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Author: Maria Pavesi
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034316460
Category : Audio-visual translation
Languages : en
Pages : 0
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Book Description
The volume focuses on the languages of Anglophone films and television series and their dubbing into Italian. The chapters cover a rich range of topics including syntactic, lexical and sociolinguistic features of audiovisual dialogue, cross-linguistic contrasts, and the translation of culture specific references and multilingualism on screen.
Author: Maria Pavesi
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783034316460
Category : Audio-visual translation
Languages : en
Pages : 0
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Book Description
The volume focuses on the languages of Anglophone films and television series and their dubbing into Italian. The chapters cover a rich range of topics including syntactic, lexical and sociolinguistic features of audiovisual dialogue, cross-linguistic contrasts, and the translation of culture specific references and multilingualism on screen.
Author: Frederic Chaume
Publisher: Routledge
ISBN: 9781905763917
Category : Language Arts & Disciplines
Languages : en
Pages : 208
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Book Description
Audiovisual Translation: Dubbing is an introductory textbook that provides a solid overview of the world of dubbing and is fundamentally interactive in approach. A companion to Audiovisual Translation: Subtitling, it follows a similar structure and is accompanied by a DVD. Based on first-hand experience in the field, the book combines translation practice with other related tasks – usually commissioned to dialogue writers and dubbing assistants – thus offering a complete introduction to the field of dubbing. It develops diversified skills, presents a broad picture of the industry, engages with the various controversies in the field, and challenges prevailing stereotypes. The individual chapters cover the map of dubbing in the world, the dubbing market and professional environment, text segmentation into takes or loops, lip-syncing, the challenge of emulating oral discourse, the semiotic nature of audiovisual texts, and specific audiovisual translation issues. The book further raises a number of research questions and looks at some of the unresolved challenges of this very specific form of translation. It includes graded exercises covering core skills that can be practised in class or at home, individually or collectively. The accompanying DVD contains sample film material in Dutch, English, French, Italian and Spanish, as well as a range of useful material related to professional practice.
Author: Vincenza Minutella
Publisher: Springer Nature
ISBN: 3030566382
Category : Language Arts & Disciplines
Languages : en
Pages : 424
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Book Description
This book describes the dubbing process of English-language animated films produced by US companies in the 21st century, exploring how linguistic variation and multilingualism are used to create characters and identities and examining how Italian dubbing professionals deal with this linguistic characterisation. The analysis carried out relies on a diverse range of research tools: text analysis, corpus study and personal communications with dubbing practitioners. The book describes the dubbing workflow and dubbing strategies in Italy and seeks to identify recurrent patterns and therefore norms, as well as stereotypes or creativity in the way multilingualism and linguistic variation are tackled. It will be of interest to students and scholars of translation, linguistic variation, film and media.
Author: Pietro Luigi Iaia
Publisher: Cambridge Scholars Publishing
ISBN: 1443881988
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
This book provides a theoretical and practical framework for researchers and practitioners who focus on the construction, interpretation and retextualisation of audiovisual texts. It defines translation as a communicative and interpretative process, with translators seen as cross-cultural mediators who make the denotative-semantic and connotative-pragmatic dimensions of source scripts accessible to target receivers, prompting equivalent perlocutionary effects, while still respecting the original illocutionary force. While existing research on audiovisual translation generally adopts a product-based perspective, examining the lexico-semantic and syntactic features of source and target versions, this book proposes an “Interactive Model”, in order to explore what happens in the translators’ minds, as well as the influence of the interaction between the linguistic and extralinguistic dimensions in the construction and interpretation of audiovisual texts. The application of this Model to the analysis of a corpus of humorous films, TV series and video games foregrounds the integration between the analysis of the source-text features and the knowledge of the target linguacultural backgrounds in the creation of pragmalingustic equivalent scripts. At the same time, this book also provides valuable insights into the audience’s reception of these translations, by submitting close-ended and open-ended questionnaires to subjects representing empirical receivers, thus helping to evaluate the degree of linguistic and functional equivalence of target versions.
Author: Carla Mereu Keating
Publisher: New Trends in Translation Studies
ISBN: 9783034318389
Category : Dubbing of motion pictures
Languages : en
Pages : 0
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Book Description
Why are foreign-language films shown in Italy dubbed into Italian, rather subtitled? This book traces the origins of audiovisual translation practices in Italy to the 1920s and 1930s, exploring the fascist government's political interest in dubbing and its relationship to film censorship.
Author: Irene Ranzato
Publisher: John Benjamins Publishing Company
ISBN: 9027262276
Category : Language Arts & Disciplines
Languages : en
Pages : 295
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Book Description
Despite a long tradition of scholarship and the vast amount of dubbed audiovisual products available on the global market, dubbing is still relatively underrepresented in audiovisual research. The aim of this volume is to give dubbing research its due by showing that, far from being a doomed or somewhat declining form of AVT, it is being exploited globally in the most diverse and fruitful ways. The contributions to this collection take up the diverse strands that make up the field, to offer a multi-faceted assessment of dubbing on the move, embracing its important historical past as well as present and future developments, thus proving that dubbing has really come a long way and has not been less ready than other AVT modes to respond to the mood of the times. The volume will be of interest for scholars and students of translation studies, audiovisual translation, linguistics, film, television and game studies.
Author: Giselle Spiteri Miggiani
Publisher: Springer
ISBN: 3030049663
Category : Language Arts & Disciplines
Languages : en
Pages : 282
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Book Description
This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also offers a ‘backstage’ perspective, from first-hand experience in recording sessions that enabled knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies.
Author: Jorge Díaz Cintas
Publisher: Springer
ISBN: 0230234585
Category : Education
Languages : en
Pages : 264
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Book Description
An introduction by leading experts in the field to the fascinating subject of translating audiovisual programmes for the television, the cinema, the Internet and the stage and the problems the differences between cultures can cause.
Author: Gilbert Chee Fun Fong
Publisher: Chinese University Press
ISBN: 9629963566
Category : Language Arts & Disciplines
Languages : en
Pages : 296
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Book Description
The history of subtitles in Europe / Jan Ivarsson -- Screen translation in mainland China / Qian Shaochang -- Subtitling in Japan / Karima Fumitoshi -- The history of subtitling in Korea / Lee Young Koo -- The two worlds of subtitling : the case of vulgarisms and sexually-oriented language / Gilbert C.F. Fong -- A functional gap between dubbing and subtitling / He Yuanjian -- Subtitling as a multi-modal translation / Chuang Ying-ting -- Let the words do the talking : the nature and art of subtitling / Gilbert C.F. Fong -- A critical evaluation of a Chinese subtitled version of Hitchcock's Spellbound / Chapman Chen -- I translate, you adapt, they dub / Sergio Patou-Patucchi -- The translation of film dialogues for dubbing / Zhang Chunbai -- Loss of meaning in dubbing / Lu Danjun -- Dubbing and subtitling : art or craft? / Rupert Chan -- Translation imperative : synchronise discipline and technique / Janet Tauro -- Translating understanding and non-understanding through subtitling : a case study of a Finnish subtitled translation of Comme des Rois / Kari Jokelainen -- Translating subtitles for the Hong Kong audience : limitations and difficulties / Shu Kei -- Surtitling for Xiqu (Chinese opera) in the theatre / Jessica W.Y. Yeung -- The pedagogy of subtitling / Corinne Imhauser.
Author: Veronica Bonsignori
Publisher: Cambridge Scholars Publishing
ISBN: 1443863688
Category : Language Arts & Disciplines
Languages : en
Pages : 245
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Book Description
This book is a thorough quantitative and qualitative study of a typical phenomenon pertaining to the English spoken language; namely question tags (QTs) and invariant tags. More specifically, English tags are analysed on the syntactic, pragmatic and prosodic level, taking into account cross-varietal differences as well as both visual and auditory dimensions, in order to get a more precise interpretation of their communicative functions. This is made possible by examining film language, since films, being complex semiotic “texts”, provide a more complete set of parameters for analysis, especially in the case of QTs, where intonation is crucial for their interpretation. The study of their function is based not only on their formal properties, but is integrated with the use of spectrograms, which makes it possible to actually “visualise” the prosody of tags and to back up the results with material evidence. Moreover, tags are also examined from a translational perspective, with analysis focusing on the transposition of tags in Italian dubbing, a specific type of audiovisual translation, for two main reasons: firstly, to check how and to what extent tags are rendered in Italian, a language which does not have so structured a set of equivalent expressions, and secondly, to see how much space they are granted in a typically “constrained” translation like dubbing, which is severely influenced by the visual dimension. After this, the use of the various translating options in Italian dubbing is studied in Italian original film language and compared with spontaneous conversation in both languages, by analysing data in corpora of spontaneous speech both in English and Italian to ascertain whether the use of tags and their Italian counterparts in film language is natural or artificial. The present work is the first to study the syntactic and prosodic properties of English tags from an integrated pragmatic and translational perspective. The study also qualifies as contrastive in that the use of these conversational routines is analysed in two different languages (English and Italian), as well as in different genres and varieties, including film language, dubbese and spontaneous speech.
