Author: Jabbour Douaihy
Publisher: Interlink Books
ISBN: 9781623719074
Category : Fiction
Languages : en
Pages : 256
Book Description
The story of a Lebanese murder case set against the backdrop of sectarian animosity from an award-winning author The story of a Lebanese murder case set against the backdrop of sectarian animosity Shortlisted for the International Prize for Arabic Fiction In mysterious circumstances, the body of Zakaria Mubarak is found in an orchard on the outskirts of his village of Tel Safra in northern Lebanon. He had just returned from a long exile in Europe, the US, and Africa, carrying with him a painting by Marc Chagall, the “Blue Violinist,” a gift from his girlfriend in Paris. Suspicion falls on the cousins, who may have killed him to get their hands on a treasure supposedly buried underneath the house built by their grandmother when she returned from America. As investigator Abu Khalid wrestles with conflicting evidence surrounding Zakaria’s death, he is drawn into a picture of the victim’s life, one that recalls fables of gold, sibling strife, the love of French women, false promises of revolution, and the corruption and sectarian enmities that have plagued their homeland. A riveting meditation on the riddle of a crime, Paula Haydar’s eloquent translation pays fitting homage to a compassionate, guiding light of Lebanese fiction.
The King of India
Author: Jabbour Douaihy
Publisher: Interlink Books
ISBN: 9781623719074
Category : Fiction
Languages : en
Pages : 256
Book Description
The story of a Lebanese murder case set against the backdrop of sectarian animosity from an award-winning author The story of a Lebanese murder case set against the backdrop of sectarian animosity Shortlisted for the International Prize for Arabic Fiction In mysterious circumstances, the body of Zakaria Mubarak is found in an orchard on the outskirts of his village of Tel Safra in northern Lebanon. He had just returned from a long exile in Europe, the US, and Africa, carrying with him a painting by Marc Chagall, the “Blue Violinist,” a gift from his girlfriend in Paris. Suspicion falls on the cousins, who may have killed him to get their hands on a treasure supposedly buried underneath the house built by their grandmother when she returned from America. As investigator Abu Khalid wrestles with conflicting evidence surrounding Zakaria’s death, he is drawn into a picture of the victim’s life, one that recalls fables of gold, sibling strife, the love of French women, false promises of revolution, and the corruption and sectarian enmities that have plagued their homeland. A riveting meditation on the riddle of a crime, Paula Haydar’s eloquent translation pays fitting homage to a compassionate, guiding light of Lebanese fiction.
Publisher: Interlink Books
ISBN: 9781623719074
Category : Fiction
Languages : en
Pages : 256
Book Description
The story of a Lebanese murder case set against the backdrop of sectarian animosity from an award-winning author The story of a Lebanese murder case set against the backdrop of sectarian animosity Shortlisted for the International Prize for Arabic Fiction In mysterious circumstances, the body of Zakaria Mubarak is found in an orchard on the outskirts of his village of Tel Safra in northern Lebanon. He had just returned from a long exile in Europe, the US, and Africa, carrying with him a painting by Marc Chagall, the “Blue Violinist,” a gift from his girlfriend in Paris. Suspicion falls on the cousins, who may have killed him to get their hands on a treasure supposedly buried underneath the house built by their grandmother when she returned from America. As investigator Abu Khalid wrestles with conflicting evidence surrounding Zakaria’s death, he is drawn into a picture of the victim’s life, one that recalls fables of gold, sibling strife, the love of French women, false promises of revolution, and the corruption and sectarian enmities that have plagued their homeland. A riveting meditation on the riddle of a crime, Paula Haydar’s eloquent translation pays fitting homage to a compassionate, guiding light of Lebanese fiction.
Last King in India
Author: Rosie Llewellyn-Jones
Publisher: Oxford University Press
ISBN: 1849045356
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
The Last King in India is the story of an extraordinary man whose memory still divides opinion sharply today. Was he, as the British described him, a debauched ruler who spent his time with "fiddlers, eunuchs and women' instead of running the kingdom? Or, as most Indians believe, a gifted poet whose works are still quoted today, and who was robbed of his throne by the East India Company? Somewhere in between the two extremes lies a complex character: a man who married over 350 women, directed theatrical events lasting a month, and built a fairytale palace in Lucknow. Wajid Ali Shah was written out of the history books after his kingdom was annexed in 1856. Some even thought he had been killed during the mutiny the following year. But he lived on in Calcutta where he spent the last thirty years of his life trying to recreate his lost paradise. He remained a constant problem for the government of India, with his extravagance, his menagerie and his wives-in that order. For the first time his story is told here using original documents from Indian and British archives and meetings with his descendants.
Publisher: Oxford University Press
ISBN: 1849045356
Category : Biography & Autobiography
Languages : en
Pages : 356
Book Description
The Last King in India is the story of an extraordinary man whose memory still divides opinion sharply today. Was he, as the British described him, a debauched ruler who spent his time with "fiddlers, eunuchs and women' instead of running the kingdom? Or, as most Indians believe, a gifted poet whose works are still quoted today, and who was robbed of his throne by the East India Company? Somewhere in between the two extremes lies a complex character: a man who married over 350 women, directed theatrical events lasting a month, and built a fairytale palace in Lucknow. Wajid Ali Shah was written out of the history books after his kingdom was annexed in 1856. Some even thought he had been killed during the mutiny the following year. But he lived on in Calcutta where he spent the last thirty years of his life trying to recreate his lost paradise. He remained a constant problem for the government of India, with his extravagance, his menagerie and his wives-in that order. For the first time his story is told here using original documents from Indian and British archives and meetings with his descendants.
Shivaji
Author: James W. Laine
Publisher: Oxford University Press
ISBN: 0199726434
Category : Religion
Languages : en
Pages : 138
Book Description
Shivaji is a well-known hero in western India. He defied Mughal power in the seventeenth century, established an independent kingdom, and had himself crowned in an orthodox Hindu ceremony. The legends of his life have become an epic story that everyone in western India knows, and an important part of the Hindu nationalists' ideology. To read Shivaji's legend today is to find expression of deeply held convictions about what Hinduism means and how it is opposed to Islam. James Laine traces the origin and development if the Shivaji legend from the earliest sources to the contemporary accounts of the tale. His primary concern is to discover the meaning of Shivaji's life for those who have composed-and those who have read-the legendary accounts of his military victories, his daring escapes, his relationships with saints. In the process, he paints a new and more complex picture of Hindu-Muslim relations from the seventeenth century to the present. He argues that this relationship involved a variety of compromises and strategies, from conflict to accommodation to nuanced collaboration. Neither Muslims nor Hindus formed clearly defined communities, says Laine, and they did not relate to each other as opposed monolithic groups. Different sub-groups, representing a range of religious persuasions, found it in their advantage to accentuate or diminish the importance of Hindu and Muslim identity and the ideologies that supported the construction of such identities. By studying the evolution of the Shivaji legend, Laine demonstrates, we can trace the development of such constructions in both pre-British and post-colonial periods.
Publisher: Oxford University Press
ISBN: 0199726434
Category : Religion
Languages : en
Pages : 138
Book Description
Shivaji is a well-known hero in western India. He defied Mughal power in the seventeenth century, established an independent kingdom, and had himself crowned in an orthodox Hindu ceremony. The legends of his life have become an epic story that everyone in western India knows, and an important part of the Hindu nationalists' ideology. To read Shivaji's legend today is to find expression of deeply held convictions about what Hinduism means and how it is opposed to Islam. James Laine traces the origin and development if the Shivaji legend from the earliest sources to the contemporary accounts of the tale. His primary concern is to discover the meaning of Shivaji's life for those who have composed-and those who have read-the legendary accounts of his military victories, his daring escapes, his relationships with saints. In the process, he paints a new and more complex picture of Hindu-Muslim relations from the seventeenth century to the present. He argues that this relationship involved a variety of compromises and strategies, from conflict to accommodation to nuanced collaboration. Neither Muslims nor Hindus formed clearly defined communities, says Laine, and they did not relate to each other as opposed monolithic groups. Different sub-groups, representing a range of religious persuasions, found it in their advantage to accentuate or diminish the importance of Hindu and Muslim identity and the ideologies that supported the construction of such identities. By studying the evolution of the Shivaji legend, Laine demonstrates, we can trace the development of such constructions in both pre-British and post-colonial periods.
The Last King in India
Author: Rosie Llewellyn-Jones
Publisher: Random House India
ISBN: 8184006306
Category : Fiction
Languages : en
Pages : 397
Book Description
The thousands of mourners who lined Wajid Ali Shah’s funeral route on 21 September, 1887, with their loud wailing and shouted prayers, were not only marking the passing of the last king but also the passing of an intangible connection to old India, before the Europeans came. This is the story of a man whose memory continues to divide opinion today. Was Wajid Ali Shah, as the British believed, a debauched ruler who spent his time with fiddlers, eunuchs and fairies, when he should have been running his kingdom? Or, as a few Indians remember him, a talented poet whose songs are still sung today, and who was robbed of his throne by the English East India Company? Somewhere between these two extremes lies a gifted, but difficult, character; a man who married more women than there are days in the year; who directed theatrical extravaganzas that took over a month to perform, and who built a fairytale palace in Lucknow, which was inhabited for less than a decade. He remained a constant thorn in the side of the ruling British government with his extravagance, his menagerie and his wives. Even so, there was something rather heroic about a man who refused to bow to changing times, and who single-handedly endeavoured to preserve the etiquette and customs of the great Mughals well into the period of the British Raj. India’s last king Wajid Ali Shah was written out of the history books when Awadh was annexed by the Company in February 1856. After long years of painstaking research, noted historian Rosie Llewellyn-Jones revives his memory and returns him his rightful place as one of India’s last great rulers.
Publisher: Random House India
ISBN: 8184006306
Category : Fiction
Languages : en
Pages : 397
Book Description
The thousands of mourners who lined Wajid Ali Shah’s funeral route on 21 September, 1887, with their loud wailing and shouted prayers, were not only marking the passing of the last king but also the passing of an intangible connection to old India, before the Europeans came. This is the story of a man whose memory continues to divide opinion today. Was Wajid Ali Shah, as the British believed, a debauched ruler who spent his time with fiddlers, eunuchs and fairies, when he should have been running his kingdom? Or, as a few Indians remember him, a talented poet whose songs are still sung today, and who was robbed of his throne by the English East India Company? Somewhere between these two extremes lies a gifted, but difficult, character; a man who married more women than there are days in the year; who directed theatrical extravaganzas that took over a month to perform, and who built a fairytale palace in Lucknow, which was inhabited for less than a decade. He remained a constant thorn in the side of the ruling British government with his extravagance, his menagerie and his wives. Even so, there was something rather heroic about a man who refused to bow to changing times, and who single-handedly endeavoured to preserve the etiquette and customs of the great Mughals well into the period of the British Raj. India’s last king Wajid Ali Shah was written out of the history books when Awadh was annexed by the Company in February 1856. After long years of painstaking research, noted historian Rosie Llewellyn-Jones revives his memory and returns him his rightful place as one of India’s last great rulers.
Indian Captive, Indian King
Author: Timothy J. Shannon
Publisher: Harvard University Press
ISBN: 0674981227
Category : History
Languages : en
Pages : 357
Book Description
In 1758 Peter Williamson appeared on the streets of Aberdeen, Scotland, dressed as a Native American and telling a remarkable tale. He claimed that as a young boy he had been kidnapped from the city and sold into slavery in America. In performances and in a printed narrative he peddled to his audiences, Williamson described his tribulations as an indentured servant, Indian captive, soldier, and prisoner of war. Aberdeen’s magistrates called him a liar and banished him from the city, but Williamson defended his story. Separating fact from fiction, Timothy J. Shannon explains what Williamson’s tale says about how working people of eighteenth-century Britain, so often depicted as victims of empire, found ways to create lives and exploit opportunities within it. Exiled from Aberdeen, Williamson settled in Edinburgh, where he cultivated enduring celebrity as the self-proclaimed “king of the Indians.” His performances and publications capitalized on the curiosity the Seven Years’ War had ignited among the public for news and information about America and its native inhabitants. As a coffeehouse proprietor and printer, he gave audiences a plebeian perspective on Britain’s rise to imperial power in North America. Indian Captive, Indian King is a history of empire from the bottom up, showing how Williamson’s American odyssey illuminates the real-life experiences of everyday people on the margins of the British Empire and how those experiences, when repackaged in travel narratives and captivity tales, shaped popular perceptions about the empire’s racial and cultural geography.
Publisher: Harvard University Press
ISBN: 0674981227
Category : History
Languages : en
Pages : 357
Book Description
In 1758 Peter Williamson appeared on the streets of Aberdeen, Scotland, dressed as a Native American and telling a remarkable tale. He claimed that as a young boy he had been kidnapped from the city and sold into slavery in America. In performances and in a printed narrative he peddled to his audiences, Williamson described his tribulations as an indentured servant, Indian captive, soldier, and prisoner of war. Aberdeen’s magistrates called him a liar and banished him from the city, but Williamson defended his story. Separating fact from fiction, Timothy J. Shannon explains what Williamson’s tale says about how working people of eighteenth-century Britain, so often depicted as victims of empire, found ways to create lives and exploit opportunities within it. Exiled from Aberdeen, Williamson settled in Edinburgh, where he cultivated enduring celebrity as the self-proclaimed “king of the Indians.” His performances and publications capitalized on the curiosity the Seven Years’ War had ignited among the public for news and information about America and its native inhabitants. As a coffeehouse proprietor and printer, he gave audiences a plebeian perspective on Britain’s rise to imperial power in North America. Indian Captive, Indian King is a history of empire from the bottom up, showing how Williamson’s American odyssey illuminates the real-life experiences of everyday people on the margins of the British Empire and how those experiences, when repackaged in travel narratives and captivity tales, shaped popular perceptions about the empire’s racial and cultural geography.
The King's Warrior
Author: Jessica Gunderson
Publisher: Capstone
ISBN: 1479516406
Category : Juvenile Fiction
Languages : en
Pages : 65
Book Description
Tungar is a smart, but proud and vain boy. He dreams of being a general for the warrior king Asoka. Will the king want Tungar by his side? Or is he looking for a different sort of warrior?
Publisher: Capstone
ISBN: 1479516406
Category : Juvenile Fiction
Languages : en
Pages : 65
Book Description
Tungar is a smart, but proud and vain boy. He dreams of being a general for the warrior king Asoka. Will the king want Tungar by his side? Or is he looking for a different sort of warrior?
The King's Indian
Author: John Gardner
Publisher: Jonathan Cape
ISBN: 9780224011778
Category : Manners and customs
Languages : en
Pages : 285
Book Description
Publisher: Jonathan Cape
ISBN: 9780224011778
Category : Manners and customs
Languages : en
Pages : 285
Book Description
King of Bollywood
Author: Anupama Chopra
Publisher: Grand Central Publishing
ISBN: 0446508985
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Publisher: Grand Central Publishing
ISBN: 0446508985
Category : Performing Arts
Languages : en
Pages : 272
Book Description
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Printed in Beirut
Author: Jabbour Douaihy
Publisher: Simon and Schuster
ISBN: 1623710901
Category : Fiction
Languages : en
Pages : 224
Book Description
A DAZZLING MYSTERY SET IN THE WORLD OF LEBANON’S BOOK PUBLISHING INDUSTRY--Farid Abou Cha’r arrives in Beirut on a hot summer morning with his manuscript, looking for a publisher. He is turned down by all of them—“nobody reads anymore,” he is told. Instead, he accepts a job as a proofreader at the famous old print house “Karam Bros.,” allegedly established in 1908. Disappointed by the menial tasks of checking catalogs and ad copy, Farid secretly hopes that his book will eventually be published. His manuscript never leaves his side until one day it disappears and then reemerges, beautifully printed. Farid soon realizes that the expensive paper it’s printed on is the same that the company is using to manufacture fake twenty-euro bills, and that the person who printed the book is none other than his boss’s wife. Entangled in a police investigation and an illicit flirtation, Farid discovers that the Karam Bros. print house is not what it seems. Douaihy dizzies the reader with an intricate play of appearances and deception, and as always, portrays Lebanese society with exquisite irony.
Publisher: Simon and Schuster
ISBN: 1623710901
Category : Fiction
Languages : en
Pages : 224
Book Description
A DAZZLING MYSTERY SET IN THE WORLD OF LEBANON’S BOOK PUBLISHING INDUSTRY--Farid Abou Cha’r arrives in Beirut on a hot summer morning with his manuscript, looking for a publisher. He is turned down by all of them—“nobody reads anymore,” he is told. Instead, he accepts a job as a proofreader at the famous old print house “Karam Bros.,” allegedly established in 1908. Disappointed by the menial tasks of checking catalogs and ad copy, Farid secretly hopes that his book will eventually be published. His manuscript never leaves his side until one day it disappears and then reemerges, beautifully printed. Farid soon realizes that the expensive paper it’s printed on is the same that the company is using to manufacture fake twenty-euro bills, and that the person who printed the book is none other than his boss’s wife. Entangled in a police investigation and an illicit flirtation, Farid discovers that the Karam Bros. print house is not what it seems. Douaihy dizzies the reader with an intricate play of appearances and deception, and as always, portrays Lebanese society with exquisite irony.
The King and the Clown in South Indian Myth and Poetry
Author: David Dean Shulman
Publisher: Princeton University Press
ISBN: 1400857759
Category : History
Languages : en
Pages : 465
Book Description
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400857759
Category : History
Languages : en
Pages : 465
Book Description
The author discusses the tragi-comic aspect of Chola kingship in relation to other Indian expressions of comedy, such as the Vidiisaka of Sanskrit drama, folk tales of the jester Tenali Rama, and clowns of the South Indian shadow-puppet theaters. The symbolism of the king emerges as part of a wider range of major symbolic figures--Brahmins, courtesans, and the tragic" bandits and warrior-heroes. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.