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Author: Frederic Mansel Reynolds
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 406
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Book Description
Author: Frederic Mansel Reynolds
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 406
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Book Description
Author:
Publisher:
ISBN:
Category : Gift books
Languages : en
Pages : 518
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
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Author: Suzanne Burdon
Publisher: Criteria Publishing
ISBN: 0992354013
Category : Fiction
Languages : en
Pages : 290
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Book Description
"She is singularly bold, somewhat imperious, and active of mind. Her desire of knowledge is great, and her perseverance in everything else she undertakes, almost invincible." Mary Shelley began Frankenstein in 1814, when she was eighteen. By then, she had been living for two years in a scandalous relationship with the poet Percy Bysshe Shelley, who was already married with children. The novel was conceived in a contest with him and Lord Byron to tell ghost stories. When she eloped with Shelley, Mary had been quite prepared to suffer condemnation from society. It was much harder to cope with her jealousy of Claire, her step-sister, who had run away with them and was also in love with Shelley. During the nine turbulent years Mary and Shelley were together, Claire was the ever-present third, whose manipulative behaviour often drove Mary to despair. Shelley was little help - his unconventional attitudes to love strained her devotion to its limits. They moved constantly throughout England, Switzerland and Italy, escaping creditors, censorious families and ill health. It was in Italy that they found their spiritual home, their 'paradise of exiles', but it was also there that the loss of her children nearly broke Mary's spirit. Her writing became her grip on sanity, and Shelley never wavered from his belief in her creative genius - as she believed in his.
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748839
Category : Fiction
Languages : en
Pages : 327
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Frederic Mansel Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 294
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Author: Charles Scribner's Sons
Publisher:
ISBN:
Category : Booksellers and bookselling
Languages : en
Pages : 100
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Author: Mary Shelley
Publisher: Broadview Press
ISBN: 1770486526
Category : Fiction
Languages : en
Pages : 210
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Book Description
Mary Shelley’s Mathilda, the story of one woman’s existential struggle after learning of her father’s desire for her, has been identified as Shelley’s most important work after Frankenstein. The two texts share many characteristics, besides authorship and contemporaneity: both concern parental abandonment; both contribute to the Gothic form through themes of incest, insanity, suicidality, monstrosity, and isolation; and both are epistolary. However, Mathilda was not published until 1959, 140 years after Shelley wrote it—in part because Shelley’s father, William Godwin, suppressed it. This new edition encourages a critical reconsideration of a novella that has been critically stereotyped as biographical and explores its importance to the Romantic debate about suicide. Historical appendices trace the connections between Mathilda and other works by Shelley and by her mother, Mary Wollstonecraft, while also providing biographical documents, contemporary works on the theme of incest, and documents on suicide in the Romantic era.
Author: Mary Wollstonecraft Shelley
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636848
Category : Religion
Languages : en
Pages : 380
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Book Description
"Iconoclastic Departures contributes to the ongoing reevaluation of Mary Shelley as a professional author in her own right with a lifelong commitment to the development of her craft. Many of its essays acknowledge the importance of her family to her work - the steady theme of much earlier scholarship - but for them the family has become an imperative socio-psychological context within which to better understand her innovations in the many literary forms she worked with during her career: journals, letters, travelogues, biographies, poems, dramas, tales, and novels." "The book's essays also convey the conviction that even if Mary Shelley, after Percy Shelley's death, gradually retired from public life as his relatives wished, she retained a resiliently resistant attitude toward many of the established orders of her day, easily recovered by a careful look beyond her "feelings" to the productions of her literary "imagination."" "The Mary Shelley who inhabits this three-part collection of portraits is a radical, even if a quiet radical. Part 1 focuses on various moments in her construction of her authorial identity; parts 2 and 3 anatomize the nature of her resistance and her innovation. She is presented as a writer who reappropriates authority for herself, who redesigns genres, who redefines gender, who rewrites history and biography, who revises her readers' aesthetic expectations, and who protests cultural imperialism at home and abroad. It seems significant to the contributors to this volume that this new, radical Mary Shelley was not invented by a pointed call for papers but emerged spontaneously from an open invitation to scholars working in various corners of the English-speaking world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
