Author: Gaia Amman
Publisher:
ISBN: 9780996805100
Category :
Languages : en
Pages : 382
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Book Description
*A humorous coming of age tale of friendship, sisterhood, and family drama set against the gorgeous backdrop of northern Italy* Recommended for fans of Jandy Nelson, John Green, Neil Gaiman and Sherman Alexie. Italy, the late 80s. Leda is a bookish ten-year-old tomboy. Her life turns upside down when shady Nico moves to the North from Sicily. Determined not to let the bully ruin her life, Leda is dragged through a tornado of adventures that will transform both kids in the face of first crushes, weird adults, and family drama. This humorous and insightful coming of age tale will show you the Italy you never imagined, an exhilarating mix of sensuality, religion and superstition set against the gorgeous backdrop of the serene countryside, the Alps, and the enchanting Island of Sardinia. Recommended for ages 13 and above. Some swearwords, mostly in Italian. The book is the first in a series following the same characters throughout their life. *Praise for An Italian Adventure* "Insightful and funny, I loved it!" --Paul Schwartzmeyer, author of the Traitor Patriot series "Touching and skillful, a masterful execution." --Neil Daniel, author of the Obeahman's Dagger "I could not stop reading and can't wait for more!"-- Amy Joslyn, librarian and children's literacy advocate
Author:
Publisher:
ISBN: 0520280644
Category :
Languages : en
Pages : 294
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Book Description
Author: Vincent B. "Chip" LoCoco
Publisher:
ISBN: 9780972882446
Category : Opera
Languages : en
Pages : 284
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Book Description
A Young boy tries to save his Sicilian village from a family's long reign.
Author: Mark Sullivan
Publisher: Lake Union Publishing
ISBN: 9781503902374
Category : Germany
Languages : en
Pages : 0
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Book Description
A teenage boy in 1940s Italy becomes part of an underground railroad that helps Jews escape through the Alps, but when he is recruited to be the personal driver for a powerful Third Reich commander, he begins to spy for the Allies.
Author: Wally Lamb
Publisher: Cambridge University Press
ISBN: 9780060391621
Category : Fiction
Languages : en
Pages : 884
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Book Description
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
Author: Fred L. Gardaphé
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
In the first major critical reading of Italian American narrative literature in two decades, Fred L. Gardaphé presents an interpretive overview of Italian American literary history. Examining works from the turn of the twentieth century to the present, he develops a new perspective--variously historical, philosophical, and cultural--by which American writers of Italian descent can be read, increasing the discursive power of an ethnic literature that has received too little serious critical attention. Gardaphé draws on Vico's concept of history, as well as the work of Gramsci, to establish a culture-specific approach to reading Italian American literature. He begins his historical reading with narratives informed by oral traditions, primarily autobiography and autobiographical fiction written by immigrants. From these earliest social-realist narratives, Gardaphé traces the evolution of this literature through tales of "the godfather" and the mafia; the "reinvention of ethnicity" in works by Helen Barolini, Tina DeRosa, and Carole Maso; the move beyond ethnicity in fiction by Don DeLillo and Gilbert Sorrentino; to the short fiction of Mary Caponegro, which points to a new direction in Italian American writing. The result is both an ethnography of Italian American narrative and a model for reading the signs that mark the "self-fashioning" inherent in literary and cultural production. Italian Signs, American Streets promises to become a landmark in the understanding of literature and culture produced by Italian Americans. It will be of interest not only to students, critics, and scholars of this ethnic experience, but also to those concerned with American literature in general and the place of immigrant and ethnic literatures within that wide framework.
Author: Gino Moliterno
Publisher: Rowman & Littlefield
ISBN: 153811948X
Category : Performing Arts
Languages : en
Pages : 751
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Book Description
Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only continued to grow in the following years as Italian films were feted worldwide. Ironically, they were celebrated nowhere more than in the United States, where Italian films consistently garnered the lion's share of the Oscars, with Lina Wertmüller becoming the first woman to ever be nominated for the Best Director award. This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. This book is an excellent resource for students, researchers, and anyone wanting to know more about Italian Cinema.
