The Kinora PDF Download
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Author: Barry Anthony
Publisher: The Projection Box
ISBN: 9780952394167
Category : Cinematography
Languages : en
Pages : 50
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Book Description
A history of the system, and a newly-compiled illustrated catalogue of Kinora reels.
Author: Barry Anthony
Publisher: The Projection Box
ISBN: 9780952394167
Category : Cinematography
Languages : en
Pages : 50
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Book Description
A history of the system, and a newly-compiled illustrated catalogue of Kinora reels.
Author: Tim van der Heijden
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110799766
Category : History
Languages : en
Pages : 222
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Book Description
In recent years, there has been a growing interest in the use of experimental approaches to the study of media histories and their cultures. Doing media archaeological experiments, such as historical re-enactments and hands-on simulations with media historical objects, helps us to explore and better understand the workings of past media technologies and their practices of use. By systematically refl ecting on the methodological underpinnings of experimental media archaeology as a relatively new approach in media historical research and teaching, this book aims to serve as a practical handbook for doing media archaeological experiments. Doing Experimental Media Archaeology: Practice is the twin volume to Doing Experimental Media Archaeology: Theory, authored by Andreas Fickers and Annie van den Oever.
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Category : Theater
Languages : en
Pages : 518
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Book Description
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Languages : en
Pages : 702
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Languages : en
Pages : 814
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Category : Great Britain
Languages : en
Pages : 538
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Languages : en
Pages : 542
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Book Description
Author: Richard Abel
Publisher: Taylor & Francis
ISBN: 0415234409
Category : Performing Arts
Languages : en
Pages : 824
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Book Description
One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.
Author: Deac Rossell
Publisher: Indiana University Press
ISBN: 0861969642
Category : Performing Arts
Languages : en
Pages : 548
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Book Description
Written from an international perspective, this account of the origins of the cinema begins in 1833 with the introduction of optical toys for reproducing movement and ends with a thorough examination of the first full year of projected moving pictures in 1896. Comprehensive and verifiable, with citations that support each individual entry, the book examines the events that culminated in the establishment of the moving picture world that was the dominant visual medium of the last century. Drawing on a range of international sources, this chronology is a readable, vivid account that corrects many longstanding errors in the story of moving pictures while at the same time recording the astounding diversity of ideas, apparatus, personalities, and exhibitions that turned a passing novelty into a major industry. Populated by dreamers, inventors, scientists, and entrepreneurs with widely different skills, interests, and backgrounds, the many origins of the cinema are all recorded here in a rich tapestry that has been woven with attention to the detailed shape and placement of each individual thread. The result is a fully- indexed reference that reflects the state of modern scholarship and should be useful over the long term as both a reference to the period of early cinema and as a starting point for further research.
Author: Universitat de Barcelona
Publisher: Edicions Universitat Barcelona
ISBN: 8447537404
Category : Technology & Engineering
Languages : en
Pages : 92
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Book Description
La Col·lecció Josep M. Queraltó, una de les més importants d’Europa sobre la tècnica cinematogràfica, reuneix innombrables peces i enginys de tota mena, avui insospitats, que van fer possible l’origen i l’evolució del setè art. La seva història, el seu relat, és apassionant. Aquest catàleg –que publiquem amb motiu de la mostra «L’experiència màgica del cinema», celebrada a la Universitat de Barcelona–, submergeix el lector en l’univers fascinador del cinema i n’explica la història des de les primeres albors fins a l’aparició del cinematògraf dels germans Lumière, així com els seus vincles amb les ciències i l’art. Les ombres xineses, les llanternes, les kinores, les joguines òptiques i tants d’altres artefactes avui desconeguts són la materialització de l’anhel reeixit de la humanitat de captar i reproduir la realitat o, més aviat, l’experiència fugissera que en tenim. Els textos de Josep Maria Caparrós i Jordi S. Bonet contextualitzen i expliquen amb amenitat l’abast d’aquests objectes primigenis, que han evolucionat en paral·lel a la història d’una disciplina tan universal i estimada com ho és el cinema. Sens dubte una de les millors maneres d’endinsar-nos en la màgia dels orígens, que encara avui conservem. ; ; The Josep M. Queraltó Collection, one of the most important in Europe on the Technology of the cinema, includes countless pieces and all kinds of devices, now forgotten, that made the origins and the development of the Seventh Art possible. Its history, the story it tells, is exciting. This catalogue – published for the show “The Magical Experience of the Cinema”, held in the University of Barcelona – immerses readers in the fascinating world of the cinema and tells its story from the earliest days to the appearance of the Lumière brothers’ cinématographe, and its connections with the sciences and art. Chinese shadows, lanterns, Kinoras, optical toys and so many other artefacts, now unknown, are the materialization of mankind’s successful longing to capture and reproduce reality or, rather, the fleeting experience that we have of it. The texts by Josep Maria Caparrós and Jordi S. Bonet pleasantly contextualize and explain the scope of these rudimentary objects, which have developed parallel to the history of such a universal and well-loved discipline: the cinema. It is unquestionably one of the best ways to learn about the magic of the origins, which we still conserve today.
